Planet Hong Kong
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Author | : David Bordwell |
Publisher | : |
Total Pages | : 4 |
Release | : 2000 |
Genre | : Business & Economics |
ISBN | : 9780674002135 |
This definitive study of Hong Kong cinema examines the work of directors such as Tsui Hark, John Woo, Ringo Lam, Johnnie To, King Hu, and Wong Kar Wai.
Author | : Emily Matchar |
Publisher | : Lonely Planet |
Total Pages | : 320 |
Release | : 2017-05 |
Genre | : Travel |
ISBN | : 9781786574428 |
Amazing experiences : inspirational images, highlights, city walks and the best of local knowledge ; plan the perfect trip : planning features and top itineraries give you the freedom to create your ideal trip ; find hidden travel gems, our writers uncover local secrets that will make your trip unique. Special features : guide to local cuisine, shopping tips, travel with children, Macau coverage.
Author | : Steve Fallon |
Publisher | : Lonely Planet |
Total Pages | : 435 |
Release | : 2006 |
Genre | : Travel |
ISBN | : 1740598431 |
You'll fall in love with Hong Kong. And why not? Glittering skyscrapers and a world-famous shopping scene. Frenetic wet markets and the best dim sum ever. Spectacular hikes through jungle-covered islands. And don't forget the devil-may-care casino-hop through Macau. This indispensable guidebook is the key to all your Cantonese adventures.
Author | : Phil Macdonald |
Publisher | : National Geographic Books |
Total Pages | : 276 |
Release | : 2009 |
Genre | : Travel |
ISBN | : 9781426203978 |
Visitor information. Eating dim sum, shopping street markets, teahouses, learning fengshui from local masters, Colonial Hong Kong, Nathan Road, Stanley Village, Saikung Peninsula, Excursions off the beaten path: Mai Po Nature Preserve, Cheung Chau Island, Clear Water Bay, Guangzhou.
Author | : Piera Chen |
Publisher | : |
Total Pages | : 384 |
Release | : 2015-01-01 |
Genre | : Travel |
ISBN | : 9781743214732 |
Features walking tours and a new First Time Hong Kong section. Getting Around chapter to make your trip easy. Includes in-depth coverage of Macau. Full-colour, pull-out map.
Author | : Gina Marchetti |
Publisher | : Routledge |
Total Pages | : 496 |
Release | : 2007-01-24 |
Genre | : Performing Arts |
ISBN | : 1134179162 |
In recent years, with the establishment of the Hong Kong Film Archive and growing scholarly interest in the history of Hong Kong cinema, previously neglected historical documents and difficult-to-access films have offered new research materials. As Hong Kong film history comes into sharper focus, its inextricable links across the decades to Southeast Asia, Korea, Japan, the United States, and to the far reaches of the Chinese diaspora have also become more evident. Hong Kong’s connection with Hollywood involves ties that bring together art cinema and popular genres as well as film festivals and the media marketplace with popular transnational genres. Giving fresh and facsinating insights into the vibrant area of Hong Kong, this exciting new book links Hong Kong with world film culture both within and beyond the commercial Hollywood paradigm. It emphasizes Hong Kong film in relation to other cinema industries, including Hollywood, and demonstrates that Hong Kong film, throughout its history, has challenged, redefined, expanded, and exceeded its borders.
Author | : Stephen Teo |
Publisher | : Bloomsbury Publishing |
Total Pages | : 322 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838716262 |
This is the first full-length English-language study of one of the world's most exciting and innovative cinemas. Covering a period from 1909 to 'the end of Hong Kong cinema' in the present day, this book features information about the films, the studios, the personalities and the contexts that have shaped a cinema famous for its energy and style. It includes studies of the films of King Hu, Bruce Lee and Jackie Chan, as well as those of John Woo and the directors of the various 'New Waves'. Stephen Teo explores this cinema from both Western and Chinese perspectives and encompasses genres ranging from melodrama to martial arts, 'kung fu', fantasy and horror movies, as well as the international art-house successes.
