Portrait of Lozana
Author | : Francisco Delicado |
Publisher | : |
Total Pages | : 328 |
Release | : 1987 |
Genre | : Literary Criticism |
ISBN | : |
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Author | : Francisco Delicado |
Publisher | : |
Total Pages | : 328 |
Release | : 1987 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Susan E. Myers |
Publisher | : BRILL |
Total Pages | : 353 |
Release | : 2004 |
Genre | : Social Science |
ISBN | : 9004113983 |
Historians--some specializing in the Middle Ages, some in religion, and some in a particular European country--describe the major areas scholars are working in with regard to the friars' preaching to and writing about the Jews from the early days of the mendicant order about the turn of the 13th century to the 16th century. Their topics include the.
Author | : Edward H. Friedman |
Publisher | : Boydell & Brewer |
Total Pages | : 240 |
Release | : 2022-09-20 |
Genre | : Picaresque literature, Spanish |
ISBN | : 1855663678 |
Written by an international group of scholars, this edited collection provides an overview of the Spanish picaresque from its origins in tales of lowborn adventurers to its importance for the modern novel, along with consideration of the debates that the picaresque has inspired.
Author | : Jean Dangler |
Publisher | : Bucknell University Press |
Total Pages | : 236 |
Release | : 2001 |
Genre | : Literary Criticism |
ISBN | : 9780838754528 |
"Mediating Fictions examines the variety of strategies that these authors use to deprecate women healers, and in the process, to create early modern "others" to whom the ideal, male physician could be contrasted. Spill, La Celestina, and La Lozana andaluza all attempt to dissuade their readers from seeking the healing service of ordinary women."--BOOK JACKET.
Author | : Thomas Devaney |
Publisher | : University of Pennsylvania Press |
Total Pages | : 257 |
Release | : 2015-04-03 |
Genre | : History |
ISBN | : 0812291344 |
Toward the end of the fifteenth century, Spanish Christians near the border of Castile and Muslim-ruled Granada held complex views about religious tolerance. People living in frontier cities bore much of the cost of war against Granada and faced the greatest risk of retaliation, but had to reconcile an ideology of holy war with the genuine admiration many felt for individual members of other religious groups. After a century of near-continuous truces, a series of political transformations in Castile—including those brought about by the civil wars of Enrique IV's reign, the final war with Granada, and Fernando and Isabel's efforts to reestablish royal authority—incited a broad reaction against religious minorities. As Thomas Devaney shows, this active hostility was triggered by public spectacles that emphasized the foreignness of Muslims, Jews, and recent converts to Christianity. Enemies in the Plaza traces the changing attitudes toward religious minorities as manifested in public spectacles ranging from knightly tournaments, to religious processions, to popular festivals. Drawing on contemporary chronicles and municipal records as well as literary and architectural evidence, Devaney explores how public pageantry originally served to dissipate the anxieties fostered by the give-and-take of frontier culture and how this tradition of pageantry ultimately contributed to the rejection of these compromises. Through vivid depictions of frontier personalities, cities, and performances, Enemies in the Plaza provides an account of how public spectacle served to negotiate and articulate the boundaries between communities as well as to help Castilian nobles transform the frontier's religious ambivalence into holy war.
Author | : R. Collins |
Publisher | : Springer |
Total Pages | : 292 |
Release | : 2002-07-30 |
Genre | : History |
ISBN | : 1403919771 |
This volume of essays contains contributions from a very wide range of British, American and Spanish scholars. Its primary concern is the relationships between the various ethnic, cultural, regional and religious communities that co-existed in the Iberian peninsula in the later Middle Ages. Conflicts and mutual interactions between them are here explored in a range of both historical and literary studies, to expose something of the rich diversity of the cultural life of later medieval Spain.
Author | : Giancarlo Maiorino |
Publisher | : U of Minnesota Press |
Total Pages | : 356 |
Release | : 1996 |
Genre | : Literary Criticism |
ISBN | : 9780816627233 |
"Picaresque Tales" - parodic narratives relating the adventures of a rogue - have been central to the development of Spanish literature since the time of Cervantes. This text incorporates poststructuralist theory into a comprehensive treatment of such tales written during the Spainish Golden Age. The essays in this volume examine such works as "Lazarillo de Tormes", "Guzman de Alfarache" and "El buscon". The contributors address the connection between literary representation and everyday life, examining the context in which the Picaresque mode developed.
