Politics And Propaganda
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| Author | : Nicholas J. O'Shaughnessy |
| Publisher | : Manchester University Press |
| Total Pages | : 276 |
| Release | : 2004 |
| Genre | : Communication in politics |
| ISBN | : 9780719068539 |
From the taunting videos of Osama Bin Laden to the partisan euphoria of the embedded journalist, from the visual rhetoric of the anti-globalisation movement to the empire of spin to the scalding polemics of American campaign advertising, propaganda is back. This book provides a full and detailed analysis of the phenomenon of propaganda, its meaning, content and urgent significance. It is one of the most original works ever published on the subject. While it applies a conceptual approach to the study of propaganda, the theoretics are grounded in practice. Insightful case studies on Symbolic Government, negative campaign advertising, single issue group polemic and corporate propaganda, culminate in a vivid narrative of the role of propaganda in driving the remorseless new conflict which began on September 11 2001. Contents Part One: Defining what and reasoning why 1. A question of meaning 2. Explaining propaganda Part Two: A conceptual arrangement 3. An essential trinity: rhetoric, symbolism and myth 4. Elements of propaganda: foundations; why we need enemies; enmity in action Part Three: case studies in propaganda 5. Privatising propaganda: the rise of the single issue 6. Evangelism and corporate propaganda 7. Propaganda and the symbolic state: a British experience 8. 9-11 and war 9. Weapons of mass deception: propaganda, the media and the Iraq war Afterword - The impact of propaganda Index Nicholas O'Shaughnessy is Professor of Marketing and Communication at the University of Keele
| Author | : Yochai Benkler |
| Publisher | : Oxford University Press |
| Total Pages | : 473 |
| Release | : 2018-09-17 |
| Genre | : Political Science |
| ISBN | : 0190923644 |
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Is social media destroying democracy? Are Russian propaganda or "Fake news" entrepreneurs on Facebook undermining our sense of a shared reality? A conventional wisdom has emerged since the election of Donald Trump in 2016 that new technologies and their manipulation by foreign actors played a decisive role in his victory and are responsible for the sense of a "post-truth" moment in which disinformation and propaganda thrives. Network Propaganda challenges that received wisdom through the most comprehensive study yet published on media coverage of American presidential politics from the start of the election cycle in April 2015 to the one year anniversary of the Trump presidency. Analysing millions of news stories together with Twitter and Facebook shares, broadcast television and YouTube, the book provides a comprehensive overview of the architecture of contemporary American political communications. Through data analysis and detailed qualitative case studies of coverage of immigration, Clinton scandals, and the Trump Russia investigation, the book finds that the right-wing media ecosystem operates fundamentally differently than the rest of the media environment. The authors argue that longstanding institutional, political, and cultural patterns in American politics interacted with technological change since the 1970s to create a propaganda feedback loop in American conservative media. This dynamic has marginalized centre-right media and politicians, radicalized the right wing ecosystem, and rendered it susceptible to propaganda efforts, foreign and domestic. For readers outside the United States, the book offers a new perspective and methods for diagnosing the sources of, and potential solutions for, the perceived global crisis of democratic politics.
| Author | : Jennifer L. Airey |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 261 |
| Release | : 2012 |
| Genre | : Drama |
| ISBN | : 1611494044 |
Beginning with the outbreak of the Irish Rebellion of 1641 and concluding with reactions to the accession of William and Mary, The Politics of Rape is the first full-length study to examine theatrical representations of sexual violence in the latter-half of the seventeenth century.
| Author | : Harold D. Lasswell |
| Publisher | : MIT Press |
| Total Pages | : 269 |
| Release | : 1971-04-15 |
| Genre | : Political Science |
| ISBN | : 0262620189 |
A classic book on propaganda technique proposes a general theory of the strategy and tactics of propaganda. This classic book on propaganda technique focuses on American, British, French, and German experience in World War I. The book sets forth a simple classification of various psychological materials used to produce certain specific results and proposes a general theory of strategy and tactics for the manipulation of these materials. In an introduction (coauthored by Jackson A. Giddens) written for this edition, Harold Lasswell notes that this study was partially an exercise in the discovery of appropriate theory. It raised the crucial questions of how to classify the content of propaganda—for instance, a distinction is made between "value demands" (war aims, war guilt, and casting the enemy as evil personified) and "expectations" (the illusion of victory)—and how to summarize the procedures employed in organizing and carrying out propaganda operations. Propaganda Technique in World War I deals primarily with problems of internal administration and lateral coordination rather than with the relationship between policymakers and propagandists. However, Jackson Giddens enumerates procedures in the book that illustrate an underlying assumption that decision makers were deeply involved in propaganda and influenced by considerations of public opinion. He takes the study of propaganda further by elaborating on the nature and meaning of the category of "war aims" and its relation to the propagandist, for this, more than any other category of content, "is the catalyst of transnational political action." Giddens's exploration of the development of a comprehensive theory of propaganda adds another dimension to Lasswell's study while confirming its value as outstanding groundwork for continuing research.
