Poetry Against The World
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Author | : Russell A. Fraser |
Publisher | : Princeton University Press |
Total Pages | : 226 |
Release | : 2015-03-08 |
Genre | : Poetry |
ISBN | : 140086903X |
The attack on poetry and the theater which occurred in England during the 16th and 17th centuries has been the subject of numerous scholarly investigations. This "war against poetry" was, in Professor Fraser's view, part of a larger cultural movement: the disengagement of the modern world from its medieval antecedents. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Francisco X. Alarcón |
Publisher | : University of Arizona Press |
Total Pages | : 216 |
Release | : 2016-03-10 |
Genre | : Poetry |
ISBN | : 081650279X |
My Sweet Dream / My Living Nightmare: Adobe Walls
Author | : Ben Lerner |
Publisher | : Macmillan |
Total Pages | : 97 |
Release | : 2016-06-07 |
Genre | : History |
ISBN | : 0865478201 |
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
Author | : Edith Wharton |
Publisher | : Arcturus Publishing |
Total Pages | : 153 |
Release | : 2017-09-21 |
Genre | : Poetry |
ISBN | : 1788880196 |
The horrors of the First World War released a great outburst of emotional poetry from the soldiers who fought in it as well as many other giants of world literature. Wilfred Owen, Rupert Brooke and W B Yeats are just some of the poets whose work is featured in this anthology. The raw emotion unleashed in these poems still has the power to move readers today. As well as poems detailing the miseries of war there are poems on themes of bravery, friendship and loyalty, and this collection shows how even in the depths of despair the human spirit can still triumph.
Author | : Magdalena Kay |
Publisher | : Routledge |
Total Pages | : 188 |
Release | : 2020-09-30 |
Genre | : |
ISBN | : 9780367664947 |
Poetry Against the World: Philip Larkin and Charles Tomlinson in Contemporary Britain brings together two major poets, who espouse opposite aesthetic ambitions, yet are both taken as paragons of Englishness, in order to ask how they pitch their poetry against an inhospitable world. This book explores how these two representative poets seek to redress an "age of demolition" through their poetry, and how their audiences react to the types of redress they propose.
Author | : Willard Spiegelman |
Publisher | : Oxford University Press |
Total Pages | : 256 |
Release | : 2005-06-23 |
Genre | : Literary Criticism |
ISBN | : 0190291834 |
Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their work. Description has been the great burden of poetry. How do poets see the world? How do they look at it? What do they look for? Is description an end in itself, or a means of expressing desire? Ezra Pound demanded that a poem should represent the external world as objectively and directly as possible, and William Butler Yeats, in his introduction to The Oxford Book of Modern Verse (1936), said that he and his generation were rebelling against, inter alia, "irrelevant descriptions of nature" in the work of their predecessors. The poets in this book, however, who are distinct in many ways from one another, all observe the external world of nature or the reflected world of art, and make relevant poems out of their observations. This study deals with the crisp, elegant work of Charles Tomlinson, the swirling baroque poetry of Amy Clampitt, the metaphysical meditations of Charles Wright from a position in his backyard, the weather reports and landscapes of John Ashbery, and the "new way of looking" that Jorie Graham proposes to explore in her increasingly fragmented poems. All of these poets, plus others (Gary Snyder, Theodore Weiss, Irving Feldman, Richard Howard) who are dealt with more briefly, attend to what Wallace Stevens, in a memorable phrase, calls "the way things look each day." The ordinariness of daily reality is the beginning of the poets' own idiosyncratic, indeed unique, visions and styles.
Author | : Sara Dunn |
Publisher | : Fawcett |
Total Pages | : 290 |
Release | : 1992 |
Genre | : Literary Criticism |
ISBN | : 0449905993 |
While the state of the environment is a very current issue, passion and concern for the world around us is nearly as old as the world itself. Poetry for the Earth brings together a cross-section of some of the most beautiful and haunting poetry ever written in tribute to--or in mourning for--our magnificent landscapes.
Author | : Henry Wadsworth Longfellow |
Publisher | : Courier Corporation |
Total Pages | : 97 |
Release | : 2012-10-08 |
Genre | : Poetry |
ISBN | : 048615355X |
Choice collection includes the long narrative poem, "The Courtship of Miles Standish," plus such famous works as "The Village Blacksmith," "The Wreck of the Hesperus," "Paul Revere's Ride," many more.
Author | : Jacob Edmond |
Publisher | : Columbia University Press |
Total Pages | : 393 |
Release | : 2019-07-30 |
Genre | : Literary Criticism |
ISBN | : 0231548672 |
The world is full of copies. This proliferation includes not just the copying that occurs online and the replication enabled by globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature. Make It the Same explores how poetry—an art form associated with the singular, inimitable utterance—is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures and languages, reading across aesthetic, linguistic, geopolitical, and technological divides. He illuminates the common form that unites a diverse range of writers from dub poets in the Caribbean to digital parodists in China, samizdat wordsmiths in Russia to Twitter-trolling provocateurs in the United States, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Yang Lian, John Cayley, Caroline Bergvall, M. NourbeSe Philip, Kenneth Goldsmith, Vanessa Place, Christian Bök, Yi Sha, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation—as in Ezra Pound’s oft-repeated slogan “make it new”—but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change.
Author | : Nicola Gardini |
Publisher | : Macmillan + ORM |
Total Pages | : 223 |
Release | : 2019-11-12 |
Genre | : Foreign Language Study |
ISBN | : 0374717044 |
A “fascinating” meditation on the joys of a not-so-dead language (Los Angeles Review of Books). From acclaimed novelist and Oxford professor Nicola Gardini, this is a personal and passionate look at the Latin language: its history, its authors, its essential role in education, and its enduring impact on modern life—whether we call it “dead” or not. What use is Latin? It’s a question we’re often asked by those who see the language of Cicero as no more than a cumbersome heap of ruins, something to remove from the curriculum. In this sustained meditation, Gardini gives us his sincere and brilliant reply: Latin is, quite simply, the means of expression that made us—and continues to make us—who we are. In Latin, the rigorous and inventive thinker Lucretius examined the nature of our world; the poet Propertius told of love and emotion in a dizzying variety of registers; Caesar affirmed man’s capacity to shape reality through reason; Virgil composed the Aeneid, without which we’d see all of Western history in a different light. In Long Live Latin, Gardini shares his deep love for the language—enriched by his tireless intellectual curiosity—and warmly encourages us to engage with a civilization that has never ceased to exist, because it’s here with us now, whether we know it or not. Thanks to his careful guidance, even without a single lick of Latin grammar, readers can discover how this language is still capable of restoring our sense of identity, with a power that only useless things can miraculously express. “Gardini gives another reason for studying classical languages: ‘The story of our lives is just a fraction of all history . . . life began long before we were born.’ This is the very opposite of a practical argument—it is a meditative, even self-effacing one. To learn a language because it was spoken by some brilliant people 2,000 years ago is to celebrate the world; not a way to optimize yourself, but to get over yourself.” —The Economist “Nicola Gardini’s paean to Latin belongs on the shelf alongside Nabokov’s Lectures on Literature. With a similar blend of erudition, reverence, and impeccable close reading, he connects the dots between etymology and poetry, between syntax and society. And he proves, in the process, that a mysterious and magnificent language, born in ancient Rome, is still relevant to each and every one of us.” —Jhumpa Lahiri, Pulitzer Prize winner and New York Times–bestselling author of Roman Stories