Poetic Innovation In Wordsworth 1825 1833
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| Author | : Tim Fulford |
| Publisher | : Cambridge University Press |
| Total Pages | : 249 |
| Release | : 2023-05-31 |
| Genre | : Literary Criticism |
| ISBN | : 1009320793 |
"Experimentalism in Wordsworth's Later Poetry Tim Fulford provides detailed readings of a range of little-known, late and difficult poems which together present an alternative Wordsworth to the one we are used to. This newly-revealed Wordsworth continued experimenting with form, genre and style as his career progressed so as to ponder the challenging experiences presented by later life. Fulford invites the reader to engage, through Wordsworth's poetry, with such broadly-felt concerns as quarantine, isolation, mental illness and bereavement. Focused yet broad in chronological scope, this study also considers the literature of Wordsworth's old age in relation to his earlier work. Tim Fulford is the author of many books and articles on the literature and history of the Romantic Period (1780-1840), and is the editor of The New Cambridge Companion to Coleridge (2022). His monograph Wordsworth's Poetry 1815-45 (2019) won the Robert Penn Warren/Cleanth Brooks Award for Literary Scholarship 2020. His edition The Collected Letters of Sir Humphry Davy (co-edited with Sharon Ruston) (2020) won an honourable mention in the MLA biennial Morton N. Cohen Award For A Distinguished Edition Of Letters"--
| Author | : Philip Shaw |
| Publisher | : Cambridge University Press |
| Total Pages | : 297 |
| Release | : 2023-07-20 |
| Genre | : Literary Criticism |
| ISBN | : 100936314X |
William Wordsworth's later poetry complicates possibilities of life and art in war's aftermath. This illuminating study provides new perspectives and reveals how his work following the end of the revolutionary and Napoleonic wars reflects a passionate, lifelong engagement with the poetics and politics of peace. Focusing on works from between 1814 and 1822, Philip Shaw constructs a unique and compelling account of how Wordsworth, in both his ongoing poetic output and in his revisions to earlier works, sought to modify, refute, and sometimes sustain his early engagement with these issues as both an artist and a political thinker. In an engaging style, Shaw reorients our understanding of the later writings of a major British poet and the post-war literary culture in which his reputation was forged. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
| Author | : Jeffrey Cox |
| Publisher | : Cambridge University Press |
| Total Pages | : 295 |
| Release | : 2021-05-20 |
| Genre | : Literary Criticism |
| ISBN | : 1108837611 |
Comprehensive reading of 'late' Wordsworth, considering his work in dialogue with the poetic, cultural and political battles of his day.
| Author | : Catherine E. Ross |
| Publisher | : Liverpool University Press |
| Total Pages | : 336 |
| Release | : 2023-10-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 1837644594 |
Educating the Romantic Poets: Life and Learning in the Anglo-Classical Academy, 1770-1850 explores how the public and endowed grammar schools and the colleges of Oxford and Cambridge trained some of the most important writers, critics, and public figures of the Romantic period. These institutions are recognized here as intentional partners and are discussed collectively as the “Anglo-classical academy”. The book shows how they not only schooled students in “classics, maths, and divinity” but also in accepted social behaviours, cultural values, political beliefs, and literary tastes. In so doing, this academy gave shape to the literature and spirit of the age. By discussing the schools and the universities together and by focusing upon pedagogies and daily life as well as the texts and topics studied, this book shows as no other has done how writers and readers of the late eighteenth and early nineteenth centuries became such fluent linguists, skilled prosodists, and perceptive critics. As each chapter explores and comments upon the relational, intellectual, and cultural aspects of the Anglo-classical educational experience, it directs readers’ attention to the ways in which this information can be used to reread texts, reassess certain Romantics’ literary careers, and launch new lines of research.
| Author | : Andrew R. Mossin |
| Publisher | : University of New Mexico Press |
| Total Pages | : 185 |
| Release | : 2024-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 0826367224 |
Broad-ranging and pluralistically investigative, the essays in Thinking with the Poem document Rachel Blau DuPlessis’s authorial interventions as a poet, scholar, and cultural critic steeped in the linguistic and political frames of her time. The writers included in this volume engage root-level questions at the heart of DuPlessis’s praxis as posed by her in a recent essay: “What is a poem, what is a poet, what is an oeuvre, what is the ‘poetic’?” Inventive and noncanonical, these essays offer substantive responses to these and other questions, providing new routes of inquiry into the poetry and poetics of this preeminent figure of new writing.
