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| Author | : Jeanne Boylan |
| Publisher | : Pocket Star |
| Total Pages | : 436 |
| Release | : 2001 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780671034863 |
A gifted forensic artist shares her deeply personal story of her career--from countless manhunts for the nation's most vicious criminals to the painful effects her profession has had on her personal life, to her shattering, firsthand experience with violence that forever altered her life.
| Author | : Daniel Allen Butler |
| Publisher | : Open Road Media |
| Total Pages | : 471 |
| Release | : 2013-05-07 |
| Genre | : History |
| ISBN | : 1480406643 |
A military historian’s “thought-provoking” examination of Germany’s role in the outbreak of the First World War (Soldier Magazine). The conflagration that consumed Europe in August 1914 had been a long time in coming—and yet it need never have happened at all. For though all the European powers were prepared to accept a war as a resolution to the tensions which were fermenting across the Continent, only one nation wanted war to come: Imperial Germany. Of all the countries caught up in the tangle of alliances, promises, and pledges of support during the crisis that followed the assassination of Archduke Franz Ferdinand, Germany alone possessed the opportunity and the power to determine that a war in eastern Europe would become the Great War, which swept across the Continent and nearly destroyed a thousand years of European civilization. For nearly nine decades it has been argued that the responsibility for the First World War was a shared one, spread among all the Great Powers. Now, in The Burden of Guilt, historian Daniel Allen Butler substantively challenges that point of view, establishing that the Treaty of Versailles was actually a correct and fair judgment: Germany did indeed bear the true responsibility for the Great War. Working from government archives and records, as well as personal papers and memoirs of the men who made the decisions that carried Europe to war, Butler interweaves the events of summer 1914 with portraits of the monarchs, diplomats, prime ministers, and other national leaders involved in the crisis. He explores the national policies and goals these men were pursuing, and shows conclusively how on three distinct occasions the Imperial German government was presented with opportunities to contain the spreading crisis—opportunities unlike those of any other nation involved—yet each time, the German government consciously and deliberately chose the path which virtually assured that the Continent would go up in flames. The Burden of Guilt is a work destined to become an essential part of the library of the First World War, vital to understanding not only the “how” but also the “why” behind the pivotal event of modern world history.
| Author | : Ben Rehder |
| Publisher | : Macmillan |
| Total Pages | : 348 |
| Release | : 2006-10-03 |
| Genre | : Fiction |
| ISBN | : 9780312940942 |
Game warden John Marlin hopes that Burnett, a likeable kid, isn't found dead in his burned down house. But Marlin doesn't have the same warm fuzzy feelings about rancher Vance Scofield, who is missing after his SUV is found in the river. Scofield, a skirt-chasing SOB, is a "high fencer," a rancher who pens trophy bucks behind deer-proof fences which lazy hunters can bag for a fee. To Marlin it's like shooting fish in a barrel. Worse, a range war of sorts has erupted with the low-fence ranchers, and things are turning downright ugly. Of course Marlin still doesn't know about the X-rated pictures a blackmailer took of the state senator in cahoots with the high fencers...the scheme being hatched by two bumbling poachers...or the stolen red Corvette which may be the key to everything. What has caught his attention is the sheriff's department's pretty new deputy...
| Author | : Kiki Ryder |
| Publisher | : |
| Total Pages | : 26 |
| Release | : 2021-03-05 |
| Genre | : |
| ISBN | : |
From Kiki Ryder, the freshest new author to hit the erotic and fantasy romance scene. Sexual Reparations explores the deep seated guilt of Emily and Dan, a white suburban couple who have completely bought into the ideology that white people people are responsible for the sufferings of others and owe some form of restitution. Things begin with them doing their part in being vocal and physically participating in rallies, when they eventually encounter some young black men who share the same ideology. Except they're not waiting for political actions and demand their payment now. Payment being the complete sexual submission of Emily and the emasculation of Dan. Through their physical presence, shaming and playing on her guilt they separate her from Dan and take what they want. After being used, Emily is torn between extreme arousal, wanting more and shame, plus not knowing what her partner Dan will say once she returns to him. One thing is for sure, nothing will ever be the same.
| Author | : Ian Buruma |
| Publisher | : New York Review of Books |
| Total Pages | : 345 |
| Release | : 2015-09-01 |
| Genre | : History |
| ISBN | : 1590178599 |
In this now classic book, internationally famed journalist Ian Buruma examines how Germany and Japan have attempted to come to terms with their conduct during World War II—a war that they aggressively began and humiliatingly lost, and in the course of which they committed monstrous war crimes. As he travels through both countries, to Berlin and Tokyo, Hiroshima and Auschwitz, he encounters people who are remarkably honest in confronting the past and others who astonish by their evasions of responsibility, some who wish to forget the past and others who wish to use it as a warning against the resurgence of militarism. Buruma explores these contrasting responses to the war and the two countries’ very different ways of memorializing its atrocities, as well as the ways in which political movements, government policies, literature, and art have been shaped by its shadow. Today, seventy years after the end of the war, he finds that while the Germans have for the most part coped with the darkest period of their history, the Japanese remain haunted by historical controversies that should have been resolved long ago. Sensitive yet unsparing, complex and unsettling, this is a profound study of how people face up to or deny terrible legacies of guilt and shame.
