Politics And Culture In Post War Italy
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Author | : David A. Forgacs |
Publisher | : Indiana University Press |
Total Pages | : 754 |
Release | : 2007 |
Genre | : History |
ISBN | : 0253219485 |
From the 1930s to the 50s in Italy commercial cultural products were transformed by new reproductive technologies and ways of marketing and distribution, and the appetite for radio, films, music and magazines boomed. This book uses new evidence to explore possible continuities between the uses of mass culture before and after World War II.
Author | : Mabel Berezin |
Publisher | : Cornell University Press |
Total Pages | : 288 |
Release | : 1997 |
Genre | : Biography & Autobiography |
ISBN | : 9780801484209 |
In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini's regime consciously constructed a nonliberal public sphere to support its political aims. Fascism stresses form over content, she believes, and the regime tried to build its political support through the careful construction and manipulation of public spectacles or rituals such as parades, commemoration ceremonies, and holiday festivities. The fascists believed they could rely on the motivating power of spectacle, and experiential symbols. In contrast with the liberal democratic notion of separable public and private selves, Italian fascism attempted to merge the public and private selves in political spectacles, creating communities of feeling in public piazzas. Such communities were only temporary, Berezin explains, and fascist identity was only formed to the extent that it could be articulated in a language of pre-existing cultural identities. In the Italian case, those identities meant the popular culture of Roman Catholicism and the cult of motherhood. Berezin hypothesizes that at particular historical moments certain social groups which perceive the division of public and private self as untenable on cultural grounds will gain political ascendance. Her hypothesis opens a new perspective on how fascism works.
Author | : Roberto Cavallini |
Publisher | : Mimesis |
Total Pages | : 119 |
Release | : 2017-05-30T00:00:00+02:00 |
Genre | : Art |
ISBN | : 8869771156 |
The primary objective of this collection is to examine the ways in which religion, culture and politics converge in configuring the contradictions of post-war Italy’s cultural history, starting from the assumption that conducting a critical reflection on Italian postwar visual culture requires investigating the inevitable impact of Catholic religion on everyday life in its social, political and cultural dimensions. The volume takes advantage of the privileged position of cinema to explore and critique religion’s influence on the Italian cultural landscape. This edited anthology thus seeks to probe how religion is experienced, practiced, criticized and represented from various methodological perspectives (historical, philological, aesthetic, psychoanalytical, popular studies, etc.) through four main sections: ‘Propaganda and Censorship’, ‘Framing Belief: Pasolini and Petri’, ‘Religion in Italian Popular Cinema’ and ‘Ancient Rituals, Modern Myths’.
Author | : Graziella Parati |
Publisher | : Rowman & Littlefield |
Total Pages | : 183 |
Release | : 2016-09-14 |
Genre | : History |
ISBN | : 1611479517 |
Italy and the Cultural Politics of World War I dialogues with the variety of texts recently published to commemorate the Great War. It explores Italian socialist pacifism, the role of women during the conflict and a dominant cultural movement, Futurism, whose leader, Filippo Tommaso Marinetti, glorified war and enlisted in the fight. Other soldiers created documents about the war that differ from the heroic and virile endeavor that Marinetti placed at the center of his works on war. Italy and the Cultural Politics of World War I pays attention to the representations of the soldiers through an analysis of their letters, dominated by descriptions of the terrible hunger they suffered. In contrast, popular film absorbed the cultural lessons in Marinetti's writings and represented soldiers as modernist heroes in comedies and dramas. However, film did not shy away from representing cowards who could only be baffoons and fools in propaganda films. In another medium, the concern was to publish texts that would serve the fighting soldier and inform readers about ideological and historical motivations for the conflict. The publishing industry supported national propaganda efforts. Only socialism could endanger anti-war publication, but after its initial opposition to the conflict, socialists occupied a neutral position. Italian socialism still remained the only European socialist party that did not renege its pacifism in order to embrace nationalism and the war, but it was also not in favor of actions that would sabotage in the Italian war industry. ltalian socialism is only one feature of Italian culture that was dramatically changed during the war. WWI impacted every aspect of Italian and of European cultures. For instance, as an essay in Italy and the Cultural Politics of World War I explores, the war industry needed workers. The solution was to bring Chinese men France to contribute in the war effort. After the war, they moved to other countries and in Milan, Italy, they founded one of the oldest Chinatowns in Europe, dramatically changing the human landscape of Italy as they later moved to other Italian cities. Italy and the Cultural Politics of World War I supplies essential research articles to the construction of an inclusive portrayal of WWI and Italian culture by deepening our understanding of the transformative role it played in 20th century Italy and Europe.
