Players And Plays Of The Last Quarter Century The Theatre Of Today
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Brooklyn Takes the Stage
Author | : Samuel L. Leiter |
Publisher | : McFarland |
Total Pages | : 388 |
Release | : 2023-12-20 |
Genre | : Performing Arts |
ISBN | : 147665137X |
America's third largest city until 1890, Brooklyn, New York, had a striking theatrical culture before it became a borough of Greater New York in 1898. As the city gained size and influence, more and more theatres arose, with at least 15 venues ultimately vying for favor. Too many theatregoers, however, preferred the discomforts of a ferry and horsecar trip to New York's playhouses instead of supporting the local product. Nor did the completion of the Brooklyn Bridge in 1883 do Brooklyn's theatres any favors. Manhattan's Goliath slayed Brooklyn's David. This first comprehensive study of Brooklyn's old-time theatre describes the city's early history, each of its many playhouses, its plays and actors (including nearly every foreign and domestic star), and its scandals and catastrophes, including the theatre fire that killed nearly 300. Brooklyn's ongoing struggle to establish theatres in a society dominated by anti-theatrical preachers, including Henry Ward Beecher, is detailed, as are all the ways that Brooklyn typified 19th century American theatre, from stock companies to combinations. Replete with fascinating anecdotes, this is the story of a major city from which theatre all but vanished before being reborn as a present-day artistic mecca.
Plays by William Hooker Gillette
Author | : Don B. Wilmeth |
Publisher | : Cambridge University Press |
Total Pages | : 292 |
Release | : 1983-04-14 |
Genre | : Literary Collections |
ISBN | : 9780521240895 |
The American playwright and actor William Gillette is best remembered today for the role of Sherlock Holmes that he first created for the stage in 1899 and played for more than thirty years. Gillette also adapted foreign plays for the American stage and wrote strong melodramas and spy stories in which he frequently appeared himself. This volume includes All the Comforts of Home (1890), Secret Service (1895) and Sherlock Holmes (1899). Gillette's sure grasp of the keys to theatrical success, together with his technical innovations, makes him an interesting and important theatre figure. In his time, as playwright and player, he achieved a new combination of melodramatic suspense with a cool, understated acting style. These three plays represent the range of his dramatic talent.
The Oxford Companion to American Theatre
Author | : Gerald Bordman |
Publisher | : Oxford University Press |
Total Pages | : 694 |
Release | : 2004-05-06 |
Genre | : Performing Arts |
ISBN | : 0199771154 |
First published in 1984, Gerald Bordman's Oxford Companion to American Theatre is the standard one-volume source on our national theatre. Critics have hailed its "wealth of authoritative information" (Back Stage), its "fascinating picture of the volatile American stage" (The Guardian), and its "well-chosen, illuminating facts" (Newsday). Now thoroughly revised, this distinguished volume once again provides an up-to-date guide to the American stage from its beginnings to the present. Completely updated by theater professor Thomas Hischak, the volume includes playwrights, plays, actors, directors, producers, songwriters, famous playhouses, dramatic movements, and much more. The book covers not only classic works (such as Death of a Salesman) but also many commercially successful plays (such as Getting Gertie's Garter), plus entries on foreign figures that have influenced our dramatic development (from Shakespeare to Beckett and Pinter). New entries include recent plays such as Angels in America and Six Degrees of Separation, performers such as Eric Bogosian and Bill Irwin, playwrights like David Henry Hwang and Wendy Wasserstein, and relevant developments and issues including AIDS in American theatre, theatrical producing by Disney, and the rise in solo performance. Accessible and authoritative, this valuable A-Z reference is ideal not only for students and scholars of theater, but everyone with a passion for the stage.
Clyde Fitch and the American Theatre
Author | : Kevin Lane Dearinger |
Publisher | : Rowman & Littlefield |
Total Pages | : 607 |
Release | : 2016-07-29 |
Genre | : Literary Criticism |
ISBN | : 1611479487 |
Clyde Fitch (1865-1909) was the most successful and prolific dramatist of his time, producing nearly sixty plays in a twenty-year career. He wrote witty comedies, chaotic farces, homespun dramas, star vehicles, historical works, stark melodramas, and adaptations of European successes, but he was best known for his society plays, mirroring themes found in the novels of Henry James and Edith Wharton. In fact, Fitch collaborated with Wharton on a stage adaptation of her House ofMirth. He was also a gay man, although that gentler adjective was not the term of his time. He was bullied in school and baited by critics throughout his career for what they supposed of his private life. He responded with impressive strength and integrity. He was, at least for a short time, Oscar Wilde’s lover, and Wilde influenced his early plays, but Fitch’s study of Ibsen and other European dramatists inspired him to pursue the course of naturalism. As he became more successful, he took greater control of the staging and design of his plays. He was a complete man of the theatre and among the first names enrolled in New York’s theatrical hall of fame.
Representative American Plays from 1880 to the Present Day
Author | : Arthur Hobson Quinn |
Publisher | : |
Total Pages | : 574 |
Release | : 1928 |
Genre | : American drama |
ISBN | : |