Catalog of the Theatre and Drama Collections: Theatre Collection: books on the theatre. 9 v
Author | : New York Public Library. Research Libraries |
Publisher | : |
Total Pages | : 662 |
Release | : 1967 |
Genre | : Drama |
ISBN | : |
Download Plays Produced September 1942 To March 1943 full books in PDF, epub, and Kindle. Read online free Plays Produced September 1942 To March 1943 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : New York Public Library. Research Libraries |
Publisher | : |
Total Pages | : 662 |
Release | : 1967 |
Genre | : Drama |
ISBN | : |
Author | : Barbara McLean Ward |
Publisher | : |
Total Pages | : 248 |
Release | : 1994 |
Genre | : Business & Economics |
ISBN | : |
Author | : New York Public Library. Research Libraries |
Publisher | : |
Total Pages | : 606 |
Release | : 1979 |
Genre | : Library catalogs |
ISBN | : |
Author | : Matthew Taylor |
Publisher | : Routledge |
Total Pages | : 266 |
Release | : 2020-05-31 |
Genre | : History |
ISBN | : 1000071367 |
Sport and the Home Front contributes in significant and original ways to our understanding of the social and cultural history of the Second World War. It explores the complex and contested treatment of sport in government policy, media representations and the everyday lives of wartime citizens. Acknowledged as a core component of British culture, sport was also frequently criticised, marginalised and downplayed, existing in a constant state of tension between notions of normality and exceptionality, routine and disruption, the everyday and the extraordinary. The author argues that sport played an important, yet hitherto neglected, role in maintaining the morale of the British people and providing a reassuring sense of familiarity at a time of mass anxiety and threat. Through the conflict, sport became increasingly regarded as characteristic of Britishness; a symbol of the ‘ordinary’ everyday lives in defence of which the war was being fought. Utilised to support the welfare of war workers, the entertainment of service personnel at home and abroad and the character formation of schoolchildren and young citizens, sport permeated wartime culture, contributing to new ways in which the British imagined the past, present and future. Using a wide range of personal and public records – from diary writing and club minute books to government archives – this book breaks new ground in both the history of the British home front and the history of sport.
Author | : Darlene J. Sadlier |
Publisher | : University of Texas Press |
Total Pages | : 264 |
Release | : 2012-12-01 |
Genre | : History |
ISBN | : 0292749805 |
Cultural diplomacy—“winning hearts and minds” through positive portrayals of the American way of life—is a key element in U.S. foreign policy, although it often takes a backseat to displays of military might. Americans All provides an in-depth, fine-grained study of a particularly successful instance of cultural diplomacy—the Office of the Coordinator of Inter-American Affairs (CIAA), a government agency established by President Franklin D. Roosevelt in 1940 and headed by Nelson A. Rockefeller that worked to promote hemispheric solidarity and combat Axis infiltration and domination by bolstering inter-American cultural ties. Darlene J. Sadlier explores how the CIAA used film, radio, the press, and various educational and high-art activities to convince people in the United States of the importance of good neighbor relations with Latin America, while also persuading Latin Americans that the United States recognized and appreciated the importance of our southern neighbors. She examines the CIAA’s working relationship with Hollywood’s Motion Picture Society of the Americas; its network and radio productions in North and South America; its sponsoring of Walt Disney, Orson Welles, John Ford, Gregg Toland, and many others who traveled between the United States and Latin America; and its close ties to the newly created Museum of Modern Art, which organized traveling art and photographic exhibits and produced hundreds of 16mm educational films for inter-American audiences; and its influence on the work of scores of artists, libraries, book publishers, and newspapers, as well as public schools, universities, and private organizations.
Author | : Neil Lanctot |
Publisher | : University of Pennsylvania Press |
Total Pages | : 509 |
Release | : 2008-04-25 |
Genre | : History |
ISBN | : 0812220277 |
Through his efforts, Lanctot has painstakingly reconstructed the institutional history of black professional baseball, locating the players, teams, owners, and fans in the wider context of the league's administration. In addition, Lanctot provides valuable insight into the changing attitudes of African Americans toward the need for separate institutions."
