Eureka

Eureka
Author: Edgar Allan Poe
Publisher:
Total Pages: 123
Release: 2017-04-18
Genre: Philosophy
ISBN: 3961892970

Eureka (1848) is a lengthy non-fiction work by American author Edgar Allan Poe (1809–1849) which he subtitled "A Prose Poem", though it has also been subtitled as "An Essay on the Material and Spiritual Universe". Adapted from a lecture he had presented, Eureka describes Poe's intuitive conception of the nature of the universe with no antecedent scientific work done to reach his conclusions. He also discusses man's relationship with God, whom he compares to an author. It is dedicated to the German naturalist and explorer Alexander von Humboldt (1769–1859). Though it is generally considered a literary work, some of Poe's ideas anticipate 20th century scientific discoveries and theories. Indeed a critical analysis of the scientific content of Eureka reveals a non-causal correspondence with modern cosmology due to the assumption of an evolving Universe, but excludes the anachronistic anticipation of relativistic concepts such as black holes. Eureka was received poorly in Poe's day and generally described as absurd, even by friends. Modern critics continue to debate the significance of Eureka and some doubt its seriousness, in part because of Poe's many incorrect assumptions and his comedic descriptions of well-known historical minds. It is presented as a poem, and many compare it with his fiction work, especially science fiction stories such as "The Facts in the Case of M. Valdemar". His attempts at discovering the truth also follow his own tradition of "ratiocination", a term used in his detective fiction tales. Poe's suggestion that the soul continues to thrive even after death also parallels with works in which characters reappear from beyond the grave such as "Ligeia". The essay is oddly transcendental, considering Poe's disdain for that movement. He considered it his greatest work and claimed it was more important than the discovery of gravity. Eureka is Poe's last major work and his longest non-fiction work at nearly 40,000 words in length.

Poems and Essays on Poetry

Poems and Essays on Poetry
Author: Edgar Allan Poe
Publisher: Taylor & Francis
Total Pages: 170
Release: 2003
Genre: Literary Collections
ISBN: 9780415967372

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Eureka Mill

Eureka Mill
Author: Ron Rash
Publisher: HUB CITY Press
Total Pages: 88
Release: 2018
Genre: History
ISBN: 9781938235443

20th Anniversary Edition of this classic poetry collection, with a foreword by New York TImes Bestselling author, Robert Morgan and a new preface by the author. First published in 1998, Eureka Mill is Ron Rash's seminal collection of poetry. It introduced the world to an often overlooked Appalachian region and cemented Rash's name as synonymous with Southern writing. Eureka Mill presents a lyrical portrait of the migration of poor North Carolina farmers to Chester, South Carolina to work in the Eureka Cotton Mill in the years before the Great Depression. Drawing on his family history in the region that stretches back three hundred years, Rash assembles a nuanced tapestry of mill village life, from the foremen in their offices to the men and women at the looms toiling in the often inhumane conditions of the mills. Rash's poetry elevates the people and landscapes of rural Appalachia to incandescent heights, garnering comparisons to the work of Seamus Heaney and Robert Frost. Still one of Rash's finest works to date, Eureka Mill is a vital record of one of the South's most important historic shifts, offering readers at once intimacy and perspective, heart and understanding.

The Poet Edgar Allan Poe

The Poet Edgar Allan Poe
Author: Jerome McGann
Publisher: Harvard University Press
Total Pages: 254
Release: 2014-10-13
Genre: Literary Criticism
ISBN: 067474523X

The poetry of Edgar Allan Poe has had a rough ride in America, as Emerson’s sneering quip about “The Jingle Man” testifies. That these poems have never lacked a popular audience has been a persistent annoyance in academic and literary circles; that they attracted the admiration of innovative poetic masters in Europe and especially France—notably Baudelaire, Mallarmé, and Valéry—has been further cause for embarrassment. Jerome McGann offers a bold reassessment of Poe’s achievement, arguing that he belongs with Whitman and Dickinson as a foundational American poet and cultural presence. Not all American commentators have agreed with Emerson’s dim view of Poe’s verse. For McGann, a notable exception is William Carlos Williams, who said that the American poetic imagination made its first appearance in Poe’s work. The Poet Edgar Allan Poe explains what Williams and European admirers saw in Poe, how they understood his poetics, and why his poetry had such a decisive influence on Modern and Post-Modern art and writing. McGann contends that Poe was the first poet to demonstrate how the creative imagination could escape its inheritance of Romantic attitudes and conventions, and why an escape was desirable. The ethical and political significance of Poe’s work follows from what the poet takes as his great subject: the reader. The Poet Edgar Allan Poe takes its own readers on a spirited tour through a wide range of Poe’s verse as well as the critical and theoretical writings in which he laid out his arresting ideas about poetry and poetics.

Anthologizing Poe

Anthologizing Poe
Author: Emron Esplin
Publisher: Rowman & Littlefield
Total Pages: 415
Release: 2020-08-06
Genre: Literary Criticism
ISBN: 1611462592

This collection explores how anthologizers and editors of Edgar Allan Poe play an integral role in shaping our conceptions of Poe as the author we have come to recognize, revere, and critique today. In the spheres of literature and popular culture, Poe wields more global influence than any other U.S. author. This influence, however, cannot be attributed solely to the quality of Poe’s texts or to his compellingly tragic biography. Rather, his continued prominence as a writer owes much to the ways that Poe has been interpreted, portrayed, and packaged by an extensive group of mediators ranging from anthologizers, editors, translators, and fellow writers to literary critics, filmmakers, musicians, and illustrators. In this volume, the work of presenting Poe’s texts for public consumption becomes a fascinating object of study in its own right, one that highlights the powerful and often overlooked influence of those who have edited, anthologized, translated, and adapted the author’s writing over the past 170 years.

Bulletin

Bulletin
Author: Waltham Public Library (Mass.).
Publisher:
Total Pages: 190
Release: 1908
Genre:
ISBN:

The Cure of Poetry in an Age of Prose

The Cure of Poetry in an Age of Prose
Author: Mary Kinzie
Publisher: University of Chicago Press
Total Pages: 376
Release: 1993-07-15
Genre: Literary Criticism
ISBN: 9780226437354

The role of the poet, Mary Kinzie writes, is to engage the most profound subjects with the utmost in expressive clarity. The role of the critic is to follow the poet, word for word, into the arena where the creative struggle occurs. How this mutual purpose is served, ideally and practically, is the subject of this bracingly polemical collection of essays. A distinguished poet and critic, Kinzie assesses poetry's situation during the past twenty-five years. Ours, she contends, is literally a prosaic age, not only in the popularity of prose genres but in the resultant compromises with truth and elegance in literature. In essays on "the rhapsodic fallacy," confessionalism, and the romance of perceptual response, Kinzie diagnoses some of the trends that diminish the poet's flexibility. Conversely, she also considers individual poets—Randall Jarrell, Elizabeth Bishop, Howard Nemerov, Seamus Heaney, and John Ashbery—who have found ingenious ways of averting the risks of prosaism and preserving the special character of poetry. Focusing on poet Louise Bogan and novelist J. M. Coetzee, Kinzie identifies a crucial and curative overlap between the practices of great prose-writing and great poetry. In conclusion, she suggests a new approach for teaching writers of poetry and fiction. Forcefully argued, these essays will be widely read and debated among critics and poets alike.