Pierre Or The Ambiguities Scholars Choice Edition
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Author | : Herman Melville |
Publisher | : Northwestern University Press |
Total Pages | : 446 |
Release | : 1971 |
Genre | : Fiction |
ISBN | : 0810102676 |
"Ambiguities indeed! One long brain-muddling, soulbewildering ambiguity (to borrow Mr. Melville's style), like Melchisedeck without beginning or end - a labyrinth without a clue - an Irish bog without so much as a Jack o' th'-lantern to guide the wanderer's footsteps - the dream of a distempered stomach, disordered by a hasty supper on half-cooked pork chops". So judged the New York Herald when Pierre was first published in 1852, with most contemporary reviewers joining in the general condemnation: "a dead failure", "this crazy rigmarole", and "a literary mare's nest". Latter-day critics have recognized in the story of Melville's idealistic young hero a corrosive satire of the sentimental-Gothic novel, and a revolutionary foray into modernist literary techniques. As William Spengemann writes in his introduction to this edition, "For anyone who, being aware of the culture of modernity, is curious about its origins, Pierre ranks with Coleridge's 'Rime of the Ancient Mariner, ' Carlyle's Sartor Resartus, Hawthorne's Scarlet Letter, and the poems of Emily Dickinson as one of the privileged places where the dead past can be seen giving way inexorably to the living present".
Author | : Herman Melville |
Publisher | : W. W. Norton & Company |
Total Pages | : 428 |
Release | : 2017 |
Genre | : Fiction |
ISBN | : 039326968X |
When Pierre was published one year after Moby-Dick, expectations were high. Readers expected—and Melville delivered—adventure, humor, and brilliance. Magnificent and strange, Pierre is a richly allusive novel mirroring both antebellum America and Melville’s own life. This Norton Critical Edition includes: · The Harper & Brothers 1852 first edition of the novel, accompanied by Robert S. Levine and Cindy Weinstein’s editorial matter. · Six illustrations. · Contextual and source materials, including letters, responses to Pierre by Melville’s contemporaries, and works by Daniel Webster, Thomas Cole, James Fenimore Cooper, Lydia Maria Child, and Nathaniel Hawthorne, among others, that give readers a sense of Pierre’s time and place. · Seven critical essays on Pierre’s major themes by Sacvan Bercovitch, James Creech, Samuel Otter, Wyn Kelley, Cindy Weinstein, Jeffory A. Clymer, and Dominic Mastroianni. · A Chronology and a Selected Bibliography.
Author | : Herman Melville |
Publisher | : W. W. Norton & Company |
Total Pages | : 428 |
Release | : 2017 |
Genre | : Literary Criticism |
ISBN | : 0393623491 |
When Pierre was published one year after Moby-Dick, expectations were high. Readers expected—and Melville delivered—adventure, humor, and brilliance. Magnificent and strange, Pierre is a richly allusive novel mirroring both antebellum America and Melville’s own life. This Norton Critical Edition includes: · The Harper & Brothers 1852 first edition of the novel, accompanied by Robert S. Levine and Cindy Weinstein’s editorial matter. · Six illustrations. · Contextual and source materials, including letters, responses to Pierre by Melville’s contemporaries, and works by Daniel Webster, Thomas Cole, James Fenimore Cooper, Lydia Maria Child, and Nathaniel Hawthorne, among others, that give readers a sense of Pierre’s time and place. · Seven critical essays on Pierre’s major themes by Sacvan Bercovitch, James Creech, Samuel Otter, Wyn Kelley, Cindy Weinstein, Jeffory A. Clymer, and Dominic Mastroianni. · A Chronology and a Selected Bibliography.