| Author | : Gary D. Rawnsley |
| Publisher | : Edward Elgar Publishing |
| Total Pages | : 464 |
| Release | : 2021-12-28 |
| Genre | : |
| ISBN | : 9781789906417 |
This timely Research Handbook draws on a wide range of international case studies to assess the transformative impact of modern communication landscapes on political propaganda. From Brexit to Donald Trump, from presidential elections in Mexico to political rallies in India, from 'fake news' to Cambridge Analytica, contributors demonstrate the ways in which growing digital platforms have amplified the reach and influence of political propaganda. International contributors dissect current political contexts, with a key focus on the growth of populism, nationalism and alt-right politics, to understand how propaganda contributes to the formation and organization of political cultures. Chapters pay close attention to recent election campaigns across Europe, Asia and the Americas and analyse political and cultural information wars that have been fuelled by misinformation and the so-called 'fake news' in digital media. Bringing together pioneering empirical research into contemporary communication, campaigning, journalism and new media in a new political age, this Research Handbook provides a critical understanding of how propaganda contributes to the modern exercise of power globally. Offering interdisciplinary perspectives on an issue at the forefront of contemporary politics, this Research Handbook is a crucial resource for both scholars and students of international politics and relations, security, communications and media studies. Its practical insights into political campaigning and new media will also benefit policymakers, governments and citizens in handling key challenges posed to the healthy functioning of political systems by propaganda.
| Author | : Daniel C. Lynch |
| Publisher | : |
| Total Pages | : 327 |
| Release | : 1999 |
| Genre | : History |
| ISBN | : 0804734615 |
This book argues that a combination of property rights reform, administrative fragmentation, and technological advance has caused the post-Mao Chinese state to lose a significant degree of control over “thought work,” or the management of propagandistic communications flowing into and through Chinese society. The East Asian economic meltdown of the late 1990’s has reinforced the conviction, derived from Communism’s nearly worldwide collapse a decade earlier, that the only path to sustained prosperity combines an openness to trade and investment with market economies that are minimally impinged upon by state intervention. But, the author argues, the situations in China demonstrates that the political, social, and cultural costs of “reform and opening” are high. Notably, the construction of culture in China has fallen into the hands of lower-level government administrators, semiautonomous individuals and groups in society, and foreign-based public and private organizations. Contrary to the prevailing neo-liberal wisdom, however, this transformation has not generated a Habermasian public sphere and an autonomous civil society that will lead China inevitably toward democracy. Instead, the immediate result has been “public sphere praetorianism,” a condition in which the construction of culture becomes excessively market-oriented without being directed toward the achievement of public political goals. The case of China shows that under such conditions, a society is set adrift and rudderless, with its members unable or unwilling to channel their energies toward the resolution of pressing public concerns, and communication flows dissolve into a patternless mosaic. True, the flows are much less constrained by government than ever before—an important precondition for democratization. But the short-term effect is actually an enervating depoliticization—even narcotization—of society, while the state itself paradoxically continues to lose control.
| Author | : Colin Moore |
| Publisher | : A&C Black |
| Total Pages | : 201 |
| Release | : 2010-08-06 |
| Genre | : Art |
| ISBN | : 1408105918 |
Propaganda Prints reviews the history, cultural diversity and artistic legacy of art produced in the service of social and political change from ancient times to the present day. The author presents the arts of state control, of opposition, of revolution, of advertising, politics and self-promotion in their historical contexts, with three hundred images to evoke some of the dreams and concerns which have driven humanity through the last five thousand years. The Ancient Mesopotamians are there with the Romans, the Crusaders, the Normans, the Victorians, the Suffragettes, the Nazis and the Hippies. The American, French, Russian, Mexican, Chinese and Cuban revolutions all contribute as do many, far too many, wars. From Gutenberg's printing press to You Tube, from Alexander to Obama, this review of propaganda art reflects the best and the worst of us, and offers the pictures by way of consolation.
