Political Ephemera Relating To Elections State Of Victoria
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Author | : Beverley Symons |
Publisher | : National Library Australia |
Total Pages | : 294 |
Release | : 1994 |
Genre | : History |
ISBN | : 9780642106254 |
This bibliography covers the 70 years of existence of the Communist Party in Australia . The material listed relates not only to the CPA but to its allied and breakaway movements from 1920 to 1991. Contains over 3400 references and includes a name index.
Author | : |
Publisher | : |
Total Pages | : 944 |
Release | : 1994 |
Genre | : Antiquarian booksellers |
ISBN | : |
Author | : Diane Sydenham |
Publisher | : Women's Section Liberal Party of Australia Victorian Division |
Total Pages | : 188 |
Release | : 1996 |
Genre | : Political Science |
ISBN | : |
Author | : State Library of Victoria |
Publisher | : |
Total Pages | : 150 |
Release | : 1986 |
Genre | : Reference |
ISBN | : |
Author | : Peter John Chen |
Publisher | : ANU E Press |
Total Pages | : 286 |
Release | : 2013-02-01 |
Genre | : Political Science |
ISBN | : 1922144401 |
The first comprehensive volume on the impact of digital media on Australian politics, this book examines the way these technologies shape political communication, alter key public and private institutions, and serve as the new arena in which discursive and expressive political life is performed. -- Publisher's description.
Author | : Alison Bartlett |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 240 |
Release | : 2014-09-18 |
Genre | : History |
ISBN | : 1443867403 |
This collection of essays explores objects that changed Australian women’s lives through their association with women’s liberation, the women’s movement, and feminism since 1970. The volume combines personal narrative, historical analysis, and memoir, creating a highly readable collection and a novel way of documenting, historicising, remembering and writing the Australian women’s movement, its affects, and its material culture. The contributors include high profile women and grass roots activists, academics and writers, and everyday women living the ideas of liberation and feminism from a range of locations. They are funny and serious, raw and sophisticated, analytical and emotional. Some are factual, while others delight in gossip. Each essay hinges on a particular object that is remembered for its symbolic value and practical use as an object of liberation, ranging from overalls and Gestetners, to seasponges and kombis. The editors’ introduction canvasses the current fascination with ‘things’, ‘stuff’, ‘objects’ and other material culture that comprises and shapes our lives; with ideas around memory and emotion as increasingly important components of social histories, and about the ways in which the Australian women’s movement is remembered. Combined, this volume of essays presents a fascinating collection of objects, writing, remembrance and the affects of one of the major social movements of the twentieth century. Things that Liberate is an experiment in thinking about the ways in which social movements can be documented and studied through material culture and memory.
Author | : Stephen Glynn Foster |
Publisher | : Hale & Iremonger |
Total Pages | : 432 |
Release | : 1998 |
Genre | : History |
ISBN | : |
This guide is a comprehensive list of Federation material held in more than 60 archives, libraries, museums and galleries around Australia. The material includes official records and private papers of individuals, pictorial material, ephemera, film, audio tapes and works of art.
Author | : Paul Strangio |
Publisher | : Academic Monographs |
Total Pages | : 362 |
Release | : 2009-11-15 |
Genre | : Political Science |
ISBN | : 0522860036 |
In Confusion, some of Australia's foremost political historians including Judith Brett and Stuart Macintyre revisit the seminal moment when liberals threw in their lot with the conservatives. In May 1909, Alfred Deakin, the radical liberal doyen, struck an agreement for a controversial 'fusion' with the anti-Labor factions, with the new grouping later adopting the name 'Liberal Party'. After a heated campaign, Labor won the 1910 election, forming the first majority government in the history of the Commonwealth. The Australian party system; as we still largely know it one hundred years on; had crystallised. How had this occurred? For most of the previous decade Labor and Deakin had been allies. Was the anti-Labor alliance the inevitable outcome of middle-class men rallying against the growing electoral might of the workers' party? What were the long-term consequences for both sides of politics? With Labor in power federally and in all but one state, the non-Labor side of politics has been plunged into a period of introspection about its coalition arrangements, and about the legitimate traditions of Australian liberalism. Can the current Liberals learn from the events of a century ago?
Author | : Donald James Munro |
Publisher | : |
Total Pages | : 168 |
Release | : 1994 |
Genre | : Historiography |
ISBN | : |
Author | : Marina Belozerskaya |
Publisher | : Getty Publications |
Total Pages | : 292 |
Release | : 2005-10-01 |
Genre | : Art |
ISBN | : 0892367857 |
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.