Polks New Orleans Orleans Parish La City Directory
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Catalog of Copyright Entries. Third Series
Author | : Library of Congress. Copyright Office |
Publisher | : Copyright Office, Library of Congress |
Total Pages | : 1140 |
Release | : 1969 |
Genre | : Copyright |
ISBN | : |
Catalog of Copyright Entries. New Series
Author | : Library of Congress. Copyright Office |
Publisher | : Copyright Office, Library of Congress |
Total Pages | : 836 |
Release | : 1947 |
Genre | : |
ISBN | : |
Includes Part 1, Books, Group 1 (1946)
Catalogue of Copyright Entries
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 854 |
Release | : 1946 |
Genre | : Copyright |
ISBN | : |
Catalog of Copyright Entries
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 848 |
Release | : 1946 |
Genre | : American drama |
ISBN | : |
Catalog of Copyright Entries, Third Series
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 624 |
Release | : 1953 |
Genre | : American literature |
ISBN | : |
Catalog of Copyright Entries. Part 1. [B] Group 2. Pamphlets, Etc. New Series
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 1114 |
Release | : 1982 |
Genre | : |
ISBN | : |
Dancing the Politics of Pleasure at the New Orleans Second Line
Author | : Rachel Carrico |
Publisher | : University of Illinois Press |
Total Pages | : 191 |
Release | : 2024-10-22 |
Genre | : Performing Arts |
ISBN | : 025204715X |
On many Sundays, Black New Orleanians dance through city streets in Second Lines. These processions invite would-be spectators to join in, grooving to an ambulatory brass band for several hours. Though an increasingly popular attraction for tourists, parading provides the second liners themselves with a potent public expression of Black resistance. Rachel Carrico examines the parading bodies in motion as a form of negotiating and understanding power. Seeing pleasure as a bodily experience, Carrico reveals how second liners’ moves link joy and liberation, self and communal identities, play and dissent, and reclamations of place. As she shows, dancers’ choices allow them to access the pleasure of reclaiming self and city through motion and rhythm while expanding a sense of the possible in the present and for the future. In-depth and empathetic, Dancing the Politics of Pleasure at the New Orleans Second Line blends analysis with a chorus of Black voices to reveal an indelible facet of Black culture in the Crescent City.