Picture Writing Of The American Indians
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Author | : Garrick Mallery |
Publisher | : Good Press |
Total Pages | : 1145 |
Release | : 2021-05-20 |
Genre | : Fiction |
ISBN | : |
This work is essential for anyone doing research in rock art and petroglyphs. Col. Garrick Mallery's report on the picture-writing of the American Indians is one of the most significant of all the early reports of the Bureau of Ethnology of the Smithsonian Institution. Besides a special section on petroglyphs, most of the specimens are roughly contemporary with the report's writing and were collected by ethnologists, explorers, and expeditions to reservations. The focus is on the significance of the pictures and the dissimilarities between the styles of picture-writing of the various tribes. Col. Mallery's report is the fundamental study of North American Indian picture-writing for anthropologists, sociologists, historians, or artists. Since most of the samples were collected by peers while picturing was still a vital method of communication, the ethnologists were often helped by the Indians themselves in interpreting the pictographs and uncovering the wealth of information they conveyed. The report consists of almost 1,300 pictures and 54 plates illustrating the samples which Col. Mallery describes.
Author | : Doreen Rappaport |
Publisher | : HarperCollins |
Total Pages | : 32 |
Release | : 2002-09-03 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780060011390 |
A dedicated doctor drives her horse through a blinding snowstorm to tend a child sick with pneumonia. An athlete, lagging behind, pumps his arms and flies past his competitors in the 1,500-meter race, to win an Olympic gold medal. In a tangled jungle in the South Pacific, an American marine baffles Japanese codebreakers with an ingenious code based on the Navajo language. Susan La Flesche Picotte, Jim Thorpe, and William McCabe are just three of the distinguished American Indians you will meet in this book- Acclaimed author Doreen Rappaport re-created one dramatic moment in each person's life to give you a glimpse of their incredible accomplishments. Each portrait has been thoroughly researched and is beautifully evoked by noted artists Ying-Hwa Hu and Cornelius Van Wright. Beginning with Tisquantum teaching the Pilgrims how to survive in a new land and ending 370 years later with Sherman Alexie writing a poem, this book provides young readers with a fresh, exciting first took at the great history and culture of American Indians.
Author | : Richard C. Adams |
Publisher | : Syracuse University Press |
Total Pages | : 166 |
Release | : 2000-05-01 |
Genre | : Literary Collections |
ISBN | : 9780815606390 |
This collection of twenty-two Delaware Indian stories has long been sought out both by scholars and individuals. Beyond the lessons, the book introduces the richness of the original Delaware language to an English-speaking audience: four of these legends have been retranslated into the Delaware language by native Delaware speakers. Readers will find line-by-line translations that reveal the eventual transformation of a transliterated Delaware text into an English-language story.
Author | : Edward J. Lenik |
Publisher | : UPNE |
Total Pages | : 308 |
Release | : 2002 |
Genre | : Art |
ISBN | : 9781584651970 |
Located along rivers, at the edges of lakes, on mountain boulders, in rock shelters, on rock ledges where the continent meets the ocean, and tucked into parks and public places, American Indian rock art offers tantilizing glimpses of the signs and symbols of a Native American culture. Picture Rocks documents all known permanent petroglyph and pictograph sites from the Canadian provinces of Nova Scotia and New Brunswick, the six New England states, New York, and New Jersey. Some sites are subject to disputes over their origins—Indian or Portuguese? Some are ancient, and others, such as the work of the Mi’kmaq, were executed in the past 200 years. Many of these sites are little known; others, like those at Bellows Falls, Vermont, are sources of great local pride and appear on city walking tours. Interspersing his own interpretations with comments from scholars and Native American storytellers, Edward J. Lenik provides a definitive look at an extraordinary art form. Two hundred illustrations include historic sketches by early Euro-American colonists, nineteenth-century photographs, and recent photographs and drawings of the current conditions of many sites.
Author | : Garrick Mallery |
Publisher | : |
Total Pages | : 814 |
Release | : 1886 |
Genre | : Haida Indians |
ISBN | : |
Author | : Garrick Mallery |
Publisher | : New York : Dover Publications |
Total Pages | : 420 |
Release | : 1972 |
Genre | : Art |
ISBN | : |
Volume 2 of most complete account of Indian picture writing ever — with 1,290 illustrations and 54 additional plates (total in set) depicting inscriptions on stone, bone, skins, feathers, pottery, and more.
Author | : Sherman Alexie |
Publisher | : Little, Brown Books for Young Readers |
Total Pages | : 299 |
Release | : 2012-01-10 |
Genre | : Young Adult Fiction |
ISBN | : 0316219304 |
A New York Times bestseller—over one million copies sold! A National Book Award winner A Boston Globe-Horn Book Award winner Bestselling author Sherman Alexie tells the story of Junior, a budding cartoonist growing up on the Spokane Indian Reservation. Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot. Heartbreaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, which is based on the author's own experiences, coupled with poignant drawings by Ellen Forney that reflect the character's art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he was destined to live. With a forward by Markus Zusak, interviews with Sherman Alexie and Ellen Forney, and black-and-white interior art throughout, this edition is perfect for fans and collectors alike.
Author | : A.T. JACKSON |
Publisher | : |
Total Pages | : 540 |
Release | : 1912 |
Genre | : |
ISBN | : |
Author | : Michael Gaudio |
Publisher | : U of Minnesota Press |
Total Pages | : 235 |
Release | : 2008 |
Genre | : Art |
ISBN | : 0816648468 |
In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.
Author | : Arni Brownstone |
Publisher | : University of Oklahoma Press |
Total Pages | : 299 |
Release | : 2024-07-23 |
Genre | : Art |
ISBN | : 0806194286 |
In the nineteenth and early twentieth centuries, the Indigenous peoples of the Great Plains practiced an archival art—narrating war exploits in large-scale paintings executed on animal hide robes, shirts, tipi covers, and tipi liners. Essentially autobiographical, the paintings were worn and lived in by the men whose war exploits they portrayed, and were made to be “read” by the public at large. Executed in a pictorial narrative style and documenting actual events, these paintings blend visual art and history. Indigenous War Painting of the Plains is the first comprehensive look at this important North American art form, covering the full corpus of war paintings from fourteen tribes across the plains. Two impediments have previously made such a book impractical: photography alone falls short of rendering war paintings for the printed page, and only about half of the surviving works have reliable documentation on their cultural origins. Arni Brownstone surmounts these difficulties by producing precise electronic redrawings and by using well-documented paintings to inform poorly documented examples, bolstered by a careful examination of collection histories. Featuring some 300 photographs and electronic redrawings, the book focuses on 83 paintings organized into four chapters covering the paintings of tribes associated with a specific geographical sphere of artistic influence. Four appendixes feature paintings combined with “translations” by Indigenous collaborators who had intimate knowledge of the depicted events. Offering vivid access to the key works of war painting preserved in 37 museums throughout North America and Europe, Indigenous War Painting of the Plains illuminates distinctions between painting styles of different tribes, reveals how they influenced one another and changed over time, and conveys a deep understanding of how war painting developed in relation to profound social changes in Plains Indian cultures.