Download Planet Of The Apes As American Myth full books in PDF, epub, and Kindle. Read online free Planet Of The Apes As American Myth ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Eric Greene |
| Publisher | : Wesleyan University Press |
| Total Pages | : 292 |
| Release | : 1998 |
| Genre | : Performing Arts |
| ISBN | : 9780819563293 |
Compelling case study considers Planet of the Apes films as racial allegory.
| Author | : Eric Greene |
| Publisher | : McFarland |
| Total Pages | : 263 |
| Release | : 2024-05-15 |
| Genre | : Performing Arts |
| ISBN | : 1476608288 |
How do political conflicts shape popular culture? This book explores that question by analyzing how the Planet of the Apes films functioned both as entertaining adventures and as apocalyptic political commentary. Informative and thought provoking, the book demonstrates how this enormously popular series of secular myths used images of racial and ecological crisis to respond to events like the Cold War, the race riots of the 1960s, the Civil Rights movement, the Black Power movement, and the Vietnam War. The work utilizes interviews with key filmmakers and close readings of the five Apes films and two television series to trace the development of the series' theme of racial conflict in the context of the shifting ideologies of race during the sixties and seventies. The book also observes that today, amid growing concerns over race relations, the resurgent popularity of Apes and Twentieth Century--Fox's upcoming film may again make Planet of the Apes a pop culture phenomenon that asks who we are and where we are going. Instructors considering this book for use in a course may request an examination copy here.
| Author | : Amy J. Ransom |
| Publisher | : McFarland |
| Total Pages | : 232 |
| Release | : 2018-07-10 |
| Genre | : Literary Criticism |
| ISBN | : 1476632677 |
Richard Matheson's 1954 novel I Am Legend has spawned a series of iconic horror and science fiction films, including The Last Man on Earth (1964), The Omega Man (1971) and I Am Legend (2007). The compelling narrative of the last man on earth, struggling to survive a pandemic that has transformed the rest of humanity into monsters, has become an American myth. While the core story remains intact, filmmakers have transformed the details over time, reflecting changing attitudes about race and masculinity. This reexamination of Matheson's novel situates the tale of one man's conflicted attitude about killing racialized "others" within its original post-World War II context, engaging the question of post-traumatic stress disorder. The author analyzes the several film adaptations, with a focus on the casting and interpretations of protagonist Robert Neville.
| Author | : Joe Russo |
| Publisher | : Macmillan |
| Total Pages | : 316 |
| Release | : 2001-08-11 |
| Genre | : Performing Arts |
| ISBN | : 9780312252397 |
For the first time ever, the complete, provocative history behind the motion picture series that began a new tradition in science fiction film sagas. Planet of the Apes Revisited is the colorful, factual account of the science fiction milestone Planet of the Apes and the series of movies and TV shows it inspired. Through exclusive interviews with cast and crew and access to the personal archives of Arthur P. Jacobs, the producer and originator of the first film and all its spin-offs, Joe Russo and Larry Landsman present a fascinating, in-depth look at the entire Apes canon, featuring: Rare, behind-the-scenes photographs Deails on special effects and makeup Story and screenplay developments On-the-set changes and post-production edits Behind-the-scenes anecdotes A chapter on Tim Burton's "reimagining" of the classic Planet of the Apes The book also serves as an invaluable reference volume on Hollywood filmmaking and the many personalities who are part of the legend and lore of this outstanding adventure series. The most comprehensive guide available, Planet of the Apes Revisited vividly re-creates the history, the sticky studio politics, and the fascinating creative process that resulted in this unprecedented science fiction phenomenon.
| Author | : John Huss |
| Publisher | : Open Court |
| Total Pages | : 330 |
| Release | : 2013-05-20 |
| Genre | : Philosophy |
| ISBN | : 0812698274 |
What makes humans different from other animals, what humans are entitled to do to other species, whether time travel is possible, what limits should be placed on science and technology, the morality and practicality of genetic engineering—these are just some of the philosophical problems raised by Planet of the Apes. Planet of the Apes and Philosophy looks at all the deeper issues involved in the Planet of the Apes stories. It covers the entire franchise, from Pierre Boulle’s 1963 novel Monkey Planet to the successful 2012 reboot Rise of the Planet of the Apes. The chapters reflect diverse points of view, philosophical, religious, and scientific. The ethical relations of humans with animals are explored in several chapters, with entertaining and incisive observations on animal intelligence, animal rights, and human-animal interaction. Genetic engineering is changing humans, animals, and plants, raising new questions about the morality of such interventions. The scientific recognition that humans and chimps share 99 percent of their genes makes a future in which non-human animals acquire greater importance a distinct possibility. Planet of the Apes is the most resonant of all scientific apocalypse myths.
