Poetics Of Emergence
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Author | : Benjamin Lee |
Publisher | : University of Iowa Press |
Total Pages | : 173 |
Release | : 2020-07-01 |
Genre | : Literary Criticism |
ISBN | : 1609386981 |
Experimental poetry responded to historical change in the decades after World War II, with an attitude of such casual and reckless originality that its insights have often been overlooked. However, as Benjamin Lee argues, to ignore the scenes of self and the historical occasions captured by experimental poets during the 1950s and 1960s is to overlook a rich and instructive resource for our own complicated transition into the twenty-first century. Frank O’Hara and fellow experimental poets like Amiri Baraka, Diane di Prima, and Allen Ginsberg offer us a set of perceptive responses to Cold War culture, lyric meditations on consequential changes in U.S. social life and politics, including the decline of the Old Left, the rise of white-collar workers, and the emergence of vernacular practices like hipsterism and camp. At the same time, they offer us opportunities to anatomize our own desire for historical significance and belonging, a desire we may well see reflected and reconfigured in the work of these poets.
Author | : Boris Maslov |
Publisher | : Cambridge University Press |
Total Pages | : 385 |
Release | : 2015-10-14 |
Genre | : History |
ISBN | : 1107116635 |
For much of Western history, Pindar's work was recognized as the pinnacle of lyric poetry. This book presents an introduction to different aspects of Pindar's art, while demonstrating its importance for the coming into being of literature as it has been conceived of in the West.
Author | : John Whalen-Bridge |
Publisher | : State University of New York Press |
Total Pages | : 271 |
Release | : 2009-06-11 |
Genre | : Religion |
ISBN | : 1438426593 |
The encounter between Buddhism and American literature has been a powerful one for both parties. While Buddhism fueled the Beat movement's resounding critique of the United States as a spiritually dead society, Beat writers and others have shaped how Buddhism has been presented to and perceived by a North American audience. Contributors to this volume explore how Asian influences have been adapted to American desires in literary works and Buddhist poetics, or how Buddhist practices emerge in literary works. Starting with early aesthetic theories of Ernest Fenollosa, made famous but also distorted by Ezra Pound, the book moves on to the countercultural voices associated with the Beat movement and its friends and heirs such as Ginsberg, Kerouac, Snyder, Giorno, Waldman, and Whalen. The volume also considers the work of contemporary American writers of color influenced by Buddhism, such as Maxine Hong Kingston, Charles Johnson, and Lan Cao. An interview with Kingston is included.
Author | : Sarah Tremlett |
Publisher | : Intellect (UK) |
Total Pages | : 350 |
Release | : 2020-10-15 |
Genre | : Art |
ISBN | : 9781789382686 |
Set to generate future discussions in the field for years to come, The Poetics of Poetry Film is an encyclopaedic work on the ever-evolving genre of poetry film. Tremlett provides an introduction to the emergence and history of poetry film in a global context, defining and debating terms both philosophically and materially. Including over 40 contributors and showcasing the work of an international array of practitioners, this is an industry bible for anyone interested in poetry, digital media, filmmaking, art and creative writing, as well as poetry filmmakers. Poetry films are a genre of short film, usually combining the three main elements of the poem as: verbal message; the moving film image and diegetic sounds; and additional non-diegetic sounds or music, which create a soundscape. In this book, Tremlett examines the formal characteristics of the poetic in poetry film, film poetry and videopoetry, particularly in relation to lyric voice and time. The volume includes interviews, analysis and a rigorous and thorough investigation of the poetry film, from its origins to the present.
Author | : Paul Jaussen |
Publisher | : Cambridge University Press |
Total Pages | : 237 |
Release | : 2017-07-03 |
Genre | : Language Arts & Disciplines |
ISBN | : 1107195314 |
Writing in Real Time is the first book-length study of the American long poem as a complex adaptive system.
Author | : Paul Jaussen |
Publisher | : Cambridge University Press |
Total Pages | : 237 |
Release | : 2017-07-03 |
Genre | : Literary Criticism |
ISBN | : 1108170986 |
From Walt Whitman to the contemporary period, the long poem has been one of the more dynamic, intricate, and yet challenging literary practices of modernity. Addressing those challenges, Writing in Real Time combines systems theory, literary history, and recent debates in poetics to interpret a broad range of American long poems as emergent systems, capable of adaptation and transformation in response to environmental change. Due to these emergent properties, the long poem performs essential cultural work, offering a unique experience of history that remains valuable for our rapidly transforming digital age. Moving across a broad range of literary and theoretical texts, Writing in Real Time demonstrates that the study of emergence can enhance literary scholarship, just as literature provides unique insights into emergent properties, making this book a key resource for scholars, graduate students, and undergraduate students alike.
