Poem and Music in the German Lied from Gluck to Hugo Wolf
Author | : Jack M. Stein |
Publisher | : |
Total Pages | : 250 |
Release | : 2013-10-01 |
Genre | : |
ISBN | : 9780674436251 |
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Author | : Jack M. Stein |
Publisher | : |
Total Pages | : 250 |
Release | : 2013-10-01 |
Genre | : |
ISBN | : 9780674436251 |
Author | : Ann Clark Fehn |
Publisher | : University Rochester Press |
Total Pages | : 472 |
Release | : 2010 |
Genre | : History |
ISBN | : 1580460550 |
Interdisciplinary studies of some of the greatest examples of German art song by major scholars in musicology and German literature.
Author | : Rufus Hallmark |
Publisher | : Routledge |
Total Pages | : 457 |
Release | : 2009-09-10 |
Genre | : Art |
ISBN | : 1135854580 |
German Lieder in the Nineteenth-Century provides a detailed introduction to the German lied. Beginning with its origin in the literary and musical culture of Germany in the nineteenth-century, the book covers individual composers, including Shubert, Schumann, Brahms, Strauss, Mahler and Wolf, the literary sources of lieder, the historical and conceptual issues of song cycles, and issues of musical technique and style in performance practice. Written by eminent music scholars in the field, each chapter includes detailed musical examples and analysis. The second edition has been revised and updated to include the most recent research of each composer and additional musical examples.
Author | : James Parsons |
Publisher | : Cambridge University Press |
Total Pages | : 446 |
Release | : 2004-07 |
Genre | : Music |
ISBN | : 9780521804714 |
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
Author | : Gerald Abraham |
Publisher | : |
Total Pages | : 774 |
Release | : 1982 |
Genre | : Music |
ISBN | : 9780193163089 |
Covers forty years which saw profound changes in music, most of them dominated by Beethoven. Provides a detailed, scholarly critical survey of the music of the period with chapters on French, Italian and German opera and on opera in other countries, on Beethoven's orchestral and chamber music and of his contemporaries on the concerto, on piano music, on solo song and on choral music, as well as an introductory chapter on general musical conditions of the time.
Author | : Steven Paul Scher |
Publisher | : Cambridge University Press |
Total Pages | : 349 |
Release | : 1992-02-28 |
Genre | : Literary Criticism |
ISBN | : 0521401585 |
The semiotic elements of a multiplanar discourse : John Harbison's setting of Michael Fried's "depths" / Claudia Stanger -- Whose life? : the gendered self in Schumann's Frauenliebe songs / Ruth A. Solie -- Operatic madness : a challenge to convention / Ellen Rosand -- Commentary : form, reference, and ideology in musical discourse / Hayden White.
Author | : Karen Sell |
Publisher | : Routledge |
Total Pages | : 266 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351545027 |
If classical singers and vocal pedagogues are to be prepared adequately for performance, teaching and co-operation in inter-professional relations, then an holistic education entailing multi-disciplinary study is essential. In this important new book, Karen Sell examines the disciplines pertinent to vocal pedagogy, tracing the lineage of views from the ancient world to the present day. In the process important diverse roots are exposed, yielding differing and even conflicting tonal ideals which have a bearing on the consideration of different singing methods and the interpretation of songs and arias. Ethics and psychology are identified as central to the entire pedagogical process along with the scientific basis of singing: encompassing acoustics, anatomy and physiology, with special reference to the bearing of the latter two upon vocal health and hygiene. A detailed consideration of singing technique is the centrepiece of the book, and an understanding of good technique and scientific awareness is shown to be fundamental to good vocal pedagogical practice. This leads to a discussion on performance and aesthetics, contributing to the education of the fully equipped singer. No study to date has demonstrated the inter-relationships between all these individual disciplines and the ways in which they influence singing pedagogy. Sell‘s holistic, multi-disciplinary approach will be of particular benefit to singers and voice teachers, and will also appeal to music educationalists and professionals in cognate disciplines.
Author | : Rufus Hallmark |
Publisher | : Cambridge University Press |
Total Pages | : 293 |
Release | : 2014-12-04 |
Genre | : Literary Criticism |
ISBN | : 1107002303 |
Rufus Hallmark interprets Schumann's famously controversial song cycle in the social, literary, and musical contexts of contemporary German society.
Author | : Michael Hall |
Publisher | : Routledge |
Total Pages | : 300 |
Release | : 2017-11-22 |
Genre | : Music |
ISBN | : 135175534X |
This title was first published in 2003. From 1821 until his death, Schubert compiled or specially composed for publication 42 song sets, yet during his own lifetime, and until now, their integrity and importance as sets have been virtually ignored. In this book, Michael Hall asserts that these songs sets are not arbitrary collections, as so often assumed, but highly integrated works in their own right. Approaching these songs as sets the book throws light on Schubert's largely undiscussed intellectual preoccupations. They reveal that he was au fait with most of the philosophical concerns of his time, especially those which touched on Romanticism. But although the sets reflect Romanticism in their topics, Hall maintains that they are the epitome of classical balance. In encouraging students and performers to approach these songs as sets, this study aims to alter perceptions of this important repertory.