| Author | : Michael O'Neill |
| Publisher | : Cambridge University Press |
| Total Pages | : 643 |
| Release | : 2017-06-09 |
| Genre | : Literary Criticism |
| ISBN | : 1108508847 |
John Keats (1795–1821) continues to delight and challenge readers both within and beyond the academic community through his poems and letters. This volume provides frameworks for enhanced analysis and appreciation of Keats and his work, with each chapter supplying a succinct, informed, and accessible account of a particular topic. Leading scholars examine the life and work of Keats against the backdrop of his influences, contemporaries, and reception, and explore the interaction of poet and world. The essays consider his enduring but ever-altering appeal, engage with critical discussion and debate, and offer revisionary close reading of the poems and letters. Students and specialists will find their knowledge of Keats's life and work enriched by chapters that survey subjects ranging from education, relationships, and religion to art, genre, and film.
| Author | : Annette Kern-Stähler |
| Publisher | : Oxford University Press |
| Total Pages | : 540 |
| Release | : 2023-07-06 |
| Genre | : Literary Criticism |
| ISBN | : 019265747X |
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Literature and the Senses critically probes the role of literature in capturing and scrutinizing sensory perception. Organized around the five traditional senses, followed by a section on multisensoriality, the collection facilitates a dialogue between scholars working on literature written from the Middle Ages to the present day. The contributors engage with a variety of theorists from Maurice Merleau-Ponty to Michel Serres to Jean-Luc Nancy to foreground the distinctive means by which literary texts engage with, open up, or make uncertain dominant views of the nature of perception. Considering the ways in which literary texts intersect with and diverge from scientific, epistemological, and philosophical perspectives, these essays explore a wide variety of literary moments of sensation including: the interspecies exchange of a look between a swan and a young Indigenous Australian girl; the sound of bees as captured in an early modern poem; the noxious smell of the 'Great Stink' that recurs in the Victorian novel; the taste of an eggplant registered in a poetic performance; tactile gestures in medieval romance; and the representation of a world in which the interdependence of human beings with the purple hibiscus plant is experienced through all five senses. The collection builds upon and breaks new ground in the field of sensory studies, focusing on what makes literature especially suitable to engaging with, contributing to, and challenging our perennial understandings of, the senses.
| Author | : Jeffrey Cane Robinson |
| Publisher | : Anthem Nineteenth-Century |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Literary Criticism |
| ISBN | : 9781783089406 |
Nightly streams -- A day's ramble -- Walks on the terrace -- Artifice of absorption -- Surface miracles -- Season of attention -- Season of fancy and of hope.
| Author | : Matthew Bevis |
| Publisher | : University of Chicago Press |
| Total Pages | : 314 |
| Release | : 2019-08-20 |
| Genre | : Literary Criticism |
| ISBN | : 022665219X |
“The next day Wordsworth arrived from Bristol at Coleridge’s cottage,” William Hazlitt recalled, “He answered in some degree to his friend’s description of him, but was more quaint and Don Quixote- like . . . there was a convulsive inclination to laughter about the mouth.” Hazlitt presents a Wordsworth who differs from the one we know—and, as Matthew Bevis argues in his radical new reading of the poet, this Wordsworth owed his quixotic creativity to a profound feeling for comedy. Wordsworth’s Fun explores the writer’s debts to the ludic and the ludicrous in classical tradition; his reworkings of Ariosto, Erasmus, and Cervantes; his engagement with forms of English poetic humor; and his love of comic prose. Combining close reading with cultural analysis, Bevis travels many untrodden ways, studying Wordsworth’s interest in laughing gas, pantomime, the figure of the fool, and the value of play. Intrepid, immersive, and entertaining, Wordsworth’s Fun sheds fresh light on how one poet’s strange humor helped to shape modern literary experiment.
| Author | : Michael Peter Bolus |
| Publisher | : Anthem Press |
| Total Pages | : 176 |
| Release | : 2019-08-26 |
| Genre | : Performing Arts |
| ISBN | : 1783089822 |
Since the inception of cinema in the late nineteenth century, filmmakers have employed a wide array of precursory aesthetic strategies in the conception and creation of their disparate works. The existence of these traditional antecedents have afforded filmmakers a diverse range of technical and artistic applications towards the construction of their respective cinematic narratives. Furthermore, the socio-political and cultural contexts in which films are conceived often inform the manner in which particular aesthetic sensibilities are selected and deployed. ‘Aesthetics and the Cinematic Narrative’ provides a concise historical survey of Aesthetics as a practical philosophical discipline and applies several of its underlying principles to the examination of filmic storytelling.
