Popularizing Japanese Tv
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| Author | : Hakan Ergül |
| Publisher | : Routledge |
| Total Pages | : 280 |
| Release | : 2018-10-26 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1317190378 |
Over the past years, the view has emerged that Japanese TV is dominated by an infotainment mode of discourse. The book extends this view, detailing and interpreting the cultural, economic, and emotional dimensions of this communication phenomenon from an ethnographic perspective. It examines the complex ways in which infotainment works in an advanced capitalist society. As such, this is more than a book about Japan; it is a work that fits within media ethnography and cultural studies, and appeals to readers interested in the question of how television, at the heart of the global media stream, successfully turns into a persuasive, intimate, and powerful member of a televisual audience-family through carefully engineered televisual discourses, linguistic/non-linguistic component, audiovisual strategies, and economic and cultural elements. Drawing on ethnographic observations in TV stations in two major cities, Sendai and Tokyo, the book reveals several essential components embedded within infotainment discourse. Thus, this book not only provides a panoramic picture of a core phenomenon in Japanese broadcasting since the 2000s but also discusses how both cultural discourses and economic considerations influence contemporary television broadcasting.
| Author | : Hakan Ergül |
| Publisher | : Cultural Discourse Studies Series |
| Total Pages | : 166 |
| Release | : 2018 |
| Genre | : Infotainment (Television programs) |
| ISBN | : 9781138680609 |
Over the past years, the view has emerged that Japanese TV is dominated by an infotainment mode of discourse. The book extends this view, detailing and interpreting the cultural, economic, and emotional dimensions of this communication phenomenon from an ethnographic perspective. It examines the complex ways in which infotainment works in an advanced capitalist society. As such, this is more than a book about Japan; it is a work that fits within media ethnography and cultural studies, and appeals to readers interested in the question of how television, at the heart of the global media stream, successfully turns into a persuasive, intimate, and powerful member of a televisual audience-family through carefully engineered televisual discourses, linguistic/non-linguistic component, audiovisual strategies, and economic and cultural elements. Drawing on ethnographic observations in TV stations in two major cities, Sendai and Tokyo, the book reveals several essential components embedded within infotainment discourse. Thus, this book not only provides a panoramic picture of a core phenomenon in Japanese broadcasting since the 2000s but also discusses how both cultural discourses and economic considerations influence contemporary television broadcasting.
| Author | : William M. Tsutsui |
| Publisher | : |
| Total Pages | : 85 |
| Release | : 2010 |
| Genre | : Civilization, Modern |
| ISBN | : 9780924304620 |
Japanese Popular Culture and Globalization is the only concise overview of Japan's phenomenal impact on world pop culture available in English. Surveying Japanese forms from anime (animation) and manga (comic books) to monster movies and Hello Kitty products, this volume is an accessible introduction to Japan's pop creativity and its appeal worldwide. Written in an accessible style and illustrated with more than 20 photographs, Japanese Popular Culture and Globalization combines a historical approach to the evolution and diffusion of Japanese pop with interdisciplinary perspectives from anthropology, literary studies, political science, and the visual arts. Includes a useful glossary of terms and a bibliography of recommended readings.
| Author | : Paula Chakravartty |
| Publisher | : Rowman & Littlefield Publishers |
| Total Pages | : 380 |
| Release | : 2008 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780742540446 |
Edwidge Danticat's short story from Haiti Noir 2: The Classics, "The Port-au-Prince Marriage Special," was included in Ms. Magazine's Fall 2013 issue. Praise for the original Haiti Noir: "Danticat has succeeded in assembling a group portrait of Haitian culture and resilience that is cause for celebration." —Publishers Weekly "This anthology will give American readers a complex and nuanced portrait of the real Haiti not seen on the evening news and introduce them to some original and wonderful writers." —Library Journal "While the publisher defines the term 'noir' broadly—requiring sinister tales or crime stories that evoke a strong sense of place and do not have happy endings—the Haiti book offers its own spin with plenty of grisly crime, dire poverty, and references to magic and religion. There is also some tenderness." —The New York Times Classic stories by: Danielle Legros Georges, Jacques Roumain, Ida Faubert, Jacques-Stephen Alexis, Jan J. Dominique, Paulette Poujol Oriol, Lyonel Trouillot, Emmelie Prophète, Ben Fountain, Dany Laferrière, Georges Anglade, Edwidge Danticat, Michèle Voltaire Marcelin, Èzili Dantò, Marie-Hélène Laforest, Nick Stone, Marilène Phipps-Kettlewell, Myriam J.A. Chancey, and Roxane Gay. The original best-selling Haiti Noir comprised all-new stories by today's best Haitian authors. This new volume collects the true classics of Haitian literature—both short stories and excerpts from longer works—and will be an integral piece of understanding how Haitian culture has evolved over the past fifty years. Editor Edwidge Danticat, one of the most respected Haitian writers, has a well-deserved sterling reputation, and here she follows on the success of the original first volume.
