Poetry Into Drama
Author | : C. J. Herington |
Publisher | : |
Total Pages | : 292 |
Release | : 1985-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780520051003 |
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Author | : C. J. Herington |
Publisher | : |
Total Pages | : 292 |
Release | : 1985-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780520051003 |
Author | : Aristotle |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 82 |
Release | : 2017-03-07 |
Genre | : |
ISBN | : 9781544217574 |
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
Author | : Daniel García Ordaz |
Publisher | : |
Total Pages | : 80 |
Release | : 2006-11 |
Genre | : American poetry |
ISBN | : 9780978995416 |
El Zarape Press presents its first collection of poetry by the eclectic Daniel García Ordaz, The Poet Mariachi, "the voice of the Rio Grande Valley" (Texas), an emerging voice in Latino and Hispanic American poetry.You Know What I'm Sayin'? is a celebration of the common experience of language and culture transfiguring time and place and juxtaposing the politics of urban hip-hop America with the lyricism of rural deep South Texas, a retelling of ancient history sung by a contemporary Chicano voice.With an introduction by Fulbright Scholar Dr. Debbie Cole, a linguistic anthropologist.Mainly English; some bilingual (English/Spanish) pieces. This book is being taught at university and high school campuses across the U.S., especially by linguistics professors and those seeking diverse new voices to connect with young Hispanic, Latino, Chicano readers.The first half of the book is very American-experience based; the second half has a more Mexican American experience flavor to it. The middle of the book has a monologue and a "Play On Words" that's meant to be enjoyed read though may be acted out: it's about preconceived notions and about how we hear and perceive communication.
Author | : Catherine Cohen |
Publisher | : Knopf |
Total Pages | : 82 |
Release | : 2021-02-02 |
Genre | : Poetry |
ISBN | : 0593318331 |
Poems of heartbreak and sex, self-care and self-critique, urban adventures and love on the road from the millennial queen and comedy sensation. In these short, captivating lyrics, Catherine Cohen, the one-woman stand-up chanteuse who electrified the downtown NYC comedy scene in her white go-go boots, and who has been posting poignant, unfiltered poems on social media since before Instagram was a thing, details her life on the prowl with her beaded bag; she ponders guys who call you "dude" after sex, true love during the pandemic, and English-major dreams. "I wish I were smart instead of on my phone," Cat Cohen confides; "heartbreak, / when it comes, and it will come / is always new." A Dorothy Parker for our time, a Starbucks philosophe with no primary-care doctor, she’s a welcome new breed of everywoman--a larger-than-life best friend, who will say all the outrageous things we think but never say out loud ourselves. in L.A. we got naked and swam in the ocean we ate cured meats and carrots & sat in the back of a red pickup truck like we were in a film where two old friends fight & wrestle their way into a hug heave-sobbing as the dust settles I want to be famous for being the first person who never feels bad again
Author | : Doris Lessing |
Publisher | : HarperCollins UK |
Total Pages | : 404 |
Release | : 2002 |
Genre | : Fiction |
ISBN | : 0007143001 |
From To Room Nineteen, a study of a controlled middle class marriage grounded in intelligence, to the shocking A Woman on the Roof, where a workman becomes obsessed with a pretty sunbather, this collection of stories bears witness to Doris Lessing's perspective on the human condition.
Author | : William Butler Yeats |
Publisher | : W. W. Norton & Company |
Total Pages | : 556 |
Release | : 2000 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780393974973 |
This brand new collection, impeccably edited by James Pethica, presents a comprehensive selection of Yeats's major contributions in poetry, drama, prose fiction, autobiography, and criticism.
Author | : Lily B. Campbell |
Publisher | : Cambridge University Press |
Total Pages | : 286 |
Release | : 2011-02-03 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780521137010 |
Examines the use by writers of English versions of the Bible in sixteenth-century England.
Author | : Michael R. Turner |
Publisher | : Courier Dover Publications |
Total Pages | : 325 |
Release | : 1992 |
Genre | : Literary Collections |
ISBN | : 9780486270449 |
Features 117 gems by Longfellow, Tennyson, Browning and many lesser-known poets. "The Village Blacksmith," "Curfew Must Not Ring Tonight," "Only a Baby Small," more, often difficult to find elsewhere. Index of poets, titles, first lines.
Author | : T S (Thomas Stearns) 1888-1 Eliot |
Publisher | : Hassell Street Press |
Total Pages | : 54 |
Release | : 2021-09-09 |
Genre | : |
ISBN | : 9781013568534 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.