Author | : Mark Nowak |
Publisher | : Coffee House Press |
Total Pages | : 295 |
Release | : 2020-03-10 |
Genre | : Literary Criticism |
ISBN | : 1566895758 |
Social Poetics documents the imaginative militancy and emergent solidarities of a new, insurgent working class poetry community rising up across the globe. Part autobiography, part literary criticism, part Marxist theory, Social Poetics presents a people’s history of the poetry workshop from the founding director of the Worker Writers School. Nowak illustrates not just what poetry means, but what it does to and for people outside traditional literary spaces, from taxi drivers to street vendors, and other workers of the world.
Author | : Giselle de Nie |
Publisher | : Brepols Publishers |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Church history |
ISBN | : 9782503531489 |
The unexpected return of contemporary public Christian miracles in the late antique Latin west, after a centuries-long assumption that these had ceased after apostolic times, helped to create a religious mentality there that would continue to characterize the western European Middle Ages. While the social and political functions of the new miracles have been gaining greater scholarly attention, this study is the first in-depth treatment of their experiential dimension. It examines this dimension in the first reactions to the new phenomenon - enthusiasm, puzzlement, deep suspicion, and outright rejection - as they are reflected and, especially, imagined in the earliest contemporary narrative and poetic sources that describe them. And it traces how the new imaginative representations transformed, for many, the up to then precept-centered way of thinking about religion into one that immersed itself in the supralogical dynamics of symbolic images. The tendency of these image-clusters to precipitate transformations, not only in perception but also in physical condition, is examined for the period from 386, when a first public miracle caught everyone's attention in the ostensibly flourishing Christian Roman Empire, to c. 460, when this empire was crumbling under the onslaught of Germanic tribes.
Author | : Timothy Yu |
Publisher | : Oxford University Press |
Total Pages | : 224 |
Release | : 2021-07-08 |
Genre | : Poetry |
ISBN | : 0192637819 |
This book advances a new concept of the "Asian diaspora" that creates links between Asian American, Asian Canadian, and Asian Australian identities. Drawing from comparable studies of the black diaspora, it traces the histories of colonialism, immigration, and exclusion shared by these three populations. The work of Asian poets in each of these three countries offers a rich terrain for understanding how Asian identities emerge at the intersection of national and transnational flows, with the poets' thematic and formal choices reflecting the varied pressures of social and cultural histories, as well as the influence of Asian writers in other national locations. Diasporic Poetics argues that racialized and nationally bounded "Asian" identities often emerge from transnational political solidarities, from "Third World" struggles against colonialism to the global influence of the American civil rights movement. Indeed, this volume shows that Asian writers disclaim national belonging as often as they claim it, placing Asian diasporic writers at a critical distance from the national spaces within which they write. As the first full-length study to compare Asian American, Asian Canadian, and Asian Australian writers, the book offers the historical and cultural contexts necessary to understand the distinctive development of Asian writing in each country, while also offering close analysis of the work of writers such as Janice Mirikitani, Fred Wah, Ouyang Yu, Myung Mi Kim, and Cathy Park Hong.
Author | : Angela Hume |
Publisher | : University of Iowa Press |
Total Pages | : 315 |
Release | : 2018-03-15 |
Genre | : Literary Criticism |
ISBN | : 1609385608 |
Ecopoetics: Essays in the Field makes a formidable intervention into the emerging field of ecopoetics. The volume’s essays model new and provocative methods for reading twentieth and twenty-first century ecological poetry and poetics, drawing on the insights of ecocriticism, contemporary philosophy, gender and sexuality studies, black studies, Native studies, critical race theory, and disability studies, among others. Contributors offer readings of a diverse range of poets, few of whom have previously been read as nature writers—from midcentury Beat poet Michael McClure, Objectivist poet George Oppen, and African American poets Melvin Tolson and Robert Hayden; to contemporary writers such as Diné poet Sherwin Bitsui, hybrid/ collage poets Claudia Rankine and Evelyn Reilly, emerging QPOC poet Xandria Phillips, and members of the Olimpias disability culture artists’ collective. While addressing preconceptions about the categories of nature writing and ecopoetics, contributors explore, challenge, and reimagine concepts that have been central to environmental discourse, from apocalypse and embodiment to toxicity and sustainability. This collection of essays makes the compelling argument that ecopoetics should be read as “coextensive with post-1945 poetry and poetics,” rather than as a subgenre or movement within it. It is essential reading for any student or scholar working on contemporary literature or in the environmental humanities today. Contributors: Joshua Bennett, Rob Halpern, Matt Hooley, Angela Hume, Lynn Keller, Petra Kuppers, Michelle Niemann, Gillian Osborne, Samia Rahimtoola, Joan Retallack, Joshua Schuster, Jonathan Skinner.