Polanski And Perception
Download Polanski And Perception full books in PDF, epub, and Kindle. Read online free Polanski And Perception ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Davide Caputo |
| Publisher | : Intellect Books |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Motion picture producers and directors |
| ISBN | : 9781841505527 |
Polanski and Perception focuses on Roman Polanski's interest in the nature of perception and how this is manifested in his films. Informed by the work of neuropsychologist R. L. Gregory, this volume primarily focuses on two sets of films: the Apartment trilogy and the Investigation trilogy. This book also includes case studies of other films.
| Author | : John Orr |
| Publisher | : Wallflower Press |
| Total Pages | : 196 |
| Release | : 2006 |
| Genre | : Performing Arts |
| ISBN | : 9781904764755 |
Roman Polanski is one of the great maverick figures of world cinema, with a long career starting in Poland with his short films of the 1950s and running through to the present with Oliver Twist. This collection highlights the bold and dazzling diversity of his work as well as recurrent themes and obsessions.
| Author | : James Morrison |
| Publisher | : University of Illinois Press |
| Total Pages | : 210 |
| Release | : 2022-08-15 |
| Genre | : Performing Arts |
| ISBN | : 0252095812 |
A new take on an eclectic and controversial director James Morrison's critical study offers a comprehensive and critically engaged treatment on Roman Polanski's immense body of work. Tracing the filmmaker's remarkably diverse career from its beginnings to 2007, the book provides commentary on all of Polanski's major films in their historical, cultural, social, and artistic contexts. Morrison locates Polanski's work within the genres of comedy and melodrama, arguing that he is not merely obsessed with the theme of repression, but that his true interest is in the concrete—what is out in the open—and why we so rarely see it. The range of Polanski's filmmaking challenges traditional divisions between high and low culture. For example, The Ninth Gate is a brash pastiche of the horror genre, while The Pianist is an Academy Award-winner about the Holocaust. Dubbing Polanski a relentless critic of modernity, Morrison concludes that his career is representative of the fissures, victories, and rehabilitations of the last fifty years of international cinema. A volume in the series Contemporary Film Directors, edited by James Naremore
| Author | : Daniel Bishop |
| Publisher | : Oxford University Press |
| Total Pages | : 265 |
| Release | : 2021 |
| Genre | : Music |
| ISBN | : 0190932686 |
"In the tumultuous era of the late 1960s and early 70s, several currents of American art and culture coalesced around a broad sensibility that elevated and explored the immediacy of lived experience, whether as an aesthetic or political imperative. But in films set in the historical past, this sensibility acquired complex additional resonances by speaking to the ephemerality of the present moment through a framework of history, myth, nostalgia, and other forms associated with temporal alienation or distance. The Presence of the Past explores the implications of this complex moment in Hollywood cinema through several prominent examples released in the years 1967 to 1974. Key genres are explored in detailed case studies: the outlaw film (Bonnie and Clyde and Badlands), the revisionist Western (Butch Cassidy and the Sundance Kid, McCabe and Mrs. Miller), the neo-noir (Chinatown) and the nostalgia film (The Last Picture Show and American Graffiti). In these films, however, "the past" is more than a matter of genre or setting. Rather, it is a richly diverse, often paradoxical concern in its own right, bridging conceptual territories within soundtrack studies, including the sixties pop score, myth criticism, the representation of media technology, and the role of classical music in compilation scoring. Against a broader background of an industry and film culture that were witnessing a stylistic and aesthetic diversification in the use of music and sound design, The Presence of the Past argues for the film-philosophical importance of the soundtrack for cultivating an imagined experiential understanding of the past"--
| Author | : Ewa Mazierska |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 241 |
| Release | : 2007-05-25 |
| Genre | : Performing Arts |
| ISBN | : 0857716557 |
Polanski is one of the most talented and distinguished of modern film makers. A well-informed cultural traveller, interested in the position of the outsider, he is hard to pigeonhole: he moves easily between mass audience and art-house tastes, between settings and genres; his films, including 'Two Men and a Wardrobe', 'Cul de Sac', 'Rosemary?s Baby', 'The Pianist' and 'Oliver Twist', represent diverse characters and cinematic influences. Like a magpie, he?s interested in everything he encounters, but then easily discards his treasures and moves onward. Covering all Polanski?s films as director, this welcome book addresses the eclecticism, ambiguity and paradoxes of his cinema, while seeking out the common elements in his films. Ewa Mazierska examines the autobiographical effect of Polanski?s films, his characters and diverse narratives, and the place of absurdism, surrealism and the ?double life? of things in his cinema. She looks into the function of music, of religion, power, patriarchy and racism in the films, as well as Polanski?s literary adaptations and his use and subversion of film genres. Herself a Polish emigre, she uncovers Polanski's Polish roots and the extent of their influence on the cinema of this mercurial film maker, at large in the world.
