Picturing Men

Picturing Men
Author: John Ibson
Publisher:
Total Pages: 0
Release: 2006
Genre: Male friendship
ISBN: 9780226368580

These photographs, spanning from before the Civil War to the 1950s, reveal a lost world. Rather than imposing contemporary notions of sexuality by assuming the images only illustrate a portion of the gay past, Ibson returns them to their own time to examine what they meant to the subjects. His perspective unearths a hidden aspect of American men's history. 140 photos.

Picturing a Nation

Picturing a Nation
Author: David M. Lubin
Publisher: Yale University Press
Total Pages: 400
Release: 1994-01-01
Genre: Art
ISBN: 9780300057324

Art historian David Lubin examines the work of six nineteenth-century American artists to show how their paintings both embraced and resisted dominant social values. Lubin argues that artists such as George Bingham and Lily Martin Spencer were aware of the underlying social conflicts of their time and that their work reflected the nation's ambivalence toward domesticity, its conflicting ideas about child rearing, its racial disharmony, and many other issues central to the formation of modern America.--From publisher description.

Picturing Harrisonburg

Picturing Harrisonburg
Author: David Ehrenpreis
Publisher:
Total Pages: 0
Release: 2017
Genre: History
ISBN: 9781938086502

"While this book is a stand-alone project, it also serves as the accompanying catalogue for the large-scale exhibition on view at JMU's Duke Hall Gallery of Fine Art during the fall of 2017." -- from page 12

Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century's Most Photographed American

Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century's Most Photographed American
Author: Celeste-Marie Bernier
Publisher: W. W. Norton & Company
Total Pages: 791
Release: 2015-11-02
Genre: History
ISBN: 1631491261

Finalist for the Gilder Lehrman Lincoln Prize A landmark and collectible volume—beautifully produced in duotone—that canonizes Frederick Douglass through historic photography. Commemorating the bicentennial of Frederick Douglass’s birthday and featuring images discovered since its original publication in 2015, this “tour de force” (Library Journal, starred review) reintroduced Frederick Douglass to a twenty-first-century audience. From these pages—which include over 160 photographs of Douglass, as well as his previously unpublished writings and speeches on visual aesthetics—we learn that neither Custer nor Twain, nor even Abraham Lincoln, was the most photographed American of the nineteenth century. Indeed, it was Frederick Douglass, the ex-slave-turned-abolitionist, eloquent orator, and seminal writer, who is canonized here as a leading pioneer in photography and a prescient theorist who believed in the explosive social power of what was then just an emerging art form. Featuring: Contributions from Henry Louis Gates, Jr., and Kenneth B. Morris, Jr. (a direct Douglass descendent) 160 separate photographs of Douglass—many of which have never been publicly seen and were long lost to history A collection of contemporaneous artwork that shows how powerful Douglass’s photographic legacy remains today, over a century after his death All Douglass’s previously unpublished writings and speeches on visual aesthetics

Picturing War in France, 1792–1856

Picturing War in France, 1792–1856
Author: Katie Hornstein
Publisher: Yale University Press
Total Pages: 206
Release: 2018-02-06
Genre: Art
ISBN: 0300230168

From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores how these pictures provided citizens with an imaginative stake in wars being waged in their name. As she traces the evolution of images of war from a visual form that had previously been intended for mostly elite audiences to one that was enjoyed by a much broader public over the course of the 19th century, Katie Hornstein carefully considers the influence of emergent technologies and popular media, such as lithography, photography, and panoramas, on both artistic style and public taste. With close readings and handsome reproductions in various media, from monumental battle paintings to popular prints, Picturing War in France,1792–1856 draws on contemporary art criticism, war reporting, and the burgeoning illustrated press to reveal the crucial role such images played in shaping modern understandings of conflict.

