Piano Trio No 1 In B Major Op 8
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Author | : |
Publisher | : Alfred Music Publishing |
Total Pages | : 0 |
Release | : 1985-03 |
Genre | : Music |
ISBN | : 9780769278636 |
Expertly arranged Chamber Trio by Johannes Brahms from the Kalmus Edition series. This Trio is from the Romantic era.
Author | : Johannes Brahms |
Publisher | : Alfred Music |
Total Pages | : 88 |
Release | : 1999-08-26 |
Genre | : Music |
ISBN | : 9781457487453 |
Expertly arranged Chamber Trio by Johannes Brahms from the Kalmus Edition series. This Trio is from the Romantic era.
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Release | : 2022 |
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ISBN | : 9789790300705 |
Author | : Thomas George Leonard |
Publisher | : |
Total Pages | : 506 |
Release | : 1988 |
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ISBN | : |
Author | : Madalyn Lee Möller |
Publisher | : |
Total Pages | : 0 |
Release | : 2022 |
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The present essay addresses the double embodiment of Piano Trio No. 1 in B Major, Op. 8 by Johannes Brahms. The 1854 "original version" and the 1891 "revised version" symbolize distinct compositional periods in the life of the composer, whose lack of authoritative opinion toward the two Trios' relationship created complications. Today, appreciation of Brahms's B Major Trio in its first incarnation requires an effort of historical reconstruction, and for musicians steeped in his music, an ability to look beyond the imposing image of the replacement trio, a work from 1889 and published in 1891. My research seeks to restore the 1854 Trio to its position of prominence as Brahms's first ambitious work of chamber music. This research extends to an exploration of Brahms's aesthetic environment during the early 1850s, from his poetic affinity with E.T.A. Hoffmann and his alter ego Johannes Kreisler to the artistic influence of Robert and Clara Schumann. The disparity between the two Trios suggests that "revision" is an inadequate description of Brahms's far-reaching reshaping of the original work. The aging composer's emphasis on structural cohesion resulted in passages from three of the four original movements being substantially compressed or removed. While the re-envisioned version is economical and thematically compact, the original version possesses its own remarkable qualities: ambitious scope, diverse musical material, and potent allusiveness that encourages a different approach to analysis and performance. By examining the shared and divergent elements of both Trios, I aim to clarify their relationship, cast light on stylistic and historical factors, and promote a heightened appreciation of the music for performers and interpreters. A link to my lecture recital from May 2022, including performances of the first movement of the 1854 Trio and the complete 1891 Trio, can be found at the following link: httpss://www.youtube.com/watch?v=sFytCe10bOM. These performances are intimately connected to my dissertation, as parts of a larger effort to integrate artistic practice and scholarly research.
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Total Pages | : 92 |
Release | : 2014 |
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Author | : Franz (composer) Schubert |
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Total Pages | : |
Release | : 19?? |
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Author | : Johannes Brahms |
Publisher | : Courier Corporation |
Total Pages | : 289 |
Release | : 1988-01-01 |
Genre | : Music |
ISBN | : 048625769X |
All five piano trios — the A Minor, B Major, C Major, C Minor and E-flat Major Trios (Opp. 114, 8, 87, 101 and 40) in the definitive Breitkopf & Härtel edition.
Author | : Ludwig van Beethoven |
Publisher | : Alfred Music |
Total Pages | : 76 |
Release | : 1999-08-26 |
Genre | : Music |
ISBN | : 9781457487682 |
Expertly arranged Piano Trio by Ludwig van Beethoven from the Kalmus Edition series. This Trio is from the Classical and Romantic eras.
Author | : Gillian Perrin |
Publisher | : Austin Macauley Publishers |
Total Pages | : 240 |
Release | : 2022-04-29 |
Genre | : Music |
ISBN | : 1528991613 |
This is a book about classical music – for people who say they love music “but don’t understand how it works”, as well as for performers and music students of all ages. Proposing that deeper enjoyment begins with an understanding of music’s basic structures, the book describes how the simple template of earlier dance-songs was adapted by composers writing music for instruments. The instrumental sonata became one of the great formal frameworks of western music: in symphonies, concertos, chamber music and solo sonatas, it dominated concert music for some 250 years – yet it is little understood by many music lovers. To simplify this vast field, Past Sounds singles out for study “sonatas” for piano trio – piano, violin and ’cello. These instruments have well-contrasted and easily identifiable sounds, and as the story unfolds the reader is introduced to many rarely heard but beautiful works for piano trio. This is a lively, clearly-written narrative as well as a handbook for subsequent listening. The book has two distinctive features. Firstly, technical terms are carefully explained, and for those not familiar with music notation, audio clips in an accompanying website reproduce the actual sound of the music described. Secondly, in a broad historical sweep from mid-18th to 20th centuries, the development of the sonata is followed in its context of contemporary arts and literature – demonstrating how the sonata idea of classical music well deserves to be understood and valued as a western cultural archetype alongside other great artistic and literary forms.