Portraits Of Columbus
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Author | : Nick Fancher |
Publisher | : |
Total Pages | : 240 |
Release | : 2021-11-30 |
Genre | : Photography |
ISBN | : 9781681987392 |
Go beyond the photographic conventions, break the rules, and create compelling portraits. While the ability to create a conventional, traditional portrait is a must-have skill for any photographer of people, it can often yield a fairly predictable result: a straightforward likeness of the subject, created with a flattering lens in flattering light with a flattering composition. The subject may be pleased with the results, but it's not a very interesting photograph. And in the constant, endless stream of images we consume daily, the portrait is likely forgotten as quickly as it appeared. A truly creative portrait comes from the two-sided exchange between the subject and the photographer, with both parties working together to create an image that goes beyond the simple representation of the subject. The end result is not an image that simply breaks the rules--it's an engaging photograph that both captures the essence of the subject and compels the viewer to stop and take notice. In The Creative Portrait, photographer and author Nick Fancher walks you through a plethora of ideas and techniques for making such creative work. Known for imagery that is bold, colorful, expressive, and widely varied, Nick has built a career by going against the grain. The result has been a consistent output of innovative and striking photographs. In this book, Nick will help you go beyond the conventional approach and explore the endless possibilities that come with intentionally breaking the rules. He'll teach you all about: -The gear he uses, and his overall approach to shooting -Why it's so important to practice photographing paper, plastic, and plants -Multiple long exposure techniques for creating unique and expressive images -Blocking, directing, and concentrating light with cookies, flags, gobos, and snoots -Shooting through glass for numerous creative effects -How he employs smoke, mirrors, and projectors in his work -And much more Throughout the book, Nick includes behind-the-scenes photos and diagrams of his shoots, as well as Lightroom post-processing techniques so you can follow along. He also includes over a dozen creative prompts to actively push you to go beyond your own comfort zone in your photography in order to create compelling portraiture.
Author | : Robert Hume |
Publisher | : Gracewing Publishing |
Total Pages | : 150 |
Release | : 1992 |
Genre | : Biography & Autobiography |
ISBN | : 9780852442111 |
Author | : Berkley Hudson |
Publisher | : UNC Press Books |
Total Pages | : 269 |
Release | : 2021-12-17 |
Genre | : Photography |
ISBN | : 146966271X |
Photographer O. N. Pruitt (1891–1967) was for some forty years the de facto documentarian of Lowndes County, Mississippi, and its county seat, Columbus--known to locals as "Possum Town." His body of work recalls many FSA photographers, but Pruitt was not an outsider with an agenda; he was a community member with intimate knowledge of the town and its residents. He photographed his fellow white citizens and Black ones as well, in circumstances ranging from the mundane to the horrific: family picnics, parades, river baptisms, carnivals, fires, funerals, two of Mississippi's last public and legal executions by hanging, and a lynching. From formal portraits to candid images of events in the moment, Pruitt's documentary of a specific yet representative southern town offers viewers today an invitation to meditate on the interrelations of photography, community, race, and historical memory. Columbus native Berkley Hudson was photographed by Pruitt, and for more than three decades he has considered and curated Pruitt's expansive archive, both as a scholar of media and visual journalism and as a community member. This stunning book presents Pruitt's photography as never before, combining more than 190 images with a biographical introduction and Hudson's short essays and reflective captions on subjects such as religion, ethnic identity, the ordinary graces of everyday life, and the exercise of brutal power.