| Author | : Douglas Brode |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 488 |
| Release | : 2024-10-31 |
| Genre | : Social Science |
| ISBN | : |
An anthology of essays that deal with Witchcraft and the figure of the Witch, as they have been presented in motion pictures, television, and popular culture, in order to understand how, why, and when the common anti-Witchcraft/ anti-Witch attitude evolved. Mainstream tales of Witchcraft, including modern movies, novels, TV series, and other examples of our popular culture, more often than not express the traditional notion of a Witch as a wild, dangerous, untamable, “nasty” woman, obsessed with a desire for power to control all around her, in most narratives such a hunger presented as a negative. In truth, The Witch is a symbol of 'threatening evil' only to those men and women who accept a conservative sensibility. For members of either gender who do not, The Witch is perceived as hero and role model. This collection begins with the Biblical figure of Lilith, followed by Morgan le Fey from Arthurian legend/ myth in literature as well as in popular culture, followed by the more contemporary depictions of the Witch that start to appear in the 1960s; for example, in the Bewitched sitcom, the Star Wars franchise, Harry Potter, and even the television show Scooby-Doo. International depictions of the Witch are discussed, including Italy's Dario Argento's films, Suspiria and Inferno. The final section of this collection focuses on the most iconic depictions of the Witch produced during the 21st century, including A Discovery of Witches, Penny Dreadful, Game of Thrones and the history of the Witch in films by the Walt Disney studio, from its origins more than a century ago to the latest releases, arguing that here, if perhaps surprisingly, we discover the most fair and balanced portraits of Witches in the history of film and TV.
| Author | : Jeremy Carr |
| Publisher | : Liverpool University Press |
| Total Pages | : 105 |
| Release | : 2021-07-01 |
| Genre | : Performing Arts |
| ISBN | : 1800858515 |
Roman Polanski’s Repulsion (1965), starring Catherine Deneuve as a repressed and tormented manicurist, is a gripping, visually inventive descent into paranoia and self-destructive alienation. Emblematic of recurrent Polanski motifs, evinced in his student short films, in his striking debut feature, Knife in the Water (1962), and in subsequent features like Death and the Maiden (1994), Repulsion is a tour de force examination of crippling anxiety and the sinister potency of inanimate objects. Repulsion amplifies the realm of psychological horror by evoking the seething impact of increasing delusion, literal and figurative seclusion, and the consequences of one woman’s foreboding sensitivity to the unsettling world that surrounds her. This Devil’s Advocate considers Repulsion within the context of familiar horror tropes and the prevailing qualities of Polanski’s broader oeuvre. Drawing on the research of Sigmund Freud, Julia Kristeva, Barbara Creed and others, concerning issues of abjection, the ‘monstrous-feminine’, and the psychology of horror spectatorship, this text focuses on central themes of isolation, sexuality and setting. Bookended by introductory biographical details and concluding with a roundup of the film’s reception, Jeremy Carr situates Repulsion within the horror genre at large as well as its various off-shoots, such as the rape/revenge subgenre. There is also an analysis of the film’s technical qualities, from its sound design to its brilliantly low-key special effects, all of which define the film as Polanski’s most audaciously stylish realisation of dread and unease.
| Author | : David Cycleback |
| Publisher | : Lulu.com |
| Total Pages | : 205 |
| Release | : 2014-05-21 |
| Genre | : Art |
| ISBN | : 1312117494 |
A complex and fascinating question is why do humans have such strong emotional reactions and human connections to art? Why do viewers become scared, even haunted for days, by a movie monster they know doesn't exist? Why do humans become enthralled by distorted figures and scenes that aren't realistic? Why do viewers have emotional attachments to comic book characters? The answer lies in that, while humans know art is human made artifice, they view and decipher art using the same often nonconscious methods that they use to view and decipher reality. Looking at how we perceive reality shows us how we perceive art, and looking at how we perceive art helps show us how we perceive reality. Written by the prominent art historian and philosopher Cycleback, this book is a concise introduction to understanding art perception, covering key psychological, cognitive science, physiological and philosophical concepts.
| Author | : Jeffrey Bullins |
| Publisher | : McFarland |
| Total Pages | : 244 |
| Release | : 2024-07-11 |
| Genre | : Performing Arts |
| ISBN | : 1476651973 |
The crack of thunder, a blood-curdling scream, creaking doors, or maybe complete silence. Sounds such as these have helped frighten and startle horror movie audiences for close to a century. Listen to a Universal classic like Dracula or Frankenstein and you will hear a very different soundtrack from contemporary horror films. So how did we get from there to here? What scared audiences then compared to now? This examination of the horror film's soundtrack builds on film sound and genre scholarship to demonstrate how horror, perhaps more than any other genre, utilizes sound to manipulate audience response. Beginning with the Universal pictures of the early 1930s and moving through the next nine decades, it explores connections and contrasts throughout the genre's technical and creative evolution. New enthusiasts or veteran fans of such varied films as The Mummy, Cat People, The Day the Earth Stood Still, Psycho, Halloween, A Nightmare on Elm Street, Scream, The Conjuring, Paranormal Activity, and A Quiet Place will find plenty to explore, and perhaps a new sonic appreciation, within these pages.
| Author | : Julia Ain-Krupa |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 196 |
| Release | : 2009-12-21 |
| Genre | : Social Science |
| ISBN | : 0313377812 |
This book offers an examination of the films of Roman Polanski, focusing on the impact that his life as an exile has had upon his work. Roman Polanski: A Life in Exile is a revealing look at this acclaimed filmmaker whose life in exile seems to have made his films all the more personal and powerful. Written by a film critic, this insightful book follows Polanski's story from his childhood in a World War II Jewish ghetto to his early films in Poland; from his American breakout, Rosemary's Baby, to his wife's murder by the Manson family; from the spectacular return of Chinatown, to his exile as a convicted sex criminal, to the monumental career peak, The Pianist. The Holocaust, the oppression of communism, the shattering of the swinging 60s, the decadence of Hollywood, the life of a fugitive—Polanski experienced all of these firsthand, and understanding those experiences provides a fascinating pathway through his work.
