Plays Of Impasse
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Author | : Carol Rosen |
Publisher | : Princeton University Press |
Total Pages | : 357 |
Release | : 2017-03-14 |
Genre | : Drama |
ISBN | : 1400886503 |
A study of post–World War II plays set in “total institutions” such as hospitals, psychiatric wards, prisons, and military bases Plays of Impasse probes the structure and significance of the numerous and highly visible plays set in contemporary society’s dead ends—the hospitals, psychiatric wards, prisons, and military training camps so aptly described by Irving Goffman as “total institutions.” Carol Rosen shows how the setting in these plays tends to engulf and then to exclude the audience, turning an encompassing stage structure—a closed, controlling, absolute system—into a protagonist that overwhelms the characters. In discussions ranging from Harold Pinter’s The Hothouse to Samuel Beckett’s Endgame, she further maintains that the impasse of characters in reductive environments supplies a unifying image for post–World War II drama in general. This state of impasse pervades contemporary drama. Everyday activities and attempts to endure life in a parenthesis are vacated of traditional social or moral meaning onstage. The pain of this kind of survival, spatially fixed, is at the heart of Endgame, for example, an extreme instance of this mode of drama at the edge of existence. In plays such as Peter Nichols’s The National Health, Peter Weiss’s Marat/Sade, Friedrich Dürrenmatt’s The Physicists, David Storey’s Home, Brendan Behan’s The Quare Fellow, Jean Genet’s Deathwatch, and David Rabe’s The Basic Training of Pavlo Hummel, the splintered self, like the divided society, strives to endure against enormous, codified odds. Even in plays not depicting the rigidity of institutions, the contemporary dramatic mode is finally characterized by sparse, introspective action in a closed system—an onstage model of a world gone awry, a world at an impasse. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Rinda Blom |
Publisher | : Jessica Kingsley Publishers |
Total Pages | : 250 |
Release | : 2006-07-15 |
Genre | : Psychology |
ISBN | : 1846425379 |
This book sets out a clear theoretical framework for Gestalt Play Therapy, giving examples of questions the therapists might ask the child at certain stages, and offering the whole gamut of play therapy and travelling through the therapeutic journey.' - Dramatherapy This book is an introduction to gestalt play therapy a technique which combines the principles of gestalt theory with play techniques, so that children are able to use play to address their needs and problems. Research has shown that this approach can be applied successfully in children with different types of emotional problems in order to improve their self-support and self-esteem. The Handbook of Gestalt Play Therapy provides the reader with an explanation of gestalt theory, a practical explanation of the gestalt play therapy model and also a wide range of play techniques that can be applied during each phase of the therapy process. It also features case studies throughout which illustrate how the techniques work in practice.
Author | : Harold Pinter |
Publisher | : Dramatists Play Service, Inc. |
Total Pages | : 28 |
Release | : 1988 |
Genre | : Drama |
ISBN | : 9780822207771 |
THE STORY: Furthering the theme of political consciousness expressed so forcefully and eloquently in his earlier play One for the Road, the author's present play takes place in an anonymous country where individual liberties have been forfeited to the state. Set in a prison where the inmates are forbidden to speak their own language, the play is comprised of four terse, arresting scenes which make masterful use of nuance and subtle understatement (with sudden bursts of violence) to create an overwhelming sense of terror and shocking futility. In one scene uniformed officers taunt and belittle the women who have come to visit their men, who are political prisoners; in another a mother and son are allowed to speak only in the language of the capital, which they do not know; in the third scene a young woman accidentally sees a guard holding a limp, tortured man whom she knows to be her husband; and, in the final scene the old woman reunited with her bloody, trembling son and, though told she may now speak, she has been silenced so long that she cannot, or will not, do so. Quintessentially Pinteresque in its skillful use of pregnant pauses, resonant images and nightmarish utterances, the play is both enthralling theatre and a stirring reminder of what can happen when the power of the state becomes all-encompassing and the rights of the individual are forfeited, whether through neglect or weakness of will.
