Popular Culture In Urban India
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Author | : K. Moti Gokulsing |
Publisher | : Routledge |
Total Pages | : 306 |
Release | : 2009-01-13 |
Genre | : History |
ISBN | : 1134023073 |
This book explores India’s rich popular culture and provides illuminating insights into various aspects of the social, cultural, economic and political realities of contemporary globalised India. It is essential reading for courses on Indian popular culture and a useful resource for more general courses in the field of cultural studies, media studies, history, literary studies and communication studies.
Author | : Sara Dickey |
Publisher | : Cambridge University Press |
Total Pages | : 0 |
Release | : 2007-09-17 |
Genre | : Social Science |
ISBN | : 9780521040075 |
This study of the Indian cinema is concerned particularly with cinema-goers in Madurai, a city in Tamil Nadu, South India. Sara Dickey reviews the history of Tamil film, explains the structure of the industry, and presents the perspective of the filmmakers. However, the core of the book is an analysis of the films themselves and the place they have in the lives of poor people, who organize fan clubs, discuss the films and the actors, and in various ways relate these fantasy worlds to their own lives. Dickey argues that the effect of these films is ultimately conservative, for they glorify poverty while holding out the hope of a better future. Her rich ethnography makes an interesting contribution to the study of film in India and, more generally, to the understanding of popular culture in an Indian city.
Author | : Alan Gledhill |
Publisher | : |
Total Pages | : 309 |
Release | : 2013 |
Genre | : Law |
ISBN | : |
Author | : Lionel Caplan |
Publisher | : Oxford University Press, USA |
Total Pages | : 324 |
Release | : 1987 |
Genre | : History |
ISBN | : |
A striking development of recent times has been the explosive growth of fundamentalist forms of Christianity in the Third World. This book, the first ethnography of an urban Protestant community in India, traces the emergence of this kind of religiosity and shows how it now challenges the liberal doctrines and practices introduced by the missionaries. Caplan portrays fundamentalism as a species of popular culture favored by those far removed from centers of power and privilege. He also explores the nature of the south Indian urban class order, the manner of its reproduction, and its involvement with religious processes.
Author | : Ulka Anjaria |
Publisher | : Temple University Press |
Total Pages | : 0 |
Release | : 2024-04-12 |
Genre | : Literary Criticism |
ISBN | : 9781439916643 |
In an age of social media and reality television, reading and consumption habits in India now demand homegrown pulp fictions. Ulka Anjaria categorizes post-2000 Indian literature and popular culture as constituting “the contemporary,” a movement defined by new and experimental forms—where high- and low-brow meet, and genres break down. Reading India Now studies the implications of this developing trend as both the right-wing resurges and marginalized voices find expression. Anjaria explores the fiction of Chetan Bhagat and Anuja Chauhan as well as Aamir Khan’s television talk show, Satyamev Jayate, plus the work of documentarian Paromita Vohra, to argue how different kinds of texts are involved in imagining new political futures for an India in transition. Contemporary literature and popular culture in India might seem artless and capitalistic, but it is precisely its openness to the world outside that allows these new works to offer significant insight into the experiences and sensibilities of contemporary India.
Author | : Asha Kasbekar Ph.D. |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 358 |
Release | : 2006-01-24 |
Genre | : Social Science |
ISBN | : 1851096418 |
The over-the-top musicals of Bollywood may be the most familiar aspect of Indian popular culture, but there are many more, all explored in this fascinating volume. Pop Culture India! Media, Arts, and Lifestyle follows the rise of modern India's pop culture world, especially since the 1980s, when relaxed censorship and economic liberalization led to an explosion in movies, music, mass media, consumerism, spiritual practices, and more. It is a captivating introduction to a diverse nation whose appetite for entertainment has led to some surprising twists and turns in recent history. How did a popular Indian television series spark a change in government and the rise of Hindu nationalism? Are some Bollywood film companies laundering money for organized crime, or even al Qaeda? What accounts for the overwhelming popularity of that quaint vestige of colonialism, cricket? The answers, and many more intriguing insights, await the reader in Pop Culture India!