Author | : Sergio Pitol |
Publisher | : Deep Vellum Publishing |
Total Pages | : 425 |
Release | : 2015-03-17 |
Genre | : Literary Collections |
ISBN | : 1941920071 |
The debut work in English by Mexico's greatest and most influential living author and winner of the Cervantes Prize ("the Spanish language Nobel"), The Art of Flight takes the reader on a whirlwind tour of the world's cultural capitals as Sergio Pitol looks back on his well-traveled life as a legendary author, translator, scholar, and diplomat. The first work in Pitol's "Trilogy of Memory," The Art of Flight imaginatively blends the genres of fiction and memoir in a Borgesian swirl of contemplation and mystery, expanding our understanding and appreciation of what literature can be and what it can do. Sergio Pitol Demeneghi (b. 1933 in Puebla), one of Mexico's most acclaimed writers and literary translators, studied law and philosophy in Mexico City, and served for over thirty years as a cultural attaché in Mexican embassies and consulates across the globe, which is reflected in his diverse and universal writing. In recognition of the importance of his entire canon of literary work, Pitol was awarded the Juan Rulfo Prize in 1999 (now known as the FIL Literary Award in Romance Languages), and in 2005 the Cervantes Prize, the most prestigious literary prize in the Spanish language world. George Henson is currently completing a PhD in humanities (with an emphasis on literary and translation studies) at the University of Texas at Dallas. He received his BA from University of Oklahoma, and his MA from Middlebury College. His most recent published translations have included new works by Elena Poniatowska and Andrés Neuman.
Author | : Ryan D. Giles |
Publisher | : University of Toronto Press |
Total Pages | : 229 |
Release | : 2009-10-31 |
Genre | : History |
ISBN | : 1442697091 |
Between the fourteenth and seventeenth centuries in Spain, a large number of parodic works were produced that featured depictions of humourous, satirical, and comical saints. The Laughter of the Saints examines this rich carnivalesque tradition of parodied holy men and women and traces their influence to the anti-heroes and picaresque roots of early modern novels such as Don Quixote. The first full-length treatment of the ways in which Spanish writers imitated religious depictions of saints' lives for comic purposes, Ryan D. Giles' erudite study explores the inversion of oaths, invocations, pious legends, and liturgical devotions. Analyzing a variety of texts from Libro de buen amor, to later works such as the Celestina, Carajicomedia, Lozana andaluza, and Lazarillo de Tormes, Giles not only sheds light on Golden Age Spanish literature, but also on the origins of the comic novel. A well-argued and convincing work, The Laughter of the Saints reveals the uproarious results of the collision of official and unofficial methods of storytelling.
Author | : Don Beecher |
Publisher | : University of Toronto Press |
Total Pages | : 673 |
Release | : 2012-10-19 |
Genre | : Fiction |
ISBN | : 144269954X |
Renowned today for his contribution to the rise of the modern European fairy tale, Giovan Francesco Straparola (c. 1480–c. 1557) is particularly known for his dazzling anthology The Pleasant Nights. Originally published in Venice in 1550 and 1553, this collection features seventy-three folk stories, fables, jests, and pseudo-histories, including nine tales we might now designate for ‘mature readers’ and seventeen proto-fairy tales. Nearly all of these stories, including classics such as ‘Puss in Boots,’ made their first ever appearance in this collection; together, the tales comprise one of the most varied and engaging Renaissance miscellanies ever produced. Its appeal sustained it through twenty-six editions in the first sixty years. This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text. As a comprehensive critical and historical edition, these volumes contain far more information on the stories than can be found in any existing studies, literary histories, or Italian editions of the work. Donald Beecher provides a lengthy introduction discussing Straparola as an author, the nature of fairy tales and their passage through oral culture, and how this phenomenon provides a new reservoir of stories for literary adaptation. Moreover, the stories all feature extensive commentaries analysing not only their themes but also their fascinating provenances, drawing on thousands of analogue tales going back to ancient Sanskrit, Persian, and Arabic stories. Immensely entertaining and readable, The Pleasant Nights will appeal to anyone interested in fairy tales, ancient stories, and folk creations. Such readers will also enjoy Beecher’s academically solid and erudite commentaries, which unfold in a manner as light and amusing as the stories themselves.