Author | : William Howard Adams |
Publisher | : |
Total Pages | : 304 |
Release | : 1976 |
Genre | : Art |
ISBN | : |
Author | : Charles Avison |
Publisher | : |
Total Pages | : 44 |
Release | : 1753 |
Genre | : |
ISBN | : |
Author | : Filson Young |
Publisher | : |
Total Pages | : 387 |
Release | : 1906 |
Genre | : America |
ISBN | : |
Author | : Joel Barlow |
Publisher | : |
Total Pages | : 290 |
Release | : 1787 |
Genre | : America |
ISBN | : |
Author | : Anne Collins Goodyear |
Publisher | : Yale University Press |
Total Pages | : 265 |
Release | : 2016-01-01 |
Genre | : Art |
ISBN | : 0300211937 |
The first in-depth exploration of the rise and evolution of abstract, symbolic, and conceptual portraiture in American art This groundbreaking book traces the history of portraiture as a site of radical artistic experimentation, as it shifted from a genre based on mimesis to one stressing instead conceptual and symbolic associations between artist and subject. Featuring over 100 color illustrations of works by artists from Charles Demuth, Marcel Duchamp, Marsden Hartley, and Georgia O'Keeffe to Janine Antoni, Felix Gonzalez-Torres, Roni Horn, Jasper Johns, and Glenn Ligon, this timely publication probes the ways we think about and picture the self and others. With particular focus on three periods during which non-mimetic portraiture flourished--1912-25, 1961-70, and 1990-the present--the authors investigate issues related to technology, sexuality, artist networks, identity politics, and social media, and explore the emergence of new models for the visual representation of identity. Taking its title from a 1961 work by Robert Rauschenberg--a telegram that stated, "This is a portrait of Iris Clert if I say so"--this book unites paintings, sculpture, photography, and text portraits that challenge the genre in significant, often playful ways and question the convention, as well as the limits, of traditional portrayal.
Author | : Kristen Collins |
Publisher | : Graphic Arts Books |
Total Pages | : 242 |
Release | : 2020-11-24 |
Genre | : Photography |
ISBN | : 1513265865 |
People magazine's top reason for Hope in America. Curated from a grassroots social movement, The Front Steps Project is an inspiring, uplifting portrait series capturing how people coped with living in isolation during the COVID-19 pandemic. The Front Steps Project™ demonstrates that even in the most challenging of circumstances, kindness, love, courage, and hope exist to build, bind, and connect communities around the globe. Created on March 18, 2020, The Front Steps Project™ began when friends Kristen Collins and Cara Soulia sought out to unite their neighbors through photographs of life in quarantine. In addition to incorporating work from other local photographers, the women traveled to neighborhoods around Needham, Massachusetts to photograph residents in front of their homes in exchange for donations to their local food pantry. Within days, #TheFrontStepsProject became a grassroots social mission, connecting thousands of people across the globe and raising over $3,250,000 for vital non-profit organizations and local businesses including food pantries, frontline workers, homeless and animal shelters, hospitals and so much more. Through their noble efforts, hundreds of thousands of images and stories of love, sacrifice, compassion, kindness, perseverance, and – ultimately hope – flooded social media. Featured on Good Morning America, The Today Show, People Magazine, The Wall Street Journal, The Boston Globe and more, The Front Steps Project brings communities together virtually, despite being – and maybe feeling – isolated. The Front Steps Project contains over 400 photographs and dozens of stories of families during the COVID-19 pandemic. This heartwarming keepsake commemorates a massive effort of courage, unity, and goodwill. As a tribute to the good work of The Front Steps Project, a portion of book sales will be donated to The United Way to help people impacted by the pandemic.
Author | : Alexandra Wettlaufer |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Women artists |
ISBN | : 9780814211458 |
As women entered the field of cultural production in unprecedented numbers in nineteenth-century France and Britain, they gradually forged a place for themselves, however tenuous, in artistic movements and exhibitions, in academies and salons, and finally in the public imagination. Portraits of the Artist as a Young Woman: Painting and the Novel in France and Britain, 1800-1860 focuses on a decisive period in that process of professional self-invention and maps out the concrete and symbolic roles played by women painters, real and fictional, in the construction of female artistic identity in the aesthetic and the public spheres. Alexandra K. Wettlaufer examines the diverse and complex ways canonical and non-canonical women painters and novelists--including Anne Brontë, Sydney Owenson, Margaret Gillies, Marceline Desbordes-Valmore, George Sand, and Hortense Haudebourt-Lescot--figured and brought forth the radical image of a female subject representing the world. Wettlaufer brings to light a rich and nearly forgotten culture of women's artistic production, allowing us to understand the nineteenth-century in more complex and nuanced ways across the borders of gender, genre, and nation. In her close readings of paintings by women and novels about women painting, she charts the political and cultural resonances of this artistic self-representation, tracing its evolution through themes of "The Studio" (Part I), "Cosmopolitan Visions" (Part II), and "The Portrait" (Part III). By pairing painting and literature in a single study that also considers works from two distinct but closely related cultures, Portraits of the Artist as a Young Woman locates the interpretation of these works in the dialogic context in which they were created and consumed, highlighting aesthetic and political intersections between nineteenth-century British and French art, literature, and feminism that are too often elided by the disciplinary boundaries of scholarship.