Plagiarizing the Victorian Novel

Plagiarizing the Victorian Novel
Author: Adam Abraham
Publisher: Cambridge University Press
Total Pages: 301
Release: 2019-08-22
Genre: Literary Criticism
ISBN: 1108493076

Views the Victorian novel through the prism of literary imitations that it inspired.

Original Copy

Original Copy
Author: Robert Macfarlane
Publisher: Oxford University Press
Total Pages: 257
Release: 2007-03-08
Genre: History
ISBN: 0199296502

'"Originality" is only plagiarizing from a great many', remarked Rupert Brooke, stealing the line from Voltaire. Questions of originality, and accusations of plagiarism, are as old as literature, but different literary cultures have interpreted the relationship between originality and plagiarism in startlingly dissimilar ways.Original Copy investigates and documents the drastic reappraisal of literary originality and plagiarism which occurred over the course of the nineteenth century: from the heroic visions of original authorship that characterised the 1820s and 1830s, through to the stickle-brick creativity of Oscar Wilde and Lionel Johnson at the century's end. It reveals how ideas of originality and plagiarism were not only a theoretical concern of Victorian commentators on literature, but also providedmany important Victorian writers - Eliot, Dickens, Reade, Pater, Wilde, and Lionel Johnson among them - with a creative resource. Moving between numerous different fields of thought and knowledge - literary criticism, the history of science, manuscript culture, anthropology - and written in a supple andelegant style, this book shows that the ideas of originality and plagiarism were the subjects of nineteenth-century literature, as well as what it was subject to.

Thinking Without Thinking in the Victorian Novel

Thinking Without Thinking in the Victorian Novel
Author: Vanessa L. Ryan
Publisher: JHU Press
Total Pages: 255
Release: 2012-06-07
Genre: Literary Criticism
ISBN: 1421405911

In Thinking without Thinking in the Victorian Novel, Vanessa L. Ryan demonstrates how both the form and the experience of reading novels played an important role in ongoing debates about the nature of consciousness during the Victorian era. Revolutionary developments in science during the mid- and late nineteenth century—including the discoveries and writings of Herbert Spencer, William Carpenter, and George Henry Lewes—had a vital impact on fiction writers of the time. Wilkie Collins, George Eliot, George Meredith, and Henry James read contributions in what we now call cognitive science that asked, "what is the mind?" These Victorian fiction writers took a crucial step, asking how we experience our minds, how that experience relates to our behavior and questions of responsibility, how we can gain control over our mental reflexes, and finally how fiction plays a special role in understanding and training our minds. Victorian fiction writers focus not only on the question of how the mind works but also on how it seems to work and how we ought to make it work. Ryan shows how the novelistic emphasis on dynamic processes and functions—on the activity of the mind, rather than its structure or essence—can also be seen in some of the most exciting and comprehensive scientific revisions of the understanding of "thinking" in the Victorian period. This book studies the way in which the mind in the nineteenth-century view is embedded not just in the body but also in behavior, in social structures, and finally in fiction.

The Cambridge Companion to the Victorian Novel

The Cambridge Companion to the Victorian Novel
Author: Deirdre David
Publisher: Cambridge University Press
Total Pages: 291
Release: 2012-10-18
Genre: Literary Criticism
ISBN: 1107005132

A new edition of this standard work, fully updated with four brand new chapters.

Convalescence in the Nineteenth-Century Novel

Convalescence in the Nineteenth-Century Novel
Author: Hosanna Krienke
Publisher: Cambridge University Press
Total Pages: 245
Release: 2021-05-13
Genre: Literary Criticism
ISBN: 1108957064

Victorian Britain witnessed a resurgence of traditional convalescent caregiving. In the face of a hectic modern existence, nineteenth-century thinkers argued that all medical patients desperately required a lengthy, meandering period of recovery. Various reformers worked to extend the benefits of holistic recuperative care to seemingly unlikely groups: working-class hospital patients, insane asylum inmates, even low-ranking soldiers across the British Empire. Hosanna Krienke offers the first sustained scholarly assessment of nineteenth-century convalescent culture, revealing how interpersonal post-acute care was touted as a critical supplement to modern scientific medicine. As a method of caregiving intended to alleviate both physical and social ills, convalescence united patients of disparate social classes, disease categories, and degrees of impairment. Ultimately, this study demonstrates how novels from Bleak House to The Secret Garden draw on the unhurried timescale of convalescence as an ethical paradigm, training readers to value unfolding narratives apart from their ultimate resolutions.