Author | : John Foot |
Publisher | : Bloomsbury Publishing |
Total Pages | : 513 |
Release | : 2018-05-17 |
Genre | : History |
ISBN | : 140884351X |
'An enjoyable, highly readable history that manages to bring murky, often fiendishly complex events into the light' Sunday Times Italy emerged from the Second World War in ruins. Divided, invaded and economically broken, it was a nation that some people claimed had ceased to exist. And yet, as rural society disappeared almost overnight, by the 1960s, it could boast the fastest-growing economy in the world. In The Archipelago, historian John Foot chronicles Italy's tumultuous history from the post-war period to the present day. From the silent assimilation of fascists into society after 1945 to the artistic peak of neorealist cinema, he examines both the corrupt and celebrated sides of the country. While often portrayed as a failed state on the margins of Europe, Italy has instead been at the centre of innovation and change – a political laboratory. This new history tells the fascinating story of a country always marked by scandal but with the constant ability to re-invent itself. Comprising original research and lively insights, The Archipelago chronicles the crises and modernisations of more than seventy years of post-war Italy, from its fields, factories, squares and housing estates to Rome's political intrigue.
Author | : Linda Risso |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 268 |
Release | : 2006 |
Genre | : Political Science |
ISBN | : |
Features articles by British, Irish and Italian young researchers working on various aspects of Italian Studies defined since the end of World War II. This volume offers insights into several aspects of post-war Italian culture and introduces perspectives on literature, women's studies, cinema, history and politics.
Author | : Anna Cento Bull |
Publisher | : Oxford University Press |
Total Pages | : 161 |
Release | : 2016 |
Genre | : History |
ISBN | : 0198726511 |
This Very Short Introduction considers the history of Italy from the Risorgimento (the movement leading to Italian Unification in 1861) to the present. It also discusses Italy's political system and style of government; economic modernisation; emigration, internal migration and immigration; and the modern Italian culture and lifestyle.
Author | : Richard Ned Lebow |
Publisher | : Duke University Press |
Total Pages | : 388 |
Release | : 2006-09-20 |
Genre | : History |
ISBN | : 9780822338178 |
Comparative case studies of how memories of World War II have been constructed and revised in France, Germany, Austria, Switzerland, Poland, Italy, and the USSR (Russia).
Author | : Stephen Gundle |
Publisher | : Duke University Press |
Total Pages | : 284 |
Release | : 2000-12-04 |
Genre | : History |
ISBN | : 9780822325635 |
DIVA study of the cultural policies of the Italian communist party following the collapse of fascismand the struggle with popular consumer culture that led to its demise in 1991./div
Author | : Christopher Duggan |
Publisher | : Berg 3pl |
Total Pages | : 246 |
Release | : 1995-11 |
Genre | : History |
ISBN | : |
Arguing that many of Italy's current problems can be traced to the first decade of the cold war, 13 essays examine various aspects of that crucial period: the legacy of fascism, limited sovereignty, European integration, Pope Pius XII, cinema, prison notebooks, the family, industrial design, images of Russia, critics and intellectuals, and others. Annotation copyright by Book News, Inc., Portland, OR