Politics Civic Ideals And Sculpture In Italy
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| Author | : Brendan Cassidy |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : 9781905375011 |
"This book explores how the different forms of government and political factions of the Italian states in the thirteenth and fourteenth century used sculpture to express their authority and their achievements. It was a period of radical transformation both in politics and in art; and while paintings such as Lorenzetti's fresco of Good and Bad Government in Siena could convey the ideals and ideology of the political classes to a limited audience, it was rather the more public sculpted monuments - the tombs, fountains and portals by artists such as Giovanni Pisano, Arnolfo di Cambio or Tino di Camaino - that could speak directly to the man-in-the-street. The solid marble of monuments denoted strength and power and suggested permanence, the condition to which all regimes aspired." --Book Jacket.
| Author | : DavidJ. Drogin |
| Publisher | : Routledge |
| Total Pages | : 286 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351554891 |
The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.
| Author | : Frances Andrews |
| Publisher | : Cambridge University Press |
| Total Pages | : 429 |
| Release | : 2013-11-28 |
| Genre | : History |
| ISBN | : 110704426X |
Major new study of secular-religious boundaries and the role of the clergy in the administration of Italy's late medieval city-states.
| Author | : John E. Law |
| Publisher | : Routledge |
| Total Pages | : 394 |
| Release | : 2016-12-05 |
| Genre | : History |
| ISBN | : 1351950355 |
Building on important issues highlighted by the late Philip Jones, this volume explores key aspects of the city state in late-medieval and Renaissance Italy, particularly the nature and quality of different types of government. It focuses on the apparently antithetical but often similar governmental forms represented by the republics and despotisms of the period. Beginning with a reprint of Jones's original 1965 article, the volume then provides twenty new essays that re-examine the issues he raised in light of modern scholarship. Taking a broad chronological and geographic approach, the collection offers a timely re-evaluation of a question of perennial interest to urban and political historians, as well as those with an interest in medieval and Renaissance Italy.
| Author | : Carla D'Arista |
| Publisher | : Harvey Miller |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Architecture, Renaissance |
| ISBN | : 9781912554256 |
Shrewd and ruthless, the Pucci were Medici loyalists whose political and cultural alignment with the most powerful family in Renaissance Florence was rewarded with wealth and influence. The Pucci family's martial support for the Medici in the ugly business of ruling Tuscany drove their transformation from a clan of minor guildsmen to a noble dynasty with three cardinals to its name. Over the next centuries, they showcased their exalted status with art and architecture that mirrored Medici tastes and reflected the values of civic humanism. The political and religious turmoil of the High Renaissance is writ large in this vivid portrait of the Pucci cardinals and their artistic patronage, a cultural biography inflected by the expulsion of the Medici from Florence, the Sack of Rome, the Reformation, and the occupation of Italy by Emperor Charles V. New archival evidence documents the chapels, palaces, and villas that were built, expanded, and decorated by the Pucci family in Rome, Tuscany, and Umbria. These celebrated projects were carried out by luminaries of Renaissance art and architecture: Michelozzo, the Pollaiuolo brothers, the Sangallo family, Baccio d'Agnolo, the Montelupo workshop, and others. A remarkable body of inventories reveals how the family's trials and tribulations shaped the fate of their estates and illustrates the role luxury goods played in the social ambitions of this newly-arrived family. Finally, a previously unknown catalogue of Palazzo Pucci tells the tale of the nineteenth-century dispersal of the family's priceless Renaissance artworks, a collection that once paralleled the splendor of the Medici court.
| Author | : Carrie E. Benes |
| Publisher | : Penn State Press |
| Total Pages | : 294 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 0271037660 |
Between 1250 and 1350, numerous Italian city-states jockeyed for position in a cutthroat political climate. Seeking to legitimate and ennoble their autonomy, they turned to ancient Rome for concrete and symbolic sources of identity. Each city-state appropriated classical symbols, ancient materials, and Roman myths to legitimate its regime as a logical successor to&—or continuation of&—Roman rule. In Urban Legends, Carrie Bene&š illuminates this role of the classical past in the construction of late medieval Italian urban identity.