Stylistic Virtue and Victorian Fiction

Stylistic Virtue and Victorian Fiction
Author: Matthew Sussman
Publisher: Cambridge University Press
Total Pages: 275
Release: 2021-07
Genre: History
ISBN: 1108832946

Offers a deep history of style in theory and practice that transforms our understanding of style in the novel.

Vagrancy in the Victorian Age

Vagrancy in the Victorian Age
Author: Alistair Robinson
Publisher: Cambridge University Press
Total Pages: 277
Release: 2021-10-14
Genre: Literary Criticism
ISBN: 1009022393

Vagrants were everywhere in Victorian culture. They wandered through novels and newspapers, photographs, poems and periodicals, oil paintings and illustrations. They appeared in a variety of forms in a variety of places: Gypsies and hawkers tramped the country, casual paupers and loafers lingered in the city, and vagabonds and beachcombers roved the colonial frontiers. Uncovering the rich Victorian taxonomy of nineteenth-century vagrancy for the first time, this interdisciplinary study examines how assumptions about class, gender, race and environment shaped a series of distinct vagrant types. At the same time it broaches new ground by demonstrating that rural and urban conceptions of vagrancy were repurposed in colonial contexts. Representational strategies circulated globally as well as locally, and were used to articulate shifting fantasies and anxieties about mobility, poverty and homelessness. These are traced through an extensive corpus of canonical, ephemeral and popular texts as well as a variety of visual forms.

Knowing Dickens

Knowing Dickens
Author: Rosemarie Bodenheimer
Publisher: Cornell University Press
Total Pages: 251
Release: 2012-11-09
Genre: Literary Criticism
ISBN: 0801467012

In this compelling and accessible book, Rosemarie Bodenheimer explores the thoughtworld of the Victorian novelist who was most deeply intrigued by nineteenth-century ideas about the unconscious mind. Dickens found many ways to dramatize in his characters both unconscious processes and acts of self-projection—notions that are sometimes applied to him as if he were an unwitting patient. Bodenheimer explains how the novelist used such techniques to negotiate the ground between knowing and telling, revealing and concealing. She asks how well Dickens knew himself—the extent to which he understood his own nature and the ways he projected himself in his fictions—and how well we can know him. Knowing Dickens is the first book to systematically explore Dickens's abundant correspondence in relation to his published writings. Gathering evidence from letters, journalistic essays, stories, and novels that bear on a major issue or pattern of response in Dickens's life and work, Bodenheimer cuts across familiar storylines in Dickens biography and criticism in chapters that take up topics including self-defensive language, models of memory, relations of identification and rivalry among men, houses and household management, and walking and writing.

Mr. Meeson's Will

Mr. Meeson's Will
Author: Henry Rider Haggard
Publisher: Rose
Total Pages: 300
Release: 1888
Genre: Fiction
ISBN:

Everybody who has any connection with Birmingham will be acquainted with the vast publishing establishment still known by the short title of "Meeson's" which is perhaps the most remarkable institution of the sort in Europe.

Stolen Words

Stolen Words
Author: Thomas Mallon
Publisher: Harvest Books
Total Pages: 348
Release: 2001
Genre: Language Arts & Disciplines
ISBN:

The definitive book on the subject of plagiarism (The New York Times) is updated with a new afterword about the Internet. What is plagiarism, and why is it such a big deal? Since when is originality considered an indispensable attribute of authorship? Stolen Words is a deft and well-informed history of the sin every writer fears from every angle. Award-winning author Thomas Mallon begins in the seventeenth century and pushes forward toward scandals in publishing, academia, and Hollywood, exploring the motivations, consequences, and emotional reverberations of an intriguing and distressingly widespread practice. In this now-classic study, Mallon proves himself to be one of our most versatile, original, and delightful writers.