Picture and Text
Author | : Henry James |
Publisher | : |
Total Pages | : 210 |
Release | : 1893 |
Genre | : Literary Criticism |
ISBN | : |
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Author | : Henry James |
Publisher | : |
Total Pages | : 210 |
Release | : 1893 |
Genre | : Literary Criticism |
ISBN | : |
Author | : John Bateman |
Publisher | : Routledge |
Total Pages | : 292 |
Release | : 2014-05-30 |
Genre | : Language Arts & Disciplines |
ISBN | : 131768303X |
Text and image are used together in an increasingly flexible fashion and many disciplines and areas of study are now attempting to understand how these combinations work.This introductory textbook explores and analyses the various approaches to multimodality and offers a broad, interdisciplinary survey of all aspects of the text-image relation. It leads students into detailed discussion concerning a number of approaches that are used. It also brings out their strengths and weaknesses using illustrative example analyses and raises explicit research questions to reinforce learning. Throughout the book, John Bateman looks at a wide range of perspectives: socio-semiotics, visual communication, psycholinguistic approaches to discourse, rhetorical approaches to advertising and visual persuasion, and cognitive metaphor theory. Applications of the styles of analyses presented are discussed for a variety of materials, including advertisements, picture books, comics and textbooks. Requiring no prior knowledge of the area, this is an accessible text for all students studying text and image or multimodality within English Language and Linguistics, Media and Communication Studies, Visual and Design Studies.
Author | : Dorothia Rohner |
Publisher | : Clarion Books |
Total Pages | : 37 |
Release | : 2020 |
Genre | : Juvenile Fiction |
ISBN | : 1328841596 |
Goose asks to play "Duck, Duck, Goose" with the other animals and birds, but causes trouble by insisting that none of them can possibly be goose.
Author | : Andy Stafford |
Publisher | : Liverpool University Press |
Total Pages | : 257 |
Release | : 2010-01-01 |
Genre | : Photography |
ISBN | : 1846310520 |
What do photographs want? Do they need any accompaniment in today's image-saturated society? Can writing inflect photography (or vice versa) in such a way that neither medium takes precedence? Or are they in constant, inexorable battle with each other? Taking nine case studies from the 1990s French-speaking world (from France, North Africa and the Caribbean), this book attempts to define the interaction between non-fictional written text (caption, essay, fragment, poem) and photographic image. Having considered three categories of 'intermediality' between text and photography - the collaborative, the self-collaborative and the retrospective - the book concludes that the dimensions of their interaction are not simple and two-fold (visuality versus/alongside textuality), but threefold and therefore 'complex'. Thus, the photo-text, as defined here, is concerned as much with orality - the demotic, the popular, the vernacular - as it is with visual and written culture. That text-image collaborations give space to the spoken, spectral traces of human discourse, suggests that the key element of the photo-text is its radical provisionality.
Author | : Scott Kelby |
Publisher | : Rocky Nook, Inc. |
Total Pages | : 549 |
Release | : 2018-07-16 |
Genre | : Photography |
ISBN | : 1681984229 |
Author | : Eija Ventola |
Publisher | : Springer |
Total Pages | : 303 |
Release | : 2009-10-29 |
Genre | : Language Arts & Disciplines |
ISBN | : 023024534X |
Positioned within the field of linguistics and multisemiotic discourse analysis, the theme of this book is the multifaceted interaction between text and image in different discourse genres, and it offers critical views on how we talk and show our experience of the world around us.
Author | : Ofra Amihay |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 370 |
Release | : 2012-01-17 |
Genre | : Art |
ISBN | : 1443836753 |
The question of the relation between the visual and the textual in literature is at the heart of an increasing number of scholarly projects, and in turn, the investigation of evolving visual-verbal dynamics is becoming an independent discipline. This volume explores these profound literary shifts through the work of twelve talented, and in some cases, emerging scholars who study text and image relations in diverse forms and contexts. The inter-medial conjunctures investigated in this book play with and against the traditional roles of the visual and the verbal. The Future of Text and Image presents explorations of the incorporation of visual elements into works of literature, of visual writing modes, and of the textuality and literariness of images. It focuses on the special potential literature offers for the combination of these two functions. Alongside examinations of major forms and genres such as memoirs, novels, and poetry, this volume expands the discussion of text and image relations into more marginal forms, for instance, collage books, the PostSecret collections of anonymous postcards, and digital poetry. In other words, while exploring the destiny of text and image as an independent discipline, this volume simultaneously looks at the very literal future of text and image forms in an ever-changing technological reality. The essays in this book will help to define the emergent practices and politics of this growing field of study, and at the same time, reflect the tremendous significance of the visual in today’s image culture.
Author | : Chris Guld |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 130 |
Release | : 2018-06-23 |
Genre | : |
ISBN | : 9781721864980 |
This is the 2nd Edition of the learning guide with color illustrations. Google Photos is the best way to manage all your photos and videos for free in your private Google cloud. The free apps make it easy to gather your pictures from any source, smartphones, digital cameras, scans, computers, and external drives. Make your pictures look better with a couple of taps and easily organize your best into albums to share with family and friends.
Author | : Susan M. Bielstein |
Publisher | : University of Chicago Press |
Total Pages | : 189 |
Release | : 2010-06-15 |
Genre | : Law |
ISBN | : 0226046397 |
If a picture is worth a thousand words, then it's a good bet that at least half of those words relate to the picture's copyright status. Art historians, artists, and anyone who wants to use the images of others will find themselves awash in byzantine legal terms, constantly evolving copyright law, varying interpretations by museums and estates, and despair over the complexity of the whole situation. Here, on a white—not a high—horse, Susan Bielstein offers her decades of experience as an editor working with illustrated books. In doing so, she unsnarls the threads of permissions that have ensnared scholars, critics, and artists for years. Organized as a series of “takes” that range from short sidebars to extended discussions, Permissions, A Survival Guide explores intellectual property law as it pertains to visual imagery. How can you determine whether an artwork is copyrighted? How do you procure a high-quality reproduction of an image? What does “fair use” really mean? Is it ever legitimate to use the work of an artist without permission? Bielstein discusses the many uncertainties that plague writers who work with images in this highly visual age, and she does so based on her years navigating precisely these issues. As an editor who has hired a photographer to shoot an incredibly obscure work in the Italian mountains (a plan that backfired hilariously), who has tried to reason with artists' estates in languages she doesn't speak, and who has spent her time in the archival trenches, she offers a snappy and humane guide to this difficult terrain. Filled with anecdotes, asides, and real courage, Permissions, A Survival Guide is a unique handbook that anyone working in the visual arts will find invaluable, if not indispensable.