Piano Concerto No 3 In C Minor
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Author | : Peng-Peng Gong |
Publisher | : Hal Leonard Corporation |
Total Pages | : 66 |
Release | : 2013-11-20 |
Genre | : Music |
ISBN | : 1480355224 |
(Sheet Music Direct Piano Solo). Rachmaninoff's beloved third concerto presented as a piano solo.
Author | : Sergei Rachmaninoff |
Publisher | : Courier Corporation |
Total Pages | : 403 |
Release | : 1990-01-01 |
Genre | : Music |
ISBN | : 0486263509 |
Rachmaninoff's compositions for piano and orchestra won him an important position among modern composers. The works that made his reputation include these three piano concertos, reprinted from authoritative full-score Russian editions.
Author | : Johann Sebastian Bach |
Publisher | : |
Total Pages | : |
Release | : 1982 |
Genre | : |
ISBN | : |
Author | : Simon P. Keefe |
Publisher | : Cambridge University Press |
Total Pages | : 344 |
Release | : 2005-10-27 |
Genre | : Music |
ISBN | : 9780521834834 |
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Author | : Edward Elgar |
Publisher | : |
Total Pages | : 88 |
Release | : 1905 |
Genre | : Piano music (4 hands), Arranged |
ISBN | : |
Author | : Rosemary Williamson |
Publisher | : |
Total Pages | : 616 |
Release | : 1996 |
Genre | : Music |
ISBN | : |
Sir William Sterndale Bennett (1816-75) was the leading English composer of the mid-nineteenth century. His music was highly regarded by Mendelssohn and Schumann, and was at one time widely played in Germany. The book presents a record of Bennett's total achievement for the first time and is aimed at both the general reader and the scholar. Each entry in the catalogue begins with a summary of the work's history, followed by detailed descriptions of all the authentic manuscript and printed sources with their locations, a list of important performances, references to the work in the composer's mostly unpublished diaries and correspondence, and a bibliography. An introduction sets the sources in their historical context, and there are appendices on Bennett's notebooks, the paper used in the autographs, the plate numbers in the printed music, and chronological and generic lists of all the works.
Author | : Dmitri Shostakovich |
Publisher | : Dsch |
Total Pages | : 189 |
Release | : 2002-12 |
Genre | : Music |
ISBN | : 9780634077401 |
(DSCH). Includes: Suite from the Opera Lady Macbeth of the Mtsensk District, Op. 29a; Five Interludes from the Opera Lady Macbeth of the Mtsensk District (Katerina Izmailova) Op. 29/114 (a); Interlude between Scenes 6 and 7 from the Opera Katerina Izmailova, Op. 114 (b) Full Score. These volumes are the first releases of an ambitious series started in 1999 by DSCH, the exclusive publisher of the works of Dmitri Shostakovich. Each volume contains new engravings; articles regarding the history of the compositions; facsimile pages of Shostakovich's manuscripts, outlines, and rough drafts; as well as interpretations of the manuscripts. In total, 150 volumes are planned for publication.
Author | : Chris Woodstra |
Publisher | : Hal Leonard Corporation |
Total Pages | : 1620 |
Release | : 2005 |
Genre | : Music |
ISBN | : 9780879308650 |
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Author | : Hal Leonard Corp. |
Publisher | : Hal Leonard Corporation |
Total Pages | : 1004 |
Release | : 1993-01-01 |
Genre | : Music |
ISBN | : 1458491986 |
(Fake Book). This fabulous fake book includes nearly every famous classical theme ever written! It's a virtual encyclopedia of classical music, in one complete volume. Features: over 165 classical composers; over 500 classical themes in their original keys; lyrics in their original language; a timeline of major classical composers; categorical listings; more.
Author | : William E. Caplin |
Publisher | : Oxford University Press |
Total Pages | : 320 |
Release | : 2000-12-28 |
Genre | : Music |
ISBN | : 0199881758 |
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.