| Author | : Areli Marina |
| Publisher | : Penn State Press |
| Total Pages | : 220 |
| Release | : 2012-04-07 |
| Genre | : Architecture |
| ISBN | : 0271058919 |
During the long thirteenth century, the cities of northern Italy engendered a vital and distinctive civic culture despite constant political upheaval. In The Italian Piazza Transformed, Areli Marina examines the radical transformation of Parma’s urban center in this tumultuous period by reconstructing the city’s two most significant public spaces: its cathedral and communal squares. Treating the space of these piazzas as attentively as the buildings that shape their perimeters, she documents and discusses the evolution of each site from 1196, tracing their construction by opposing political factions within the city’s ruling elite. By the early fourteenth century, Parma’s patrons and builders had imposed strict geometric order on formerly inchoate sites, achieving a formal coherence attained by few other cities. Moreover, Marina establishes that the piazzas’ orderly contours, dramatic open spaces, and monumental buildings were more than grand backdrops to civic ritual. Parma’s squares were also agents in the production of the city-state’s mechanisms of control. They deployed brick, marble, and mortar according to both ancient Roman and contemporary courtly modes to create a physical embodiment of the modern, syncretic authority of the city’s leaders. By weaving together traditional formal and iconographic approaches with newer concepts of the symbolic, social, and political meanings of urban space, Marina reframes the complex relationship between late medieval Italy’s civic culture and the carefully crafted piazzas from which it emerged.
| Author | : Michele Helene Bogart |
| Publisher | : Smithsonian Institution Scholarly Press |
| Total Pages | : 420 |
| Release | : 1997-05-17 |
| Genre | : Art |
| ISBN | : |
Bogart (art history, State University of New York, Stony Brook) explores how New York's celebrated municipal sculptures were supported, who created them, and why the majority of significant pieces were sponsored and produced between 1890 and 1920. Accounts of the most significant commissions (including NYPL) examine the institutional structure and organizational framework of public art patronage and production and document the complicated maneuvering for commissions. Illustrated with bandw photos. Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : Beth Williamson |
| Publisher | : Routledge |
| Total Pages | : 328 |
| Release | : 2017-09-29 |
| Genre | : Art |
| ISBN | : 1351788434 |
This title was first published in 2000: Introduced by Joanna Cannon, this volume of essays by postgraduate students at the Courtauld Institute, University of London, explores some of the ways in which art was used to express, to celebrate, and to promote the political and religious aims and aspirations of those in power in the city states of central Italy in the thirteenth and fourteenth centuries. The contributions focus on four centres: Siena, Arezzo, Pisa and Orvieto, and range over a number of media: fresco, panel painting, sculpture, metalwork, and translucent enamel. Employing a variety of methods and approaches, these stimulating essays offer a fresh look at some of the key artistic projects of the period. The dates cited in the title, 1261 and 1352, refer to two well-known works, Coppo di Marcovaldo’s Madonna del Bordone and the Guidoriccio Fresco in the Palazzo Pubblico of Siena, here newly assigned to this date. By concentrating on individual cases such as these, the essays provide rewardingly sustained consideration, at the same time raising crucial issues concerning the role of art in the public life of the period. These generously-illustrated studies introduce new material and advance new arguments, and are all based on original research. Clear and lively presentation ensures that they are also accessible to students and scholars from other disciplines. Art, Politics and Civic Religion in Central Italy, 1261-1352 is the first volume in the new series Courtauld Institute Research Papers. The series makes available original recently researched material on western art history from classical antiquity to the present day.
| Author | : Louise Bourdua |
| Publisher | : BRILL |
| Total Pages | : 249 |
| Release | : 2011-12-09 |
| Genre | : History |
| ISBN | : 9004210768 |
These studies explore aspects of Julian Gardner’s wide range of interests and approaches, ranging from Parisian metalwork to the Wilton diptych, Franciscan iconography, the tomb of a leading theologian and several studies of the art of Rome and Northern Italy.
