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Author | : Alison Bechdel |
Publisher | : |
Total Pages | : 138 |
Release | : 1992 |
Genre | : Comics & Graphic Novels |
ISBN | : |
Grin, giggle, and guffaw your way through this celebrated cartoonist's graphic commentary of contemporary lesbian life.
Author | : Alison Bechdel |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 424 |
Release | : 2008 |
Genre | : Biography & Autobiography |
ISBN | : 9780618968800 |
For 25 years Bechdel's path-breaking "Dykes to Watch Out For" strip has been collected in award-winning volumes, syndicated in alternative newspapers, and translated into many languages. This collection gathers 60 of the newest strips.
Author | : Alison Bechdel |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 250 |
Release | : 2007 |
Genre | : Art |
ISBN | : 9780618871711 |
A fresh and brilliantly told memoir from a cult favorite comic artist, marked by gothic twists, a family funeral home, sexual angst, and great books. This breakout book by Alison Bechdel is a darkly funny family tale, pitch-perfectly illustrated with Bechdel's sweetly gothic drawings. Like Marjane Satrapi's Persepolis, it's a story exhilaratingly suited to graphic memoir form. Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic -- and redemptive.
Author | : Alison Bechdel |
Publisher | : |
Total Pages | : 0 |
Release | : 1986 |
Genre | : American wit and humor, Pictorial |
ISBN | : 9780932379177 |
Grin, giggle, and guffaw your way through this celebrated cartoonist
Author | : Alison Bechdel |
Publisher | : |
Total Pages | : 0 |
Release | : 2000 |
Genre | : American wit and humor, Pictorial |
ISBN | : 9781563411236 |
Mo considers a panoply of possible gender permutations. Angst with her as she inquires: If she were a transsexual woman, a bisexual man, or a straight woman with a penchant for gay girls, would she still be a dyke to watch out for?
Author | : Alison Bechdel |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 303 |
Release | : 2012-05-01 |
Genre | : Comics & Graphic Novels |
ISBN | : 0547524366 |
The New York Times–bestselling graphic memoir about Alison Bechdel, author of Fun Home, becoming the artist her mother wanted to be. Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood…and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers. A New York Times, USA Today, Time, Slate, and Barnes & Noble Best Book of the Year “As complicated, brainy, inventive and satisfying as the finest prose memoirs.”—New York Times Book Review “A work of the most humane kind of genius, bravely going right to the heart of things: why we are who we are. It's also incredibly funny. And visually stunning. And page-turningly addictive. And heartbreaking.”—Jonathan Safran Foer “Many of us are living out the unlived lives of our mothers. Alison Bechdel has written a graphic novel about this; sort of like a comic book by Virginia Woolf. You won't believe it until you read it—and you must!”—Gloria Steinem
Author | : Alison Bechdel |
Publisher | : |
Total Pages | : 0 |
Release | : 1988 |
Genre | : American wit and humor, Pictorial |
ISBN | : 9780932379450 |
Irksomely earnest Mo makes her debut in this, the second collection of work from Bechdel's signature comic strip. Mo's at loose ends--unemployed, unintentionally celibate and unable to come to grips with a regrettable haircut. What could the unflappable Harriet possibly see in her? Perhaps the answer lies in the "mildly erotic" account of their first night together ...
Author | : Justin Hall |
Publisher | : Fantagraphics Books |
Total Pages | : 329 |
Release | : 2013-08-03 |
Genre | : Comics & Graphic Novels |
ISBN | : 1606997181 |
No Straight Lines showcases major names such as Alison Bechdel, Howard Cruse, and Ralf Koenig (one of Europe’s most popular cartoonists), as well as high-profile, crossover creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention. Queer cartooning encompasses some of the best and most interesting comics of the last four decades, with creators tackling complex issues of identity and a changing society with intelligence, humor, and imagination. This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all. Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades. These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines has been heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.
Author | : Alison Bechdel |
Publisher | : |
Total Pages | : 144 |
Release | : 1993 |
Genre | : American wit and humor, Pictorial |
ISBN | : |
This is the fifth collection of work from Bechdel's signature comic strip, Dykes to Watch Out For. In this volume, Toni and Clarice are having a baby and of particular note is the long sequence created just for readers of Spawn--the birth itself. Where babies come from may never look the same again.
Author | : Jenell Johnson |
Publisher | : Penn State Press |
Total Pages | : 212 |
Release | : 2018-05-25 |
Genre | : Comics & Graphic Novels |
ISBN | : 0271081430 |
This comics anthology delves deeply into the messy and often taboo subject of human reproduction. Featuring work by luminaries such as Carol Tyler, Alison Bechdel, and Joyce Farmer, Graphic Reproduction is an illustrated challenge to dominant cultural narratives about conception, pregnancy, and childbirth. The comics here expose the contradictions, complexities, and confluences around diverse individual experiences of the entire reproductive process, from trying to conceive to child loss and childbirth. Jenell Johnson’s introduction situates comics about reproduction within the growing field of graphic medicine and reveals how they provide a discursive forum in which concepts can be explored and presented as uncertainties rather than as part of a prescribed or expected narrative. Through comics such as Lyn Chevley’s groundbreaking “Abortion Eve,” Bethany Doane’s “Pushing Back: A Home Birth Story,” Leah Hayes’s “Not Funny Ha-Ha,” and “Losing Thomas & Ella: A Father’s Story,” by Marcus B. Weaver-Hightower, the collection explores a myriad of reproductive experiences and perspectives. The result is a provocative, multifaceted portrait of one of the most basic and complicated of all human experiences, one that can be hilarious and heartbreaking. Featuring work by well-known comics artists as well as exciting new voices, this incisive collection is an important and timely resource for understanding how reproduction intersects with sociocultural issues. The afterword and a section of discussion exercises and questions make it a perfect teaching tool.