| Author | : Koichi Iwabuchi |
| Publisher | : Duke University Press |
| Total Pages | : 296 |
| Release | : 2002-11-08 |
| Genre | : History |
| ISBN | : 9780822328919 |
DIVAn examination of the increased presence of Japanese media and popluar culture in the rest of Asia and the way it has transformed Japanese self-understanding./div
| Author | : Koichi Iwabuchi |
| Publisher | : Hong Kong University Press |
| Total Pages | : 341 |
| Release | : 2004-03-01 |
| Genre | : Social Science |
| ISBN | : 962209631X |
The recent transnational reach of Japanese television dramas in East and Southeast Asia is unprecedented, and not simply in terms of the range and scale of diffusion, but also of the intense sympathy many young Asians feel toward the characters in Japanese dramas, so that they cope with their own modern lives by emulating the lives on screen. Through the empirical analysis of how Japanese youth dramas are (re)produced, circulated, regulated, and consumed in East and Southeast Asia, each chapter in this volume variously explores the ways in which intra-Asian cultural flows highlight cultural resonance and asymmetry in the region under the decentering processes of globalization. Key questions include: What is the nature of Japanese cultural power and influence in the region and how is it historically overdetermined? How is it similar to and different from "Americanization" and other Asian cultural sub-centers? What kinds of images and sense of intimacy and distance are perceived through the reception of Japanese youth dramas?
| Author | : Ying Zhu |
| Publisher | : Indiana University Press |
| Total Pages | : 546 |
| Release | : 2009-01-28 |
| Genre | : History |
| ISBN | : 0253220262 |
If radio and film were the emblematic media of the Maoist era, television has rapidly established itself as the medium of the "marketized" China and in the diaspora. In less than two decades, television has become the dominant medium across the Chinese cultural world. TV China is the first anthology in English on this phenomenon. Covering the People's Republic, Hong Kong, Taiwan, and the Chinese diaspora, these 12 original essays introduce and analyze the Chinese television industry, its programming, the policies shaping it, and its audiences.
| Author | : Gabriella Lukács |
| Publisher | : Duke University Press |
| Total Pages | : 280 |
| Release | : 2010-08-05 |
| Genre | : Social Science |
| ISBN | : 0822393239 |
In Scripted Affects, Branded Selves, Gabriella Lukács analyzes the development of a new primetime serial called “trendy drama” as the Japanese television industry’s ingenious response to market fragmentation. Much like the HBO hit Sex and the City, trendy dramas feature well-heeled young sophisticates enjoying consumer-oriented lifestyles while managing their unruly love lives. Integrating a political-economic analysis of television production with reception research, Lukács suggests that the trendy drama marked a shift in the Japanese television industry from offering story-driven entertainment to producing lifestyle-oriented programming. She interprets the new televisual preoccupation with consumer trends not as a sign of the medium’s downfall, but as a savvy strategy to appeal to viewers who increasingly demand entertainment that feels more personal than mass-produced fare. After all, what the producers of trendy dramas realized in the late 1980s was that taste and lifestyle were sources of identification that could be manipulated to satisfy mass and niche demands more easily than could conventional marketing criteria such as generation or gender. Lukács argues that by capitalizing on the semantic fluidity of the notion of lifestyle, commercial television networks were capable of uniting viewers into new affective alliances that, in turn, helped them bury anxieties over changing class relations in the wake of the prolonged economic recession.
| Author | : Stewart Anderson |
| Publisher | : Routledge |
| Total Pages | : 260 |
| Release | : 2014-11-20 |
| Genre | : Performing Arts |
| ISBN | : 1317677986 |
This innovative collection investigates the ways in which television programs around the world have highlighted modernization and encouraged nation-building. It is an attempt to catalogue and better understand the contours of this phenomenon, which took place as television developed and expanded in different parts of the world between the 1950s and the 1990s. From popular science and adult education shows to news magazines and television plays, few themes so thoroughly penetrated the small screen for so many years as modernization, with television producers and state authorities using television programs to bolster modernization efforts. Contributors analyze the hallmarks of these media efforts: nation-building, consumerism and consumer culture, the education and integration of citizens, and the glorification of the nation’s technological achievements.
| Author | : Beng Huat Chua |
| Publisher | : Hong Kong University Press |
| Total Pages | : 328 |
| Release | : 2008-02-01 |
| Genre | : Social Science |
| ISBN | : 9789622098923 |
The contributors analyse the subject of Asian pop culture arranged under three headings: 'Television Industry in East Asia', 'Transnational-Crosscultural Receptions of TV Dramas' and 'Nationalistic reactions'.
