Piano Concerto No 5 In F Major Op 103
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Piano concerto no. 5
Author | : Camille Saint-Saëns |
Publisher | : |
Total Pages | : 170 |
Release | : 1977 |
Genre | : Concertos (Piano) |
ISBN | : |
Fifth concerto in F major for piano and orchestra, op. 103
Author | : Camille Saint-Saëns |
Publisher | : |
Total Pages | : 80 |
Release | : 1900 |
Genre | : Concertos (Piano) |
ISBN | : |
The Cambridge Companion to the Concerto
Author | : Simon P. Keefe |
Publisher | : Cambridge University Press |
Total Pages | : 344 |
Release | : 2005-10-27 |
Genre | : Music |
ISBN | : 9780521834834 |
A rare volume dedicated entirely to scholarship on the genre of the concerto.
The Finale in Western Instrumental Music
Author | : Michael Talbot |
Publisher | : Oxford Monographs on Music |
Total Pages | : 272 |
Release | : 2001 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780198166955 |
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.
A History of the Concerto
Author | : Michael Thomas Roeder |
Publisher | : Hal Leonard Corporation |
Total Pages | : 487 |
Release | : 1994 |
Genre | : Concerto |
ISBN | : 0931340616 |
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
The Concerto
Author | : Stephan D. Lindeman |
Publisher | : Routledge |
Total Pages | : 666 |
Release | : 2006-11-06 |
Genre | : Music |
ISBN | : 1135922055 |
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
The Real Little Classical Fake Book (Songbook)
Author | : Hal Leonard Corp. |
Publisher | : Hal Leonard Corporation |
Total Pages | : 1004 |
Release | : 1993-01-01 |
Genre | : Music |
ISBN | : 1458491986 |
(Fake Book). This fabulous fake book includes nearly every famous classical theme ever written! It's a virtual encyclopedia of classical music, in one complete volume. Features: over 165 classical composers; over 500 classical themes in their original keys; lyrics in their original language; a timeline of major classical composers; categorical listings; more.
The New Beethoven
Author | : Jeremy Yudkin |
Publisher | : Boydell & Brewer |
Total Pages | : 573 |
Release | : 2020 |
Genre | : Music |
ISBN | : 1580469930 |
Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works.
Beethoven: The Music and the Life
Author | : Lewis Lockwood |
Publisher | : W. W. Norton & Company |
Total Pages | : 621 |
Release | : 2005-01-04 |
Genre | : Biography & Autobiography |
ISBN | : 0393326381 |
Written for the general reader, this book reveals how Beethoven's great works reflect both his artistic individuality and the deepest philosophical and political currents of his age.