Complete Piano Trios

Complete Piano Trios
Author: Johannes Brahms
Publisher: Courier Corporation
Total Pages: 289
Release: 1988-01-01
Genre: Music
ISBN: 048625769X

All five piano trios — the A Minor, B Major, C Major, C Minor and E-flat Major Trios (Opp. 114, 8, 87, 101 and 40) in the definitive Breitkopf & Härtel edition.

The Cambridge Companion to Brahms

The Cambridge Companion to Brahms
Author: Michael Musgrave
Publisher: Cambridge University Press
Total Pages: 352
Release: 1999-05-27
Genre: Music
ISBN: 1139825305

This Companion gives a comprehensive view of the German composer Johannes Brahms (1833–97). Twelve specially-commissioned chapters by leading scholars and musicians provide systematic coverage of the composer's life and works. Their essays represent recent research and reflect changing attitudes towards a composer whose public image has long been out-of-date. The first part of the book contains three chapters on Brahms's early life in Hamburg and on the middle and later years in Vienna. The central section considers the musical works in all genres, while the last part of the book offers personal accounts and responses from a conductor (Roger Norrington), a composer (Hugh Wood), and an editor of Brahms's original manuscripts (Robert Pascall). The volume as a whole is an important addition to Brahms scholarship and provides indispensable information for all students and enthusiasts of Brahms's music.

Johannes Brahms

Johannes Brahms
Author: Heather Platt
Publisher: Routledge
Total Pages: 578
Release: 2012-07-26
Genre: Music
ISBN: 1135847088

First published in 2011. Johannes Brahms: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition will include research published since the publication of the first edition and provide electronic resources.

The Compleat Brahms

The Compleat Brahms
Author: Leon Botstein
Publisher: W. W. Norton & Company
Total Pages: 456
Release: 1999
Genre: Music
ISBN: 9780393047080

The 1997 centennial of Brahms's death has intensified interest among concertgoers and music lovers in the composer's prodigious body of work.

Chamber Music

Chamber Music
Author: James M. Keller
Publisher: Oxford University Press, USA
Total Pages: 518
Release: 2011
Genre: Music
ISBN: 0195382536

Oxford's highly successful listener's guides--The Symphony, The Concerto, and Choral Masterworks--have been widely praised for their blend of captivating biography, crystal clear musical analysis, and delightful humor. Now James Keller follows these greatly admired volumes with Chamber Music. Approaching the tradition of chamber music with knowledge and passion, Keller here serves as the often-opinionated but always genial guide to 192 essential works by 56 composers, providing illuminating essays on what makes each piece distinctive and admirable. Keller spans the history of this intimate genre of music, from key works of the Baroque through the emotionally stirring "golden age" of the Classical and Romantic composers, to modern masterpieces rich in political, psychological, and sometimes comical overtones. For each piece, from Bach through to contemporary figures like George Crumb and Steve Reich, the author includes an astute musical analysis that casual music lovers can easily appreciate yet that more experienced listeners will find enriching. Keller shares the colorful, often surprising stories behind the compositions while revealing the delights of an art form once described by Goethe as the musical equivalent of "thoughtful people conversing."

Allusion as Narrative Premise in Brahms's Instrumental Music

Allusion as Narrative Premise in Brahms's Instrumental Music
Author: Jacquelyn Sholes
Publisher: Indiana University Press
Total Pages: 276
Release: 2018-05-24
Genre: Music
ISBN: 0253033160

Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.

Brahms and the Principle of Developing Variation

Brahms and the Principle of Developing Variation
Author: Walter Frisch
Publisher: Univ of California Press
Total Pages: 244
Release: 1990-04-20
Genre: Biography & Autobiography
ISBN: 9780520069589

This volume is an analytical study of 18 works by Brahms, making skillful use of Schoenberg's provocative concept of developing variation. It traces a genuine evolution through Brahm's compositions, considering their relationship to each other.

Johannes Brahms

Johannes Brahms
Author: Johannes Brahms
Publisher:
Total Pages: 1068
Release: 1997
Genre: Biography & Autobiography
ISBN:

This book is the first comprehensive collection of the letters of Johannes Brahms ever to appear in English. Over 550 are included, virtually all uncut, and there are over a dozen published here for the first time in any language. Although he corresponded throughout his life with some of the great performers, composers, musicologists, writers, scientists, and artists of the day, and although thousands of his letters have survived, English readers have until now had scant opportunity to meet Brahms in person, through his words, and in his own voice. The letters in this volume range from 1848 to just before his death. They include most of Brahm's letters to Robert Schumann, over a hundred letters to Clara Schumann, and the complete Brahms-Wagner correspondence. They are joined by a running commentary to form an absorbing narrative, documented with scholarly care, provided with comprehensive notes, but written for the general music lover--the result is a lively biography. The work is generously illustrated, and contains several detailed appendices and an index.