Author | : Nita Kumar |
Publisher | : Princeton University Press |
Total Pages | : 307 |
Release | : 2017-03-14 |
Genre | : Social Science |
ISBN | : 1400886996 |
Nita Kumar offers an evocative and sensitive portrayal of rarely explored aspects of Hindu culture through her analysis of the way leisure time is used by Hindu and Muslim artisans of Banaras--the weavers, metalworkers, and woodworkers. Music, festivals, the place of physical culture, and the importance of going "to the outer side" all are examined as Kumar looks at changes that have occurred in leisure-time activities over the last century. The discussion raises questions of the cultural and conceptual aspects of working-class life, the role of fun and play in Indian thought, the importance of public activities in terms of personal identity, and the meaning of an Indian city to its residents. This analysis turns away from the usual models of Hindu-Muslim conflict by seeing divisions based on occupation, income level, education, and urban neighborhood as more relevant for the construction of identity than those based on religion or community. Kumar draws her information from police station records, Hindi newspapers and periodicals, publications of local individuals and organizations, oral history, and ethnographic data. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Raiford Guins |
Publisher | : SAGE |
Total Pages | : 564 |
Release | : 2005-05 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780761974727 |
"The selection of essays here is outstanding. The Reader is particularly strong in bridging between founding figures and cutting edge work by newer writers."- Henry Jenkins, MIT "An extraordinarily well considered selection of articles and essays, arranged with skill and style." - Charlie Blake, University College NorthamptonPopular Culture: A Reader helps students understand the pervasive role of popular culture and the processes that constitute it as a product of industry, an intellectual object of inquiry and an integral component of all our lives.The volume is divided into 7 thematic sections, and each section is preceded by an introduction which engages with, and critiques, the chapters that follow. The book contains: Classic writings from all the ′big names′ including Raymond Williams, Stuart Hall, Walter Benjamin, Theodor Adorno, Frederic Jameson, Dick Hebdige, Angela McRobbie, Paul Gilroy and many more. Contemporary cultural references throughout - this is not simply an historical account. Pieces drawing on diverse national, disciplinary and subdisciplinary contexts. Sensitivity to issues of gender, race and sexuality. This reader is a key resource for students of media and communication studies, cultural studies, and the sociology of the media.
Author | : Christine Lundberg |
Publisher | : Routledge |
Total Pages | : 500 |
Release | : 2018-07-03 |
Genre | : Business & Economics |
ISBN | : 1317193415 |
This handbook provides a comprehensive overview and holistic analysis of the intersection between tourism and popular culture. It examines current debates, questions and controversies of tourism in the wake of popular culture phenomena and explores the relationships between popular culture, globalization, tourism and mobility. In addition, it offers a cross-disciplinary, cutting edge review of the character of popular cultural production and consumption trends, analyzing their consequences for tourism, spatial strategies and destination competitiveness. The scope of the volume encompasses various expressions of popular culture such as cinema, TV shows, music, literature, sports and heritage. Featuring a mix of theoretical and empirical chapters, the handbook problematizes and conceptualizes the ties and clusters of popular cultural actors, thereby positioning tourism within the wider context of creative economies, cultural planning and multimodal technologies. Written by an international team of academics with expertise in a range of disciplines, this timely book will be of interest to researchers from a variety of subjects including tourism, events, geography, cultural studies, fandom research, political economy, business, media studies and technology.
Author | : Stephanie Stocker |
Publisher | : transcript Verlag |
Total Pages | : 303 |
Release | : 2017-05-31 |
Genre | : Social Science |
ISBN | : 3839438853 |
Caste hierarchy has frequently been singled out as the overriding principle of Indian society. This book examines its significance among the highly-educated middle class in the Tamil town of Madurai. As part of their distinctive status as `educated persons', young graduates form egalitarian constellations by ostensibly subverting the boundaries inscribed by caste hierarchy. Stephanie Stocker explores how these friendships are maintained in wider social contexts, finding that the actors engage in supportive networks throughout career and marriage events. Instead of assuming these relationships to be of an entirely different, `alternative category', however, Stocker's study proposes a dynamic character of friendship which in fact remains in conjunction with Indian values of hierarchy.