Author | : Herman Melville |
Publisher | : |
Total Pages | : 524 |
Release | : 1923 |
Genre | : Male authors |
ISBN | : |
Author | : Herman Melville |
Publisher | : |
Total Pages | : 522 |
Release | : 1923 |
Genre | : |
ISBN | : |
Author | : Pierre Brocheux |
Publisher | : Univ of California Press |
Total Pages | : 507 |
Release | : 2011-06 |
Genre | : History |
ISBN | : 0520269748 |
"An important, well-conceived, and original piece of historical synthesis."—Peter Zinoman, author of The Colonial Bastille: A History of Imprisonment in Vietnam “Indochina is the first and best general history of French colonial Indochina from its inception in 1858 to its crumbling in 1954. It is the only work to avoid nationalist, colonialist, and anticolonialist historiographies in order to fully explore the ambiguity of the French colonial period. A major contribution to the national histories of France, Vietnam, Laos, and Cambodia.”—Christopher Goscha, Université du Québec à Montréal
Author | : Virgil Nemoianu |
Publisher | : John Benjamins Publishing |
Total Pages | : 280 |
Release | : 1991-01-01 |
Genre | : Literary Criticism |
ISBN | : 9027242372 |
The papers in this book respond to the public debate over literary canons, in the United States, and elsewhere, by placing the political-ideological aspects of the conflict inside perspectives derived from comparative literature. Canons are seen by most of the contributors as based on democratic and communal intentions or choices inevitable filtered through and colored by historical experiences and social biases.An examination of the canonical process over many centuries reveals both the impressive durability of its elements and the amazing flexibility of its outlines. The careful individual analyses, as well as the thought-provoking general contributions in this volume agree that the democracy of play is one of the strongest bonds uniting the human race. Canons or canons, the contributors argue, are based on it and reflect the intimate interdependence of cultural and intellectual matters with the workings of society as a whole. Contributors Charles Altieri, Lilian R. Furst, Michael G. Cooke, Robert Royal, Roger Shattuck, Rosa E.M.D. Penna, Glen M. Johnson, Yves Chevrel, Raymond A. Prier, Peter Walker, Christopher Clausen, Virgil Nemoianu.
Author | : Thomas Bauer |
Publisher | : Columbia University Press |
Total Pages | : 244 |
Release | : 2021-06-08 |
Genre | : Religion |
ISBN | : 0231553323 |
In the Western imagination, Islamic cultures are dominated by dogmatic religious norms that permit no nuance. Those fighting such stereotypes have countered with a portrait of Islam’s medieval “Golden Age,” marked by rationality, tolerance, and even proto-secularism. How can we understand Islamic history, culture, and thought beyond this dichotomy? In this magisterial cultural and intellectual history, Thomas Bauer reconsiders classical and modern Islam by tracing differing attitudes toward ambiguity. Over a span of many centuries, he explores the tension between one strand that aspires to annihilate all uncertainties and establish absolute, uncontestable truths and another, competing tendency that looks for ways to live with ambiguity and accept complexity. Bauer ranges across cultural and linguistic ambiguities, considering premodern Islamic textual and cultural forms from law to Quranic exegesis to literary genres alongside attitudes toward religious minorities and foreigners. He emphasizes the relative absence of conflict between religious and secular discourses in classical Islamic culture, which stands in striking contrast to both present-day fundamentalism and much of European history. Bauer shows how Islam’s encounter with the modern West and its demand for certainty helped bring about both Islamicist and secular liberal ideologies that in their own ways rejected ambiguity—and therefore also their own cultural traditions. Awarded the prestigious Leibniz Prize, A Culture of Ambiguity not only reframes a vast range of Islamic history but also offers an interdisciplinary model for investigating the tolerance of ambiguity across cultures and eras.
Author | : Partha Chatterjee |
Publisher | : Columbia University Press |
Total Pages | : 185 |
Release | : 2019-12-17 |
Genre | : Philosophy |
ISBN | : 0231551355 |
The forms of liberal government that emerged after World War II are in the midst of a profound crisis. In I Am the People, Partha Chatterjee reconsiders the concept of popular sovereignty in order to explain today’s dramatic outburst of movements claiming to speak for “the people.” To uncover the roots of populism, Chatterjee traces the twentieth-century trajectory of the welfare state and neoliberal reforms. Mobilizing ideals of popular sovereignty and the emotional appeal of nationalism, anticolonial movements ushered in a world of nation-states while liberal democracies in Europe guaranteed social rights to their citizens. But as neoliberal techniques shrank the scope of government, politics gave way to technical administration by experts. Once the state could no longer claim an emotional bond with the people, the ruling bloc lost the consent of the governed. To fill the void, a proliferation of populist leaders have mobilized disaffected groups into a battle that they define as the authentic people against entrenched oligarchy. Once politics enters a spiral of competitive populism, Chatterjee cautions, there is no easy return to pristine liberalism. Only a counter-hegemonic social force that challenges global capital and facilitates the equal participation of all peoples in democratic governance can achieve significant transformation. Drawing on thinkers such as Antonio Gramsci, Michel Foucault, and Ernesto Laclau and with a particular focus on the history of populism in India, I Am the People is a sweeping, theoretically rich account of the origins of today’s tempests.
Author | : Ariel Hessayon |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 286 |
Release | : 2006 |
Genre | : History |
ISBN | : 9780754638933 |
This volume of essays is the first to embrace both orthodox and heterodox treatments of scripture in early modern England, and in the process to question, challenge and redefine what historians mean when they use these terms. The collection dispels the myth that a critical engagement with sacred texts was the preserve of radical figures: anti-scripturists, Quakers, Deists and freethinkers. While the work of these people was significant, it formed only part of a far broader debate incorporating figures from across the theological spectrum engaging in a shared discourse.