Author | : William Hutchings |
Publisher | : SIU Press |
Total Pages | : 232 |
Release | : 1988 |
Genre | : Drama |
ISBN | : 9780809314614 |
This is the first comprehensive play-by-play analysis of the drama of David Storey, one of the most acclaimed and innovative, sometimes controversial, writers in the British theatre since World War II. Grouping the plays according to theme, Hutchings demonstrates that the central focus in the drama of David Storey is the devaluation of traditional rituals in contemporary life and the disintegration of the family. A playwright attuned to the poetry in the ordinary, to the profundity, subtle eloquence, and dramatic tension in the mundane, Storey explores the ways people cope, or fail to cope, with complexity, with uncertainty, with constant, bewildering flux. He writes about groups—families (In Celebration, The Farm), rugby teams (The Changing Room), and construction crews (The Contractor). In his plays, individuals seek to overcome isolation and integrate themselves into a significant assemblage that transcends the self. Hutchings notes that Storey frequently deals with working-class parents who cannot "understand their grown children’s anxieties, their discontentedness with life, their unstable marriages, and their inability to enjoy the benefits of the education and advantages they labored so hard for so many years to provide." Storey understands and sympathizes with parents who have paid to educate their children out of their own spheres. He saw it happen in his own family, knew the disapproval of his father: "What else could my father think when, nearing sixty, he came home each day from the pit exhausted, shattered by fatigue, to find me—a young man ideally physically equipped to do the job which now left him totally prostrated—painting a picture of flowers, or writing a poem about a cloud. There was, and there is, no hope of reconciliation." Hutchings supplements his thematic analysis of Storey’s plays by interweaving into his text 90 percent of a major interview with the playwright, the only such comprehensive interview in existence. Storey, who believes that readers "ought to be chary of all interviews," discusses alleged literary influences on his work, the current state of British theatre, and his reactions to critics. He also provides insight into various productions and performances in his work.
Author | : Sara Jane Bailes |
Publisher | : Routledge |
Total Pages | : 286 |
Release | : 2011-03-17 |
Genre | : Performing Arts |
ISBN | : 1136932437 |
What does it mean to "fail" in performance? How might staging failure reveal theatre’s potential to expand our understanding of social, political and everyday reality? What can we learn from performances that expose and then celebrate their ability to fail? In Performance Theatre and the Poetics of Failure, Sara Jane Bailes begins with Samuel Beckett and considers failure in performance as a hopeful strategy. She examines the work of internationally acclaimed UK and US experimental theatre companies Forced Entertainment, Goat Island and Elevator Repair Service, addressing accepted narratives about artistic and cultural value in contemporary theatre-making. Her discussion draws on examples where misfire, the accidental and the intentionally amateur challenge our perception of skill and virtuosity in such diverse modes of performance as slapstick and punk. Detailed rehearsal and performance analysis are used to engage theory and contextualise practice, extending the dialogue between theatre arts, live art and postmodern dance. The result is a critical account of performance theatre that offers essential reading for practitioners, scholars and students of Performance, Theatre and Dance Studies.
Author | : John Vanbrugh |
Publisher | : Oxford University Press |
Total Pages | : 423 |
Release | : 2009-08-27 |
Genre | : Drama |
ISBN | : 0199555699 |
This collection includes five comedies on the theme of marital disharmony by Restoration playwright John Vanburgh (1664-1726). The text includes a critical introduction, wide-ranging annotation, and bibliography.
Author | : |
Publisher | : |
Total Pages | : 526 |
Release | : 1927 |
Genre | : Theater |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1002 |
Release | : 1927 |
Genre | : Performing arts |
ISBN | : |
Author | : Carla J. McDonough |
Publisher | : McFarland |
Total Pages | : 193 |
Release | : 2006-07-05 |
Genre | : Performing Arts |
ISBN | : 0786427361 |
The men in plays such as Arthur Miller's Death of a Salesman or Sam Shephard's True West are often presented as universal; little attention is given to the gender dynamics involved in the characters. This work looks at how contemporary playwrights, including Miller, Shepard, Eugene O'Neill, David Mamet, and August Wilson, stage masculinity in their works. It becomes apparent that male playwrights return often to the issues of troubled manhood, usually masked in other issues such as war, business or family. The plays indicate both the attractiveness of the model of traditional masculinity and the illusive nature of this image, which all too often fractures and fails the characters who pursue it. O'Neill's play The Hairy Ape and the character Yank receive much attention.
Author | : Albert Hodges Morehead |
Publisher | : Doubleday Books |
Total Pages | : 707 |
Release | : 1991 |
Genre | : Games |
ISBN | : 0385249624 |
Rules for more than 350 games