| Author | : Carl Schoonover |
| Publisher | : Harry N. Abrams |
| Total Pages | : 0 |
| Release | : 2010-11-01 |
| Genre | : Medical |
| ISBN | : 9780810990333 |
Portraits of the Mind follows the fascinating history of our exploration of the brain through images, from medieval sketches and 19th-century drawings by the founder of modern neuroscience to images produced using state-of-the-art techniques, allowing us to see the fantastic networks in the brain as never before. These black-and-white and vibrantly colored images, many resembling abstract art, are employed daily by scientists around the world, but most have never before been seen by the general public. Each chapter addresses a different set of techniques for studying the brain as revealed through the images, and each is introduced by a leading scientist in that field of study. Author Carl Schoonover's captions provide detailed explanations of each image as well as the major insights gained by scientists over the course of the past 20 years. Accessible to a wide audience, this book reveals the elegant methods applied to study the mind, giving readers a peek at its innermost workings, helping us to understand them, and offering clues about what may lie ahead. Praise for Portraits of the Mind: "An odyssey through the brain, illuminated by a rainbow" --New York Times "Stunning images" --Scientific American "The collection of images in the new book Portraits of the Mind is truly impressive . . . The mix of history, science and art is terrific." -Wired.com "History, science, and art come together to provide a unique perspective on what's going on upstairs." --New Yorker.com "No knowledge of the source or subject matter of these images is necessary; the book is justified by their beauty alone." --Science "A remarkable new book" - -Discover.com "John Keats's insistence that truth is beauty is exemplified by Carl Schoonover's wonderful book Portraits of the Mind. Since one cannot understand the present without examining the past, this book offers a delightful and instructive way of accomplishing just that. I enthusiastically recommend this beautiful book both to students of brain science and to lovers of art." -Eric R. Kandel, MD, Nobel Prize in Physiology or Medicine, 2000; University Professor at Columbia; Fred Kavli Professor and Director, Kavli Institute for Brain Science; Senior Investigator at the Howard Hughes Medical Institute; and author of In Search of Memory: The Emergence of a New Science of Mind "Portraits of the Mind achieves a rare combination of beauty and knowledge. Its images of the brain are mesmerizing, from medieval engravings to modern visualizations as gorgeously abstract as anything by Rothko or de Kooning. And in explaining the nature of these images, this book also delivers an enlightening, up-to-date history of neuroscience." -Carl Zimmer, author of Soul Made Flesh: The Discovery of the Brain-and How It Changed the World and The Mind's Eye Goes Blind: Fifteen Journeys Through the Brain "Portraits of the Mind is a remarkable book that combines beautifully reproduced illustrations of the nervous system as it has been visualized over the centuries, as well as lively and authoritative commentaries by some of today's leading neuroscientists. It will be enjoyed by professionals and general readers alike." --Dale Purves, MD, Professor of Neurobiology, Psychology and Neuroscience; and Philosophy at Duke University
| Author | : Robert Snell |
| Publisher | : Routledge |
| Total Pages | : 316 |
| Release | : 2018-03-29 |
| Genre | : Psychology |
| ISBN | : 0429917406 |
In the early 1820s, in the gloomy aftermath of the 1789 Revolution and the Napoleonic wars, the French Romantic painter Theodore Gericault (1791-1824) made five portraits of patients in an asylum or clinic. No depictions of madness before or since can compare with them for humanity, straightforwardness and immediacy. The portraits challenge us to find responses in ourselves to the face and the embodied mysteries of the other person, and to our own internal (unsconscious, disavowed) otherness: in this sense, Gericault was a "painter-analyst". The challenge could not be more urgent, in our world of suspicion of the stranger, and of the medicalisation of madness. The book sketches the history of this last process, from the Enlightenment through to the Revolution and its public health policies, to the birth of the asylum in its interface with the penal system. But there was also a new medico-philosophical conviction that the mad were never wholly mad, and their suffering and disturbance might best be addressed through relationship and speech.
| Author | : Elie Wiesel |
| Publisher | : Simon and Schuster |
| Total Pages | : 262 |
| Release | : 1985-03-07 |
| Genre | : History |
| ISBN | : 067154134X |
Originally published: New York: Random House, Ã1976.
| Author | : Tabatha Sopinski Perlman |
| Publisher | : |
| Total Pages | : 6 |
| Release | : 2009 |
| Genre | : Art, American |
| ISBN | : |
| Author | : Allan Coppedge |
| Publisher | : InterVarsity Press |
| Total Pages | : |
| Release | : 2009-09-20 |
| Genre | : Religion |
| ISBN | : 0830876553 |
What is God like? Answering this is the great quest of human existence. Because God is so different from us, we struggle to describe him. While doctrinal statements about God certainly have their place in Christian understanding, the Bible more often uses God's actions and roles to help us know him better. Indeed, some of the most helpful insights in Scripture arise when God is compared to something else: a rock, an eagle or a tower. And many "human" metaphors--metaphors taken from the world of actions and relationships--bring us even closer to understanding of God. In Portraits of God, Allan Coppedge suggests we look carefully at God as our Father, Redeemer, King, Judge, Priest and Creator. These portraits taken together give us an understaning of the Holy One for which no single category is adequate. These images work their way through the whole of Scripture. They are the doorway allowing us into the mysteries of God's very being. In Portraits of God, Coppedge offers a comprehensive survey, picturing a God who wants to be known personally and who has profoundly communicated himself. Coppedge finds the inexhaustible nature of God to be one of holiness reflected in and best described by the language of diverse roles. Approaching God in this way transforms us, as churches and individuals, to reflect God's own holy character. This is a book for students, pastors and churchgoers alike. Anyone desiring to know more deeply and wholly the Christian God revealed in the Bible will find in Portraits of God a treasure of scholarship and truth.
