Piano Concerto in F Major (1770).
Author | : Joseph Haydn |
Publisher | : |
Total Pages | : 1 |
Release | : |
Genre | : Concertos (Harpsichord with string orchestra) |
ISBN | : |
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Author | : Joseph Haydn |
Publisher | : |
Total Pages | : 1 |
Release | : |
Genre | : Concertos (Harpsichord with string orchestra) |
ISBN | : |
Author | : Camille Saint-Saëns |
Publisher | : |
Total Pages | : 170 |
Release | : 1977 |
Genre | : Concertos (Piano) |
ISBN | : |
Author | : Charles Rosen |
Publisher | : W. W. Norton & Company |
Total Pages | : 564 |
Release | : 1997 |
Genre | : Music |
ISBN | : 9780393040203 |
Presents a detailed analysis of the musical styles and forms developed by Mozart, Haydn, and Beethoven.
Author | : Derek Carew |
Publisher | : Routledge |
Total Pages | : 728 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351542672 |
This book charts the piano's accession from musical curiosity to cultural icon, examining the instrument itself in its various guises as well as the music written for it. Both the piano and piano music were very much the product of the intellectual, cultural and social environments of the period and both were subject to many influences, directly and indirectly. These included character (individualism), the vernacular ('folk/popular') and creativity (improvisation), all of which are discussed generally and with respect to the music itself. Derek Carew surveys the most important pianistic genres of the period (variations, rondos, and so on), showing how these changed from their received forms into vehicles of Romantic expressiveness. The piano is also looked at in its role as an accompanying instrument. The Mechanical Muse will be of interest to anyone who loves the piano or the period, from the non-specialist to the music postgraduate.
Author | : Stephan D. Lindeman |
Publisher | : Taylor & Francis |
Total Pages | : 666 |
Release | : 2006 |
Genre | : Music |
ISBN | : 0415976197 |
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author | : Stephan D. Lindeman |
Publisher | : Pendragon Press |
Total Pages | : 368 |
Release | : 1999 |
Genre | : Juvenile Nonfiction |
ISBN | : 9781576470008 |
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR