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| Author | : Peter John Chen |
| Publisher | : ANU E Press |
| Total Pages | : 286 |
| Release | : 2013-02-01 |
| Genre | : Political Science |
| ISBN | : 1922144401 |
The first comprehensive volume on the impact of digital media on Australian politics, this book examines the way these technologies shape political communication, alter key public and private institutions, and serve as the new arena in which discursive and expressive political life is performed. -- Publisher's description.
| Author | : Sally Ann Young |
| Publisher | : National Library Australia |
| Total Pages | : 76 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9780642276049 |
The first book to tell the story of Australian election campaigns using our vibrant heritage of campaign memorabilia. Starting at the turn-of-the-century, Young plots the development of campaigning from broadsides and handbills to newspaper advertisements, pamphlets, posters, badges, rosettes and more.
| Author | : Rodney Smith |
| Publisher | : Cambridge University Press |
| Total Pages | : 248 |
| Release | : 2006-06-13 |
| Genre | : Political Science |
| ISBN | : 9780521672832 |
Publisher description
| Author | : |
| Publisher | : |
| Total Pages | : 1194 |
| Release | : 1990 |
| Genre | : Australia |
| ISBN | : |
Vol. for 1963 includes section Current Australian serials; a subject list.
| Author | : Angelsen, A. |
| Publisher | : CIFOR |
| Total Pages | : 304 |
| Release | : 2018-12-12 |
| Genre | : Technology & Engineering |
| ISBN | : 6023870791 |
Constructive critique. This book provides a critical, evidence-based analysis of REDD+ implementation so far, without losing sight of the urgent need to reduce forest-based emissions to prevent catastrophic climate change. REDD+ as envisioned
| Author | : Karen Patel |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 153 |
| Release | : 2020-03-16 |
| Genre | : Social Science |
| ISBN | : 1786612518 |
What is expertise? In the arts, or cultural work, the experts in this area are commonly regarded to be art critics, dealers or intermediaries. Why are they considered experts? What about the expertise of the artists or cultural workers themselves? The Politics of Expertise in Cultural Labour provides a much-needed account of the concept of expertise in cultural work, providing new insights into the individual experiences of cultural workers and the role of social media in their creative practice and development of expertise. It also explores the potential reasons for inequalities in the sector which centre not only on protected characteristics such as class, gender and race, but increasingly the digital divide. Drawing on interviews with cultural workers and an innovative social media analysis, this book highlights the characteristics of aesthetic expertise in production – the practical skills cultural workers hone and deploy over years of training and creative practice. This is a new take on aesthetic expertise, which is traditionally associated with those involved in the judgement of culture, such as critics, dealers and intermediaries. The book highlights how social media platforms both enable and constrain the development of practical aesthetic expertise, and the platforms’ role in the mediation of the cultural object online. Finally, Patel interrogates the power dimensions of expertise, focusing primarily on gender. Drawing on the work of Pierre Bourdieu, it explores how opportunities to develop aesthetic expertise, and the ability to use social media platforms to signal that expertise, are not available to everyone. In this sense, The Politics of Expertise in Cultural Labour adds new perspectives to the growing body of work on inequalities in the creative and cultural industries, as well as scholarship on social media and creative work. The book concludes with the argument that the term ‘expertise’ needs to be problematised and reclaimed by those who are not equally represented in the cultural industries, using gender as a case in point.
| Author | : Maria Urbaniec |
| Publisher | : Taylor & Francis |
| Total Pages | : 290 |
| Release | : 2022-07-21 |
| Genre | : Business & Economics |
| ISBN | : 1000625087 |
With a focus on the European labour market, this book seeks to understand how digital transformation affects changes in employee-employer relations. These consequences include shifts in job security and job flexibility as well as alternative work arrangements in the digital economy. This phenomenon has both positive and negative implications for employees and employers. The book presents a theoretical, conceptual and empirical analysis of employment relations in the digital economy, which are manifested, among others, in flexible or non-standard forms of employment, contract work and a radical shift from position-based to skill-based work. The approach taken in the book provides researchers and students of economics, business and other social sciences with an overview of interdisciplinary theoretical and conceptual perspectives and frameworks on labour market and employment relations. In particular, it presents a comprehensive range of research on flexible forms of employment in the digital economy. The range of issues covered is also tailored to business practitioners who wish to understand the ongoing changes in employment relations and the emergence of new forms of work as a result of digital transformation. It will also be of value to representatives of labour market institutions involved in implementing new forms of work and employer-employee relationships in Industry 4.0.
| Author | : Clyde Cameron |
| Publisher | : Crows Nest, NSW : Australian Broadcasting Corporation |
| Total Pages | : 240 |
| Release | : 1990-01-01 |
| Genre | : Australia |
| ISBN | : 9780733300615 |
Drawn from taped interviews done for the ABC's Social History Unit in which Clyde Cameron talked about his life from 1913 to the present. Offers a personal view of his years with the Australian Workers Union and his long involvement with the labour movement, including a period as a Minister in the Whitlam Government.
| Author | : Kevin Rudd |
| Publisher | : Hachette UK |
| Total Pages | : 502 |
| Release | : 2022-03-30 |
| Genre | : Political Science |
| ISBN | : 0733648517 |
A war between China and the US would be catastrophic, deadly, and destructive. Unfortunately, it is no longer unthinkable. The relationship between the US and China, the world's two superpowers, is peculiarly volatile. It rests on a seismic fault of cultural misunderstanding, historical grievance, and ideological incompatibility. No other nations are so quick to offend and be offended. Their militaries play a dangerous game of chicken, corporations steal intellectual property, intelligence satellites peer and AI technicians plot. The capacity for either country to cross a fatal line grows daily. Former Australian Prime Minister Kevin Rudd, who has studied, lived in, and worked with China for more than forty years, is one of the very few people who can offer real insight into the mindsets of the leadership whose judgement will determine if a war will be fought. The Avoidable War demystifies the actions of both sides, explaining and translating them for the benefit of the other. Geopolitical disaster is still avoidable, but only if these two giants can find a way to coexist without betraying their core interests through what Rudd calls "managed strategic competition". Should they fail, down that path lies the possibility of a war that could rewrite the future of both countries, and the world. "A lifelong student of China, Kevin Rudd has become one of today's most thoughtful analysts of China's development. The Avoidable War focuses on the signal challenge posed by China's evolution to America and to world order. Can the US and China avoid sleepwalking into a conflict? Rudd offers constructive steps for the two powers to stabilize their relations." HENRY A. KISSINGER
| Author | : Marina Belozerskaya |
| Publisher | : Getty Publications |
| Total Pages | : 292 |
| Release | : 2005-10-01 |
| Genre | : Art |
| ISBN | : 0892367857 |
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
