They Don't Represent Us

They Don't Represent Us
Author: Lawrence Lessig
Publisher: HarperCollins
Total Pages: 452
Release: 2019-11-05
Genre: Political Science
ISBN: 0062945734

WITH A NEW FOREWORD ABOUT THE 2020 ELECTION “This urgent book offers not only a clear-eyed explanation of the forces that broke our politics, but a thoughtful and, yes, patriotic vision of how we create a government that’s truly by and for the people.”—DAVID DALEY, bestselling author of Ratf**ked and Unrigged In the vein of On Tyranny and How Democracies Die, the bestselling author of Republic, Lost argues with insight and urgency that our democracy no longer represents us and shows that reform is both necessary and possible. America’s democracy is in crisis. Along many dimensions, a single flaw—unrepresentativeness—has detached our government from the people. And as a people, our fractured partisanship and ignorance on critical issues drive our leaders to stake out ever more extreme positions. In They Don’t Represent Us, Harvard law professor Lawrence Lessig charts the way in which the fundamental institutions of our democracy, including our media, respond to narrow interests rather than to the needs and wishes of the nation’s citizenry. But the blame does not only lie with “them”—Washington’s politicians and power brokers, Lessig argues. The problem is also “us.” “We the people” are increasingly uninformed about the issues, while ubiquitous political polling exacerbates the problem, reflecting and normalizing our ignorance and feeding it back into the system as representative of our will. What we need, Lessig contends, is a series of reforms, from governmental institutions to the public itself, including: A move immediately to public campaign funding, leading to more representative candidates A reformed Electoral College, that gives the President a reason to represent America as a whole A federal standard to end partisan gerrymandering in the states A radically reformed Senate A federal penalty on states that don’t secure to their people an equal freedom to vote Institutions that empower the people to speak in an informed and deliberative way A soul-searching and incisive examination of our failing political culture, this nonpartisan call to arms speaks to every citizen, offering a far-reaching platform for reform that could save our democracy and make it work for all of us.

Biennial Report

Biennial Report
Author: Kansas State Historical Society
Publisher:
Total Pages: 380
Release: 1887
Genre: Kansas
ISBN:

Jacob Lawrence

Jacob Lawrence
Author: Leah Dickerman
Publisher: Museum of Modern Art, New York
Total Pages: 0
Release: 2015
Genre: African Americans in art
ISBN: 9780870709647

In 1941, Jacob Lawrence, then just twenty-three years old, completed a series of sixty small tempera paintings with text captions about the Great Migration. Within months of its making, Lawrence's Migration series was divided between The Museum of Modern Art (even numbered panels) and the Phillips Memorial Gallery (odd numbered panels). The work has since become a landmark in the history of African-American art, a monument in the collections of both institutions, and a crucial example of the way in which history painting was radically reimagined in the modern era. In 2015 and 2016, marking the centenary of the Great Migration's start (1915-16), the panels will be reunited in exhibitions at The Museum of Modern Art and then The Phillips Collection. Published to accompany the exhibition, this publication both grounds Lawrence's Migration series in the cultural and political debates that shaped the young artist's work and highlights the series' continued resonance for artists and writers working today. An essay by Leah Dickerman situates the series in relation to heady contemporary discussions of the artist's role as a social agent; a growing imperative to write - and give image to - black history in the late 1930s and early 1940s; and an emergent sense of activist politics. Elsa Smithgall traces the exhibition history of the Migration panels from their display at the Downtown Gallery in New York in 1941 to their acquisition by MoMA and the Phillips Collection a year later. Short commentaries on each panel explore Lawrence's career and painting technique and aspects of the social history of the Migration portrayed in his images. The catalogue also debuts ten poems newly commissioned from acclaimed poets written in response to the Migration series. Elizabeth Alexander (honoured as the poet at President Obama's first inauguration) introduces the poetry project with a discussion of the poetic quality of Lawrence's work, as well as the impact and legacy of the poets in his orbit including Claude McKay and Langston Hughes.