| Author | : John Perlich |
| Publisher | : McFarland |
| Total Pages | : 213 |
| Release | : 2010-03-08 |
| Genre | : Social Science |
| ISBN | : 0786455926 |
Contemporary myths, particularly science fiction and fantasy texts, can provide commentary on who we are as a culture, what we have created, and where we are going. These nine essays from a variety of disciplines expand upon the writings of Joseph Campbell and the hero's journey. Modern examples of myths from various sources such as Planet of the Apes, Wicked, Pan's Labyrinth, and Spirited Away; the Harry Potter series; and Second Life are analyzed as creative mythology and a representation of contemporary culture and emerging technology.
| Author | : Daniel Bernardi |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 1149 |
| Release | : 2017-07-07 |
| Genre | : Performing Arts |
| ISBN | : |
This expansive three-volume set investigates racial representation in film, providing an authoritative cross-section of the most racially significant films, actors, directors, and movements in American cinematic history. Hollywood has always reflected current American cultural norms and ideas. As such, film provides a window into attitudes about race and ethnicity over the last century. This comprehensive set provides information on hundreds of films chosen based on scholarly consensus of their importance regarding the subject, examining aspects of race and ethnicity in American film through the historical context, themes, and people involved. This three-volume set highlights the most important films and artists of the era, identifying films, actors, or characterizations that were considered racist, were tremendously popular or hugely influential, attempted to be progressive, or some combination thereof. Readers will not only learn basic information about each subject but also be able to contextualize it culturally, historically, and in terms of its reception to understand what average moviegoers thought about the subject at the time of its popularity—and grasp how the subject is perceived now through the lens of history.
| Author | : Rich Handley |
| Publisher | : Hasslein Books |
| Total Pages | : 324 |
| Release | : 2008-11 |
| Genre | : Planet of the Apes films |
| ISBN | : 061525392X |
"The definitive unauthorized chronology"--Cover.
| Author | : James Chapman |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 326 |
| Release | : 2013-01-30 |
| Genre | : Performing Arts |
| ISBN | : 0857733125 |
Cinema and science fiction were made for each other. Science fiction has been at the cutting edge of film technology and the genre has produced some of the most ambitious, imaginative and visually spectacular films ever made. Yet science fiction cinema is about more than just state-of-the-art special effects. It has also provided a vehicle for film-makers and writers to comment on their own societies and cultures. In this new study of the genre, James Chapman and Nicholas Cull examine a series of landmark science fiction films from the 1930s to the present. They include genre classics, including 'Things to Come', 'Forbidden Planet', 'Planet of the Apes' and '2001: A Space Odyssey', alongside modern blockbusters 'Star Wars' and 'Avatar'. They consider both screen originals and adaptations of the work of major science fiction authors such as H.G. Wells and Arthur C. Clarke. They range widely across the genre from pulp adventure and space opera to political allegory and speculative documentary- there is even a science fiction musical. Chapman and Cull explore the contexts and document the production histories of each film to show how they made their way to the screen- and why they turned out the way they did. Informed throughout by extensive original research in US and British archives, Projecting Tomorrow will be essential reading for all students and fans of science fiction cinema.
| Author | : Martin Harris |
| Publisher | : Taylor & Francis |
| Total Pages | : 276 |
| Release | : 2024-09-02 |
| Genre | : Social Science |
| ISBN | : 1040122299 |
Examining how horror and science fiction films from the 1950s to the present invent and explore fictional “us-versus-them” scenarios, this book analyzes the different ways such films employ allegory and/or satire to interrogate the causes and consequences of increasing polarization in American politics and society. Starting with the killer ants film with an anti-communist subtext Them! (1954) and concluding with Jordan Peele’s social horror film with revenge-seeking homicidal doppelgängers Us (2019), Martin Harris highlights social and political contexts, contemporary reviews and responses, and retrospective evaluations to show how American horror and science fiction films reflect and respond to contemporary conflicts marking various periods in U.S. history from post-WWII to the present, including those concerning race, gender, class, faith, political ideology, national identity, and other elements of American society. Horror and Science Fiction Cinema and Society draws upon cinematic sociology to provide a resourceful approach to American horror and science fiction films that integrates discussion of plot construction and character development with analyses of the thematic uses of conflict, guiding readers’ understanding of how filmmakers create otherworldly confrontations to deliver real-world social and political commentary.