| Author | : Jason Stanley |
| Publisher | : Princeton University Press |
| Total Pages | : 376 |
| Release | : 2015-05-26 |
| Genre | : Political Science |
| ISBN | : 1400865808 |
How propaganda undermines democracy and why we need to pay attention Our democracy today is fraught with political campaigns, lobbyists, liberal media, and Fox News commentators, all using language to influence the way we think and reason about public issues. Even so, many of us believe that propaganda and manipulation aren't problems for us—not in the way they were for the totalitarian societies of the mid-twentieth century. In How Propaganda Works, Jason Stanley demonstrates that more attention needs to be paid. He examines how propaganda operates subtly, how it undermines democracy—particularly the ideals of democratic deliberation and equality—and how it has damaged democracies of the past. Focusing on the shortcomings of liberal democratic states, Stanley provides a historically grounded introduction to democratic political theory as a window into the misuse of democratic vocabulary for propaganda's selfish purposes. He lays out historical examples, such as the restructuring of the US public school system at the turn of the twentieth century, to explore how the language of democracy is sometimes used to mask an undemocratic reality. Drawing from a range of sources, including feminist theory, critical race theory, epistemology, formal semantics, educational theory, and social and cognitive psychology, he explains how the manipulative and hypocritical declaration of flawed beliefs and ideologies arises from and perpetuates inequalities in society, such as the racial injustices that commonly occur in the United States. How Propaganda Works shows that an understanding of propaganda and its mechanisms is essential for the preservation and protection of liberal democracies everywhere.
| Author | : Gerald Sussman |
| Publisher | : Frontiers in Political Communication |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Communication in politics |
| ISBN | : 9781433109966 |
"The Propaganda Society analyzes the rapid expansion of propaganda and promotional activities in the leading 'post-industrial' states under the regime of neoliberalism. With the outsourcing of manufacturing, these states have converted to service, selling, and speculative economies, with a concurrent rapid growth of advertising, marketing, public relations, sales management, branding, and other promotional enterprises. Aided by digital technologies and the removal - 'deregulation' - of political, legal, administrative, and moral barriers to state and corporate expansion on a global scale, a group of dominant political and commercial actors have brought about a common discourse and convergent set of practices rooted in sophisticated and unprecedented levels of propaganda and promotion. Written by leading scholars in the field, each of the eighteen chapters in this book discuss the ways in which elite uses of propaganda have radically transformed media and information systems, political and public culture, the conduct of war and foreign relations, and the overall behavior of the state."-- Back cover.
| Author | : Jay Douglas Steinmetz |
| Publisher | : Lexington Books |
| Total Pages | : 217 |
| Release | : 2017-11-24 |
| Genre | : Political Science |
| ISBN | : 1498556817 |
In Beyond Free Speech and Propaganda: The Political Development of Hollywood, 1907–1927, Jay Douglas Steinmetz provides an original and detailed account of the political developments that shaped the American Film Industry in the silent years. In the 1900s and 1910s, the American film industry often embraced the arguments of film free speech and extolled the virtues of propagandistic cinema—the visual art of persuasion seen as part and parcel of deliberative democracy. The development of American cinema in these years was formatively shaped by conflicts with another industry of cultural consumption: liquor. Exhibitors battled with their competitors, the ubiquitous saloon, while film producers often attacked the immorality of drink with explosive propaganda on the screen. But the threat of censorship and economic regulation necessitated control and mastery over the social power of the cinema (its capacity to influence the public through the visualization of ideas) not an open medium of expression or an explicitly political instrument of molding public opinion. By the early 1920s, big producer-distributors based in Southern California sidelined arguments for film free speech and tamped down the propagandistic possibilities of the screen. Through their trade association, the Motion Picture Producers and Distributors of America, headed by Republican insider Will H. Hays, the emerging moguls of Hollywood negotiated government regulation, prohibition, and the insurgency of the Ku Klux Klan in the turbulent 1920s. A complex and interconnected work of political history, this volume also uncovers key aspects in the development of modern free speech, propaganda in American political culture, the modern Republican Party, cultural developments leading up to prohibition, and the rise and fall of the Ku Klux Klan in the 1920s. This work will be of particular interest to film and political historians interested in social movements, economic development, regulation, and the evolution of consumer capitalism in the early 20th century.