Author | : Richard Hand |
Publisher | : Manchester University Press |
Total Pages | : 223 |
Release | : 2015-11-01 |
Genre | : Social Science |
ISBN | : 1526102579 |
This groundbreaking book is the first full-length study of British horror radio from the pioneering days of recording and broadcasting right through to the digital audio cultures of our own time. The book offers an historical, critical and theoretical exploration of horror radio and audio performance examining key areas such as writing, narrative, performance practice and reception throughout the history of that most unjustly neglected of popular art forms: radio drama and ‘spoken word’ auditory cultures. The volume draws on extensive archival research as well as insightful interviews with significant writers, producers and actors. The book offers detailed analysis of major radio series such as Appointment with Fear, The Man in Black, The Price of Fear and Fear on Four as well as one-off horror plays, comedy-horror and experimental uses of binaural and digital technology in producing uncanny audio.
Author | : Paul Alkebulan |
Publisher | : Lexington Books |
Total Pages | : 177 |
Release | : 2014-04-17 |
Genre | : History |
ISBN | : 0739190776 |
Black journalists have vigorously exercised their First Amendment right since the founding of Freedom's Journal in 1827. World War II was no different in this regard, and Paul Alkebulan argues that it was the most important moment in the long history of that important institution. American historians have often postulated that WWII was a pivotal moment for the modern civil rights movement. This argument is partially based on the pressing need to convincingly appeal to the patriotism and self-interest of black citizens in the fight against fascism and its racial doctrines. This appeal would have to recognize long standing and well-known grievances of African Americans and offer some immediate resolution to these problems, such as increased access to better housing and improved job prospects. 230 African American newspapers were prime actors in this struggle. Black editors and journalists gave a coherent and organized voice to the legitimate aspirations and grievances of African Americans for decades prior to WWII. In addition, they presented an alternative and more inclusive vision of democracy. The African American Press in World War II: Toward Victory at Home and Abroadshows how they accomplished this goal, and is different from other works in this field because it interprets WWII at home and abroad through the eyes of a diverse black press. Alkebulan shows the wide ranging interest of the press prior to the war and during the conflict. Labor union struggles, equal funding for black education, the criminal justice system, and the Italian invasion of Ethiopia were some of subjects covered before and during the war. Historians tend to write as if the African American press was ideologically homogenous, but, according to Alkebulan, this is not the case. For example, prior to the war, African American journalists were both sympathetic and opposed to Japanese ambitions in the Pacific. A. Philip Randolph's socialist journal The Messenger accurately warned against Imperial Japan's activities in Asia during WWI. There are other instances that run counter to the common wisdom. During World War II the Negro Newspaper Publishers Associationnot only pursued equal rights at home but also lectured blacks (military and civilian) about the need to avoid any behavior that would have a negative impact on the public image of the civil rights movement. The African American Press in World War II explores press coverage of international affairs in more depth than similar works. The African American press tended to conflate the civil rights movement with the anti-colonial struggle taking place in Africa, Asia, and the Caribbean. Alkebulan demonstrates how George Padmoreand W.E.B. Du Bois were instrumental in this trend. While it heightened interest in anti-colonialism, it also failed to delineate crucial differences between fighting for national independence and demanding equal citizenship rights in one's native land.
Author | : Roy Liebman |
Publisher | : McFarland |
Total Pages | : 464 |
Release | : 2010-09-02 |
Genre | : Performing Arts |
ISBN | : 0786446978 |
The headline of the Variety extra on October 27, 1926, proclaimed "Vitaphone1 Thrills L.A.!" Vitaphone, a subsidiary of Warner Bros. formed in association with Western Electric, was one of the major producers of talkies, even though its sound-on-disc technology barely lasted four years. The Vitaphone features and shorts that have survived intact, or that have been so carefully restored, preserve much of the show business history that might otherwise have been lost with the industry's fast-paced advances in movie making. This book is a catalogue of Vitaphone features and shorts. The first section lists the features and shorts by release number. The New York productions (1926-1940) are listed first, followed by the West Coast productions (1927-1970). For shorts, the following particulars, if known and if applicable, are given: title, alternate title(s), instrumental and vocal selections performed on screen, composer(s) and performers of instrumental and vocal selections, release date and synopsis of the film, names of major cast members and directors, set information if two or fewer sets were used, and the amount paid to early performers. For features, entries list release dates, genre, and major cast members. The section on performers includes only those who appeared in shorts, listing dates and places of birth when known.