Piano Concerto No 2 In D Minor Opus 40
Download Piano Concerto No 2 In D Minor Opus 40 full books in PDF, epub, and Kindle. Read online free Piano Concerto No 2 In D Minor Opus 40 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Felix Mendelssohn |
Publisher | : Alfred Music |
Total Pages | : 44 |
Release | : 1996-02-01 |
Genre | : Music |
ISBN | : 9781457486999 |
An Advanced Piano Duet for 2 Pianos, 4 hands, composed by Felix Mendelssohn. Two copies are required for performance.
Author | : Stephan D. Lindeman |
Publisher | : Routledge |
Total Pages | : 666 |
Release | : 2006-11-06 |
Genre | : Music |
ISBN | : 1135922055 |
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author | : Simon P. Keefe |
Publisher | : Cambridge University Press |
Total Pages | : 344 |
Release | : 2005-10-27 |
Genre | : Music |
ISBN | : 9780521834834 |
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Author | : Michael Thomas Roeder |
Publisher | : Hal Leonard Corporation |
Total Pages | : 487 |
Release | : 1994 |
Genre | : Concerto |
ISBN | : 0931340616 |
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
Author | : Robert Philip |
Publisher | : Yale University Press |
Total Pages | : 969 |
Release | : 2018-12-04 |
Genre | : Music |
ISBN | : 0300242727 |
An invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer’s intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.
Author | : |
Publisher | : PediaPress |
Total Pages | : 553 |
Release | : |
Genre | : |
ISBN | : |
Author | : |
Publisher | : Alfred Music Publishing |
Total Pages | : 36 |
Release | : 1985-03 |
Genre | : Music |
ISBN | : 9780769279404 |
"Aus Holbergs Zeit, Suite im alten Stil, Op.40" - now more commonly known as the "Holberg Suite" - was written in 1884 for the 200th anniversary celebration of playwright Ludvig Holberg's birth. Originally for piano, the composer scored it for strings the following year, conducting the newly-completed arrangement at a March concert in Bergen. The Suite consists of a Prelude and four dances characteristic of the 18th century. The work was meant to capture the feel of the era of Holberg's lifetime and has become one of Grieg's most beloved and performed works, especially in the present setting for strings. This new edition by Richard W. Sargeant, Jr. has been thoroughly researched to bring you a beautiful score as the composer intended it.
Author | : Édouard Lalo |
Publisher | : Alfred Music |
Total Pages | : 52 |
Release | : 1996-02-01 |
Genre | : Music |
ISBN | : 9781457475054 |
A Cello solo with Piano Accompaniment composed by Édouard Lalo.
Author | : Michael Talbot |
Publisher | : Oxford Monographs on Music |
Total Pages | : 272 |
Release | : 2001 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780198166955 |
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.
Author | : Heather Platt |
Publisher | : Indiana University Press |
Total Pages | : 317 |
Release | : 2012-07-18 |
Genre | : Music |
ISBN | : 0253005256 |
“This exceptionally fine collection brings together many of the best analysts of Brahms, and nineteenth-century music generally, in the English-speaking world today.” —Nineteenth-Century Music Review Contributors to this exciting volume examine the intersection of structure and meaning in Brahms’s music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual re-framing is a new awareness of the meaningfulness of even Brahms’s most “absolute” works. “Through its unique combination of historical narrative, expressive content, and technical analytical approaches, the essays in Expressive Intersections in Brahms will have a profound impact on the current scholarly discourse surrounding Brahms analysis.” —Notes