Piano Trio No 1 In B Major Op 99
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The Finale in Western Instrumental Music
Author | : Michael Talbot |
Publisher | : Oxford Monographs on Music |
Total Pages | : 272 |
Release | : 2001 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780198166955 |
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.
Guide to Chamber Music
Author | : Melvin Berger |
Publisher | : Courier Corporation |
Total Pages | : 502 |
Release | : 2013-06-17 |
Genre | : Music |
ISBN | : 0486316726 |
Authoritative guide presents 231 of the most frequently performed pieces by 55 composers. A must for music lovers and musicians alike. "No lover of chamber music should be without this Guide." — John Barkham Reviews.
Mendelssohn: The Hebrides and Other Overtures
Author | : R. Larry Todd |
Publisher | : Cambridge University Press |
Total Pages | : 136 |
Release | : 1993-09-24 |
Genre | : Music |
ISBN | : 9780521407649 |
The concert overtures A Midsummer Night's Dream, Calm Sea and Prosperous Voyage, and The Hebrides (Fingal's Cave), conceived by Mendelssohn before the age of twenty, have ranked amongst the most enduring of the nineteenth-century orchestral repertoire. R. Larry Todd offers a historical, stylistic, and analytical guide to these three remarkable works which secured for Mendelssohn no small measure of his fame. After placing the overtures in the context of Mendelssohn's astonishing compositional development during the 1820s, the volume disentangles the complex history of their creation and considers in turn their style and formal structure, their contents as programme music, aspects of their orchestration and their reception and influence. All this is supported by a wealth of primary documents, including Mendelssohn's correspondence, memoirs of his friends, and nineteenth-century critical reviews.
Beethoven: The Music and the Life
Author | : Lewis Lockwood |
Publisher | : W. W. Norton & Company |
Total Pages | : 621 |
Release | : 2005-01-04 |
Genre | : Biography & Autobiography |
ISBN | : 0393326381 |
Written for the general reader, this book reveals how Beethoven's great works reflect both his artistic individuality and the deepest philosophical and political currents of his age.
Brahms and the Scherzo
Author | : Ryan McClelland |
Publisher | : Routledge |
Total Pages | : 337 |
Release | : 2016-04-15 |
Genre | : Music |
ISBN | : 1317172841 |
Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material, demonstrating how the relationship of the initial music to its subsequent versions creates a musical narrative that provides structural coherence and generates expressive meaning. McClelland's interpretations of the expressive implications of Brahms's fascinatingly intricate musical structures frequently engage issues directly relevant to performance. This illuminating book will appeal to music theorists, musicologists working on nineteenth-century instrumental music and performers.
Music After the Fall
Author | : Tim Rutherford-Johnson |
Publisher | : Univ of California Press |
Total Pages | : 362 |
Release | : 2017-02 |
Genre | : History |
ISBN | : 0520283147 |
Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z
The Compleat Brahms
Author | : Leon Botstein |
Publisher | : W. W. Norton & Company |
Total Pages | : 456 |
Release | : 1999 |
Genre | : Music |
ISBN | : 9780393047080 |
The 1997 centennial of Brahms's death has intensified interest among concertgoers and music lovers in the composer's prodigious body of work.
Chamber Music
Author | : Lucy Miller Murray |
Publisher | : Rowman & Littlefield |
Total Pages | : 463 |
Release | : 2015-04-09 |
Genre | : Music |
ISBN | : 1442243430 |
In Chamber Music: An Extensive Guide for Listeners,Lucy Miller Murray transforms her decades of program notes for some of the world’s most distinguished artists and presenters into the go-to guide for the chamber music novice and enthusiast. Offering practical information on the broad array of chamber music works from the Classical, Romantic, and Modern periods—and an artful selection from the Baroque period of Johann Sebastian Bach’s works—Chamber Music: An Extensive Guide for Listeners is both the perfect reference resource and chamber music primer for listeners. Covering over 500 works, Murray surveys in clear and simple language the historical and musical impact of some 130 composers—20 of them living. Notably, Chamber Music includes the complete string quartets of Beethoven, Bartok, and Shostakovich, as well as 35 piano trios of Haydn. It also provides critical information and assessments of works by composers not nearly so well known, both past and present. Entries appear in alphabetical order by composer, and, in every instance, give a brief introduction to the composer’s life and work. Of particular interest are the brief spotlight contributions, from well-known figures in the chamber music world, who focus on the performance experience or offer special knowledge of the works. This work is an ideal introduction and reference for students and scholars, new listeners, and enthusiasts of the chamber music tradition in Western music. Special contributors include: ·Charles Abramovic ·James Bonn ·Michael Brown ·Eugene Drucker ·James Dunham ·Daniel Epstein ·Ralph Evans ·Jeremy Gill ·Jake Heggie ·Paul Katz ·Bert Lucarelli ·Stuart Malina ·Robert Martin ·Peter Orth ·Jann Pasler ·Susan Salm ·David Shifrin ·Peter Sirotin/Ya-Ting Chang ·Arnold Steinhardt ·Kenneth Woods ·David Yang Phillip Ying
Allusion as Narrative Premise in Brahms's Instrumental Music
Author | : Jacquelyn E. C. Sholes |
Publisher | : Indiana University Press |
Total Pages | : 336 |
Release | : 2018-05-24 |
Genre | : Music |
ISBN | : 0253033195 |
Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.