Picture Worlds
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Author | : Rachel Teukolsky |
Publisher | : Oxford University Press, USA |
Total Pages | : 481 |
Release | : 2020-08-15 |
Genre | : Art |
ISBN | : 0198859732 |
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.
Author | : Rachel Teukolsky |
Publisher | : Oxford University Press |
Total Pages | : 464 |
Release | : 2020-08-16 |
Genre | : Literary Criticism |
ISBN | : 0192603566 |
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.
Author | : Peter Menzel |
Publisher | : Univ of California Press |
Total Pages | : 274 |
Release | : 1994 |
Genre | : Photography |
ISBN | : 9780871564306 |
A photo-journey through the homes and lives of 30 families, revealing culture and economic levels around the world.
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Publisher | : |
Total Pages | : 514 |
Release | : 1915 |
Genre | : Motion pictures |
ISBN | : |
Author | : Dave Montalbano |
Publisher | : Xlibris Corporation |
Total Pages | : 654 |
Release | : 2010-12-22 |
Genre | : Language Arts & Disciplines |
ISBN | : 1462836739 |
The Adventures of Cinema Dave is a celebration of films from the turn of the recent century. Dave Montalbano, alias Cinema Dave, wrote over 500 film reviews and interviewed Hollywood Legends such as Fay Wray, Louise Fletcher, Dyan Cannon and new talent like Josh Hutcherson, Jane Lynch and Courtney Ford. With South Florida as his home base, Cinema Dave details his growing involvement with the Fort Lauderdale, Palm Beach and Delray Film Festivals, while covering local interest stories about individuals who contribute to the film culture. Featuring a fun introduction from Cindy Morgan, actress from Caddyshack and Tron fame, and an extensive appendix of Literary Cinema, The Adventures of Cinema Dave is a saga about one mans bibliomania and his pursuit of an entertaining story in the big cave known as cinema.
Author | : Diane Keaton |
Publisher | : Rizzoli Publications |
Total Pages | : 210 |
Release | : 2022-03-29 |
Genre | : Biography & Autobiography |
ISBN | : 0847871282 |
Diane Keaton’s cabinet of saved and found photographic curiosities is a visual autobiography of sorts and scrapbook of her fascinations and reflections. A visual autobiography of a kind as only Diane Keaton could tell it, via the celebrated star’s idiosyncratic and personal collections and ruminative texts, Savedoffers an unprecedented glimpse into the mind of the legendary film star. The book begins with an homage to movies—curiously, to old “b” grade horror flicks, such as Attack of the Puppet People—a passion that manifests in a collection of rare film stills showing large-brain aliens with crablike hands and terrified men with eyes growing from their shoulders. In a second chapter or collection, the reader encoun-ters “Cracked,” a startling selection of crinkled and neglected negatives: found portraits that speak of the past through the broken lens of time. Even more intimately revealing are photographs taken by the star herself, be they of pigeons while on downtime from the set of Reds in London or of the “greeters” of Hollywood Boulevard, caught at the other end of her Rolleiflex camera lens, now revealed as the seen, the experienced, the remembered, the cherished. But this is only the beginning, the surface of a very deep dive into the wellsprings of one of the great creative talents at work today. The book is an invitation to dive in.
Author | : |
Publisher | : |
Total Pages | : 854 |
Release | : 1909 |
Genre | : American literature |
ISBN | : |
Author | : Elissa Washuta |
Publisher | : Tin House Books |
Total Pages | : 300 |
Release | : 2021-04-27 |
Genre | : Literary Collections |
ISBN | : 1951142403 |
Finalist for the PEN Open Book Award Longlisted for the PEN/Jean Stein Award A TIME, NPR, New York Public Library, Lit Hub, Book Riot, and Entropy Best Book of the Year "Beguiling and haunting. . . . Washuta's voice sears itself onto the skin." —The New York Times Book Review Bracingly honest and powerfully affecting, White Magic establishes Elissa Washuta as one of our best living essayists. Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning. In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.
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Publisher | : |
Total Pages | : 176 |
Release | : 1915 |
Genre | : Motion pictures |
ISBN | : |
Author | : Mark Turner |
Publisher | : Oxford University Press |
Total Pages | : 314 |
Release | : 2014-01-02 |
Genre | : Psychology |
ISBN | : 0199988838 |
What makes human beings so innovative, so adept at rapid, creative thinking? Where do new ideas come from, and once we have them, how can we carry them mentally into new situations? What allows our thinking to range easily over time, space, causation, and agency-so easily that we take this truly remarkable ability for granted? In The Origin of Ideas, Mark Turner offers a provocative new theory to answer these and many other questions. While other species do what we cannot-fly, run amazingly fast, see in the dark-only human beings can innovate so rapidly and widely. Turner argues that this distinctively human spark was an evolutionary advance that developed from a particular kind of mental operation, which he calls "blending": our ability to take two or more ideas and create a new idea in the "blend." Turner begins by looking at the "lionman," a 32,000-year-old ivory figurine, one of the earliest examples of blending. Here, the concepts "lion" and "man" are merged into a new figure, the "lionman." Turner argues that at some stage during the Paleolithic Age, humans reached a tipping point. Before that, we were a bunch of large, unimaginative mammals. After that, we were poised to take over the world. Once biological evolution hit upon making brains that could do advanced blending, we possessed the capacity to invent and maintain culture. Cultural innovation could then progress by leaps and bounds over biological evolution itself, leading to the highest forms of human cognition and creativity. For anyone interested in how and why our minds work the way they do, The Origin of Ideas offers a wealth of original insights-and is itself a brilliant example of the innovative thinking it describes.