Pictorial Composition and the Critical Judgment of Pictures

Pictorial Composition and the Critical Judgment of Pictures
Author: Henry Rankin Poore
Publisher: Good Press
Total Pages: 286
Release: 2020-03-16
Genre: Art
ISBN:

Pictorial Composition and the Critical Judgment of Pictures is a work by Henry Rankin Poore. It provides a view into scientific sense in pictures such as light and shade, contrast, distance and many other themes.

Pictorial Composition and the Critical Judgment of Pictures

Pictorial Composition and the Critical Judgment of Pictures
Author: Henry Rankin Poore
Publisher: Nabu Press
Total Pages: 274
Release: 2014-02
Genre:
ISBN: 9781295617623

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Pictorial Composition And The Critical Judgment Of Pictures: A Handbook For Students And Lovers Of Art 4 Henry Rankin Poore Baker & Taylor, 1903 Art criticism; Composition (Art)

Pictures and Tears

Pictures and Tears
Author: James Elkins
Publisher: Routledge
Total Pages: 218
Release: 2005-08-02
Genre: Art
ISBN: 113595013X

This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.

Ways of Seeing

Ways of Seeing
Author: John Berger
Publisher: Penguin UK
Total Pages: 208
Release: 2008-09-25
Genre: Antiques & Collectibles
ISBN: 014103579X

Contains seven essays. Three of them use only pictures. Examines the relationship between what we see and what we know.

The Frame in Classical Art

The Frame in Classical Art
Author: Verity Platt
Publisher: Cambridge University Press
Total Pages: 737
Release: 2017-04-20
Genre: Art
ISBN: 1316943275

The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.

The Simple Secret to Better Painting

The Simple Secret to Better Painting
Author: Greg Albert
Publisher: Penguin
Total Pages: 128
Release: 2003-04-23
Genre: Art
ISBN: 1440317518

Create art that's more attractive, interesting and eye-catching! Even if your perspective is accurate, your subject realistic and colors vibrant, a weak composition - predictable, repetitious or monotonous - means a weak painting. The Simple Secret to Better Painting ensures that your compositions work every time. It's an insightful artistic philosophy that boils down the many technical principles of composition into a single master rule that's easy to remember and apply: Never make any two intervals the same. You can make every painting more interesting, dynamic and technically sound by varying intervals of distance, length and space, as well as intervals of value and color. The rule also applies to balance, shape and the location of your painting's focal point. Greg Albert illustrates these lessons with eye-opening examples from both beginning and professional artists, including Frank Webb, Tony Couch, Kevin Macpherson, Charles Reid, Tony Van Hasselt and more. You'll discover that the ONE RULE is the only rule of composition you need to immediately improve your work - the moment your brush touches the canvas.