Poetry And Poets
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Author | : Willard Spiegelman |
Publisher | : Oxford University Press |
Total Pages | : 256 |
Release | : 2005-06-23 |
Genre | : Literary Criticism |
ISBN | : 0190291834 |
Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their work. Description has been the great burden of poetry. How do poets see the world? How do they look at it? What do they look for? Is description an end in itself, or a means of expressing desire? Ezra Pound demanded that a poem should represent the external world as objectively and directly as possible, and William Butler Yeats, in his introduction to The Oxford Book of Modern Verse (1936), said that he and his generation were rebelling against, inter alia, "irrelevant descriptions of nature" in the work of their predecessors. The poets in this book, however, who are distinct in many ways from one another, all observe the external world of nature or the reflected world of art, and make relevant poems out of their observations. This study deals with the crisp, elegant work of Charles Tomlinson, the swirling baroque poetry of Amy Clampitt, the metaphysical meditations of Charles Wright from a position in his backyard, the weather reports and landscapes of John Ashbery, and the "new way of looking" that Jorie Graham proposes to explore in her increasingly fragmented poems. All of these poets, plus others (Gary Snyder, Theodore Weiss, Irving Feldman, Richard Howard) who are dealt with more briefly, attend to what Wallace Stevens, in a memorable phrase, calls "the way things look each day." The ordinariness of daily reality is the beginning of the poets' own idiosyncratic, indeed unique, visions and styles.
Author | : Harold Bloom |
Publisher | : Infobase Publishing |
Total Pages | : 507 |
Release | : 2009 |
Genre | : Literary Criticism |
ISBN | : 0791093751 |
Presents a compilation of Bloom's introductions to the Modern critical views and Modern critical interpretations series of books, focusing on poets and poems.
Author | : Mr. John Lithgow |
Publisher | : Grand Central Publishing |
Total Pages | : 304 |
Release | : 2007-11-15 |
Genre | : Poetry |
ISBN | : 0446501999 |
From listening to his grandmother recite epic poems from memory to curling up in bed while his father read funny verses, award-winning actor John Lithgow grew up with poetry. Ever since, John has been an enthusiastic seeker of poetic experience, whether reading, reciting, or listening to great poems. The wide variety of carefully selected poems in this book provides the perfect introduction to appeal to readers new to poetry, and for poetry lovers to experience beloved verses in a fresh, vivid way. William Blake, Emily Dickinson, Edgar Allan Poe, and Dylan Thomas are just a few names among Lithgow's comprehensive list of poetry masters. His essential criterion is that "each poem's light shines more brightly when read aloud." This unique package provides a multimedia poetry experience with a bonus MP3 CD of revelatory poetry readings by John and the familiar voices of such notable performers as Eileen Atkins, Kathy Bates, Glenn Close, Billy Connolly, Jodie Foster, Morgan Freeman, Helen Mirren, Lynn Redgrave, Susan Sarandon, Gary Sinise, and Sam Waterston. Every reader will enjoy reciting or listening to these poems with the entire family, appreciating how each one comes to life through the spoken word in this superlative poetry collection.
Author | : Robert Lee Brewer |
Publisher | : |
Total Pages | : 92 |
Release | : 2013-09-01 |
Genre | : Poetry |
ISBN | : 9781935708902 |
The "World" in Robert Lee Brewer's Solving the World's Problems is a slippery world ... where chaos always hovers near, where we are (and should be) "splashing around in dark puddles." And one feels a bit dizzy reading these poems because (while always clear, always full of meaning) they come at reality slantwise so that nothing is quite the same and the reader comes away with a new way of looking at the ordinary objects and events of life. The poems are brim-full of surprises and delights, twists in the language, double-meanings of words, leaps of thought and imagination, interesting line-breaks. There are love and relationship poems, dream poems, poems of life in the modern world. And always the sense (as he writes) of "pulling the world closer to me/leaves falling to the ground/ birds flying south." I read these once, twice with great enjoyment. I will go back to them often. -Patricia Fargnoli, former Poet Laureate of New Hampshire and author of Then, Something
Author | : Elise Paschen |
Publisher | : Sourcebooks Mediafusion |
Total Pages | : 360 |
Release | : 2001 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Isobel Armstrong |
Publisher | : Routledge |
Total Pages | : 554 |
Release | : 2002-09-11 |
Genre | : Literary Collections |
ISBN | : 1134970668 |
In a work that is uniquely comprehensive and theoretically astute, Isobel Armstrong rescues Victorian poetry from its longstanding sepia image as `a moralised form of romantic verse', and unearths its often subversive critique of nineteenth-century culture and politics.
Author | : Elise Paschen |
Publisher | : Sourcebooks MediaFusion |
Total Pages | : 408 |
Release | : 2007 |
Genre | : Poetry |
ISBN | : |
Presenting a diverse cross-section of the 20th centurys best poets, this classic poetry anthology has now been revised with added essays and poems. Includes three audio CDs with recordings of each poet reading his or her work.
Author | : A Kingsley Porter University Professor Helen Vendler |
Publisher | : Bedford Books |
Total Pages | : |
Release | : 2013-12-01 |
Genre | : Poetry |
ISBN | : 9781457652196 |
Author | : Ben Lerner |
Publisher | : Macmillan |
Total Pages | : 97 |
Release | : 2016-06-07 |
Genre | : History |
ISBN | : 0865478201 |
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
Author | : Matthew Zapruder |
Publisher | : HarperCollins |
Total Pages | : 177 |
Release | : 2017-08-15 |
Genre | : Literary Criticism |
ISBN | : 0062343092 |
An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.