Author | : Ching-Mei Esther Yau |
Publisher | : U of Minnesota Press |
Total Pages | : 360 |
Release | : 2001 |
Genre | : Performing Arts |
ISBN | : 9780816632350 |
Breathtaking swordplay and nostalgic love, Peking opera and Chow Yun-fat's cult followers -- these are some of the elements of the vivid and diverse urban imagination that find form and expression in the thriving Hong Kong cinema. All receive their due in At Full Speed, a volume that captures the remarkable range and energy of a cinema that borrows, invents, and reinvents across the boundaries of time, culture, and conventions. At Full Speed gathers film scholars and critics from around the globe to convey the transnational, multilayered character that Hong Kong films acquire and impart as they circulate worldwide. These writers scrutinize the films they find captivating: from the lesser known works of Law Man and Yuen Woo Ping to such film festival notables as Stanley Kwan and Wong Kar-wai, and from the commercial action, romance, and comedy genres of Jackie Chan, Peter Chan, Steven Chiau, Tsui Hark, John Woo, and Derek Yee to the attempted departures of Evans Chan, Ann Hui, and Clara Law. In this cinema the contributors identify an aesthetics of action, gender-flexible melodramatic excesses, objects of nostalgia, and globally projected local history and identities, as well as an active critical film community. Their work, the most incisive account ever given of one of the world's largest film industries, brings the pleasures and idiosyncrasies of Hong Kong cinema into clear close-up focus even as it enlarges on the relationships between art and the market, cultural theory and the movies.
Author | : Gordon Mathews |
Publisher | : University of Chicago Press |
Total Pages | : 255 |
Release | : 2011-06-30 |
Genre | : Business & Economics |
ISBN | : 0226510204 |
4e de couv.: Chungking Mansions, a dilapidated seventeen-story commercial and residential structure in the heart of Hong Kong's tourist district, is home to a remarkably motley group of people. Traders, laborers, and asylum seekers from all over Asia and Africa live and work there, and even backpacking tourists rent rooms in what is possibly the most globalized spot on the planet. But as Ghetto at the center of the world shows us, the Mansions is a world away from the gleaming headquarters of multinational corporations -instead it epitomizes the way globalization actually works for most of the world's people. Through candid stories that both instruct and enthrall, Gordon Mathews lays bare the building's residents' intricate connections to the international circulation of goods, money, and ideas.
Author | : Daniel Miles Amos |
Publisher | : Rowman & Littlefield |
Total Pages | : 230 |
Release | : 2021-03-24 |
Genre | : Social Science |
ISBN | : 1786615444 |
This imaginative and innovative study by Daniel Miles Amos, begun in 1976 and completed in 2020, examines sociocultural changes in the practices of Chinese martial artists in two closely related and interconnected southern Chinese cities, Hong Kong and Guangzhou. The initial chapters of the book compare how sociocultural changes from World War II to the mid-1980s affected the practices of Chinese martial artists in the British Crown Colony of Hong Kong and neighboring Guangzhou in mainland China. An analysis is made of how the practices of Chinese martial artists have been influenced by revolutionary sociocultural changes in both cities. In Guangzhou, the victory of the Chinese Communist Party lead to the disappearance in the early 1950s of secret societies and kungfu brotherhoods. Kungfu brotherhoods reappeared during the Cultural Revolution, and subsequently were transformed again after the death of Mao Zedong, and China’s opening to capitalism. In Hong Kong, dramatic sociocultural changes were set off by the introduction of manufacturing production lines by international corporations in the mid-1950s, and the proliferation of foreign franchises and products. Economic globalization in Hong Kong has led to dramatic increases both in the territory’s Gross Domestic Product and in cultural homogenization, with corresponding declines in many local traditions and folk cultures, including Chinese martial arts. The final chapters of the book focus on changes in the practices of Chinese martial arts in Hong Kong from the years 1987 to 2020, a period which includes the last decade of British colonial administration, as well as the first quarter of a century of rule by the Chinese government.