Picture Freedom

Picture Freedom
Author: Jasmine Nichole Cobb
Publisher: NYU Press
Total Pages: 291
Release: 2015-04-03
Genre: Biography & Autobiography
ISBN: 1479817228

"Picture Freedom provides a unique and nuanced interpretation of nineteenth-century African American life and culture. Focusing on visuality, print culture, and an examination of the parlor, Cobb has fashioned a book like none other, convincingly demonstrating how whites and blacks reimagined racial identity and belonging in the early republic."--Erica Armstrong Dunbar, author of A Fragile Freedom: African American Women and Emancipation in the Antebellum City

Words, Books, Images, and the Long Eighteenth Century

Words, Books, Images, and the Long Eighteenth Century
Author: Antoinina Bevan Zlatar
Publisher: John Benjamins Publishing Company
Total Pages: 270
Release: 2021-12-15
Genre: Literary Criticism
ISBN: 9027258449

The essays collected in this volume engage in a conversation among lexicography, the culture of the book, and the canonization and commemoration of English literary figures and their works in the long eighteenth century. The source of inspiration for each piece is Allen Reddick’s scholarship on Samuel Johnson (1709-1784), the great English lexicographer whose Dictionary (1755) included thousands upon thousands of illustrative quotations from the “best” authors, and, more recently, on Thomas Hollis (1720-1774), the much less well-known bibliophile who sent gifts of books by a pantheon of Whig authors to individuals and libraries in Britain, Protestant bastions in continental Europe, and America. Between the covers of Words, Books, Images readers will encounter canonical English authors of prose and poetry—Bacon, Milton, Defoe, Dryden, Pope, Richardson, Swift, Byron, Mary Shelley, and Edward Lear. But they will also become acquainted with the agents of their canonization and commemoration—the printers and publishers of Grub Street, the biographer John Aubrey, the lexicographer and biographer Johnson, the bibliophile Hollis, and the portrait painter Reynolds. No less crucially, they will meet fellow readers of then and now—women and men who peruse, poach, snip, and savour a book’s every word and image.

Picturing America

Picturing America
Author: Stephen J. Hornsby
Publisher: University of Chicago Press
Total Pages: 302
Release: 2017-03-23
Genre: History
ISBN: 022638618X

Instructive, amusing, colorful—pictorial maps have been used and admired since the first medieval cartographer put pen to paper depicting mountains and trees across countries, people and objects around margins, and sea monsters in oceans. More recent generations of pictorial map artists have continued that traditional mixture of whimsy and fact, combining cartographic elements with text and images and featuring bold and arresting designs, bright and cheerful colors, and lively detail. In the United States, the art form flourished from the 1920s through the 1970s, when thousands of innovative maps were mass-produced for use as advertisements and decorative objects—the golden age of American pictorial maps. Picturing America is the first book to showcase this vivid and popular genre of maps. Geographer Stephen J. Hornsby gathers together 158 delightful pictorial jewels, most drawn from the extensive collections of the Library of Congress. In his informative introduction, Hornsby outlines the development of the cartographic form, identifies several representative artists, describes the process of creating a pictorial map, and considers the significance of the form in the history of Western cartography. Organized into six thematic sections, Picturing America covers a vast swath of the pictorial map tradition during its golden age, ranging from “Maps to Amuse” to “Maps for War.” Hornsby has unearthed the most fascinating and visually striking maps the United States has to offer: Disney cartoon maps, college campus maps, kooky state tourism ads, World War II promotional posters, and many more. This remarkable, charming volume’s glorious full-color pictorial maps will be irresistible to any map lover or armchair traveler.

Picturing the Century

Picturing the Century
Author: Bruce I. Bustard
Publisher: University of Washington Press
Total Pages: 152
Release: 1999
Genre: Photograph collections
ISBN:

To mark the end of the 20th century, Picturing the Century selects 200 photographs from one of the world's largest photographic archives, the vast collections of the National Archives and Records Administration in Washington, DC, regional records facilities, and Presidential libraries. The photographs depict momentous events, illustrate changes in American society, capture the hopes and fears of the American people. At the same time, they demonstrate the role of government photography in the United States. Photographs from the vast collections of the National Archives and Records Administration, including the Presidential libraries, depict momentous events & capture the hopes and fears of the American people throughout the 20th century. Includes work by Ansel Adams, Dorothea Lane, Walter Lubken, Lewis Hine, George Ackerman, Charles Fenno Jacobs, Yoichi Okamoto, & Dany Lyon.

Picturing Indians

Picturing Indians
Author: Steven D. Hoelscher
Publisher: Univ of Wisconsin Press
Total Pages: 232
Release: 2008
Genre: History
ISBN: 9780299226008

Having built his reputation on his photographs of the Dells' steep gorges and fantastic rock formations, H. H. Bennett turned his camera upon the Ho-Chunk, and thus began the many-layered relationship. The interactions between Indian and white man, photographer and photographed, suggested a relationship in which commercial motives and friendly feelings mixed, though not necessarily in equal measure.