Play Directors Survival Kit
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Author | : James W. Rodgers |
Publisher | : John Wiley & Sons |
Total Pages | : 309 |
Release | : 1997-11-06 |
Genre | : Education |
ISBN | : 0876285655 |
This expansive guide covers the where, when, and how for every step of school play production, including play selection and adaptation, auditions, casting and dealing with disappointed students, budgeting, coaching actors, setting up a production team, rehearsals, publicity, and promotion.
Author | : James W. Rodgers |
Publisher | : John Wiley & Sons |
Total Pages | : 310 |
Release | : 1997-11-06 |
Genre | : Education |
ISBN | : 9780876285657 |
This expansive guide covers the where, when, and how for every step of school play production, including play selection and adaptation, auditions, casting and dealing with disappointed students, budgeting, coaching actors, setting up a production team, rehearsals, publicity, and promotion.
Author | : Miriam Newhouse |
Publisher | : Dundurn |
Total Pages | : 229 |
Release | : 1999-01-01 |
Genre | : Performing Arts |
ISBN | : 1770700412 |
The third edition of The Actor's Survival Kit gives the actor fresh research and today's experience, new lists of country-wide contacts, and input from current success stories.
Author | : William Ferrara |
Publisher | : Scarecrow Press |
Total Pages | : 301 |
Release | : 2014-05-08 |
Genre | : Music |
ISBN | : 0810888432 |
In Staging Scenes from the Operas of Mozart: A Guide for Teachers and Singers, opera director William Ferrara offers the perfect resource for the dramatic preparation of opera scenes for directors and student performers. Topics include study and research, rehearsal planning, blocking, characterization, and costuming for four of Mozart’s most popular operas. He surveys basic concepts of opera acting and directing and provides a step-by-step guide to the rehearsal process. While much has appeared on the history and musical performance practice of the operas of Mozart, no guide to the directing and acting of his operas—with simple, concise staging instructions and practical information concerning casting, props, and costumes—has yet seen publication. Featuring over one hundred illustrations, including costume designs by Martha Ferrara, the author breaks new ground for student performers and directors alike, as he walks readers through the process of staging scenes from Mozart’s operas. The first part of the guide, which focuses on study and preparation, comprisess five chapters: ideas for organizing the opera class, a description of the job of the director, a step-by-step review of the rehearsal process, a set of five exercises for researching and analyzing the scenes, and a vocabulary for actors and directors. The next four sections of the book consist of detailed staging guides for a selection of scenes from Mozart’s most frequently performed operas: Le Nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte. The introduction to each scene includes a brief discussion of the story and characters, suggestions for costuming, and minimal set and props. The heart of this guide is the text and translation of each scene, embedded with line-by-line acting notes, and blocking directions and diagrams. These are for use by the actors during speaking and blocking rehearsals and are especially valuable when rehearsing recitatives. Intended for college and university voice teachers seeking guidance for developing a scenes program or opera workshop class, this is also the perfect workbook for students studying opera stage direction, as well as graduate and undergraduate students performing opera scenes by Mozart.
Author | : Maria M. Delgado |
Publisher | : Routledge |
Total Pages | : 448 |
Release | : 2010-03-03 |
Genre | : Performing Arts |
ISBN | : 1135164657 |
'An invaluable book that we shall all be using for a long time to come' - Michael Billington Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past fifty years. It is a vivid account of the vast range of work undertaken in European theatre during this period, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s. The featured directors are: Calixto Bieito, Piotr Borowski, Romeo Castellucci, Frank Castorf, Patrice Chéreau, Lev Dodin, Declan Donnellan, Kristian Frédric, Rodrigo García, Jan Lauwers, Christoph Marthaler, Simon McBurney, Daniel Mesguich, Katie Mitchell, Ariane Mnouchkine, Thomas Ostermeier, Patrice Pavis, Silviu Purcărete and Peter Sellars. Travelling from London and Craiova to St. Petersburg and Madrid, the book examines directors working with classics, new writing, and new collaborative theatre forms. Each chapter is written by a specialist in European theatre and provides a detail critique of production styles. The directors themselves provide contributions and interviews to this multi-authored work, which unites the many and varied voices of European theatre in one coherent volume.
Author | : |
Publisher | : |
Total Pages | : 312 |
Release | : 1995 |
Genre | : Choreography |
ISBN | : |
Author | : Dramatic Publishing Company |
Publisher | : |
Total Pages | : 354 |
Release | : 2006 |
Genre | : Amateur theater |
ISBN | : |
Author | : Sarah Hart |
Publisher | : Theatre Communications Grou |
Total Pages | : 244 |
Release | : 2006 |
Genre | : Drama |
ISBN | : 9781559362733 |
The first and only sourcebook for theatre directors and choreographers.
Author | : |
Publisher | : |
Total Pages | : 446 |
Release | : 1997-07 |
Genre | : Periodicals |
ISBN | : |
Author | : Raymond Knapp |
Publisher | : Oxford University Press |
Total Pages | : 248 |
Release | : 2018-09-04 |
Genre | : Music |
ISBN | : 0190877812 |
Issues of identity have always been central to the American musical in all its guises. Who appears in musicals, who or what they are meant to represent, and how, over time, those representations have been understood and interpreted, provide the very basis for our engagement with the genre. In this third volume of the reissued Oxford Handbook of the American Musical, chapters focus on race, ethnicity, gender, and sexuality, regional vs. national identity, and the cultural and class significance of the musical itself. As important as the question of who appears in musicals are the questions of who watches and listens to them, and of how specific cultures of reception attend differently to the musical. Chapters thus address cultural codes inherent to the genre, in particular those found in traditional school theater programs.