Local Movie Supply in the German Motion Picture Industry

Local Movie Supply in the German Motion Picture Industry
Author: Florian Kumb
Publisher: Springer
Total Pages: 217
Release: 2017-12-27
Genre: Performing Arts
ISBN: 3658206853

Florian Kumb provides a comprehensive review of the current state of the international literature on the motion picture industry and then applies a mix of appropriate quantitative and qualitative research methods in three empirical studies. He enters uncharted research territory examining the effects that major film characteristics cause in the post-theatrical exhibition, he identifies key factors that influence public film funding decisions, and then forecasts the future market development of a European film-financing network. The author shows that the characteristics of local movies, public film funding, and the local film financing network are major reasons for the low international competitiveness of Germany’s motion picture industry.

Economic Control of the Motion Picture Industry

Economic Control of the Motion Picture Industry
Author: Mae D. Huettig
Publisher: University of Pennsylvania Press
Total Pages: 176
Release: 2017-01-30
Genre: Business & Economics
ISBN: 151281704X

This study was undertaken in conjunction with the Motion Picture Research Project. The research was conducted in Hollywood over a period of two years from April 1939 to April 1941.

Moral Rights and the Motion Picture Industry

Moral Rights and the Motion Picture Industry
Author: United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts, Intellectual Property, and the Administration of Justice
Publisher:
Total Pages: 452
Release: 1991
Genre: Cinematography
ISBN:

American Film Exhibition and an Analysis of the Motion Picture Industry's Market Structure 1963-1980

American Film Exhibition and an Analysis of the Motion Picture Industry's Market Structure 1963-1980
Author: Gary Edgerton
Publisher: Routledge
Total Pages: 164
Release: 2014-01-03
Genre: Performing Arts
ISBN: 1317928903

This study looks at how the movie industry organisation functioned between the late ‘40s and 1983 when it was originally published. It describes the changing role of domestic exhibition through this time and analyses the wider film industry to provide a model of the exhibition structure in relation to production, distribution and outside factors. It addresses the growing issues of the cable and video markets as competition to the film exhibition business at that time and looks forward into a highly turbulent environment. With particular interest now as the film industry address a new range of threats and adaptations of its working structure, this book offers and integral understanding of a key stage in cinema history.