Physiognomy And The Meaning Of Expression In Nineteenth Century Culture
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Author | : Lucy Hartley |
Publisher | : Cambridge University Press |
Total Pages | : 264 |
Release | : 2005 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780521022422 |
This is a 2001 study of the emergence of physiognomy as a form of popular science.
Author | : Michael J. Aminoff MD, DSc, FRCP |
Publisher | : Oxford University Press |
Total Pages | : 265 |
Release | : 2016-09-02 |
Genre | : Medical |
ISBN | : 0190614978 |
Sir Charles Bell (1774-1842), the Scottish anatomist-surgeon, was a true polymath. His original ideas on the nervous system have been likened to those of William Harvey on the circulation of blood, and his privately published pamphlet detailing his ideas about the brain has been called the Magna Carta of neurology. He described the separate functions of different parts of the nervous system, new nerves and muscles, and several previously unrecognized neurological disorders, and he characterized the features of the facial palsy and its associated features now named after him. His sketches and paintings of the wounded from the Napoleonic Wars and his essays on the anatomical basis of expression changed the way art students are taught and influenced British and European artists, particularly the Pre-Raphaelites. He was a renowned medical teacher who founded his own private medical school, took over the famous Hunterian school, and helped establish the University of London and the Middlesex Hospital Medical School. So how is it that a man of such influence is virtually unknown today by most neuroscientists, biologists, and clinicians? Sir Charles Bell: His Life, Art, Neurological Concepts, and Controversial Legacy discusses the work and teachings of this brilliant man. His reputation was tarnished by charges of intellectual dishonesty and fraud, but his work changed the way scientists and clinicians think about the nervous system and its operation in health and disease, led directly to the work of Charles Darwin on facial expressions, and influenced the way artists view the human body and depict illnesses and wounds. Masterfully written by Dr. Michael J. Aminoff in his signature approachable style, this is the perfect addition to any library of medical history.
Author | : Michael Jeffrey Aminoff |
Publisher | : Oxford University Press |
Total Pages | : 265 |
Release | : 2017 |
Genre | : Biography & Autobiography |
ISBN | : 019061496X |
Sir Charles Bell (1774-1842), the Scottish anatomist-surgeon, was a true polymath. His original ideas on the nervous system have been likened to those of William Harvey on the circulation of blood, and his privately published pamphlet detailing his ideas about the brain has been called the Magna Carta of neurology. He described the separate functions of different parts of the nervous system, new nerves and muscles, and several previously unrecognized neurological disorders, and he characterized the features of the facial palsy and its associated features now named after him. His sketches and paintings of the wounded from the Napoleonic Wars and his essays on the anatomical basis of expression changed the way art students are taught and influenced British and European artists, particularly the Pre-Raphaelites. He was a renowned medical teacher who founded his own private medical school, took over the famous Hunterian school, and helped establish the University of London and the Middlesex Hospital Medical School. So how is it that a man of such influence is virtually unknown today by most neuroscientists, biologists, and clinicians? Sir Charles Bell: His Life, Art, Neurological Concepts, and Controversial Legacy discusses the work and teachings of this brilliant man. His reputation was tarnished by charges of intellectual dishonesty and fraud, but his work changed the way scientists and clinicians think about the nervous system and its operation in health and disease, led directly to the work of Charles Darwin on facial expressions, and influenced the way artists view the human body and depict illnesses and wounds. Masterfully written by Dr. Michael J. Aminoff in his signature approachable style, this is the perfect addition to any library of medical history.
Author | : Joanne Shattock |
Publisher | : Cambridge University Press |
Total Pages | : 347 |
Release | : 2010-01-28 |
Genre | : Literary Criticism |
ISBN | : 0521882885 |
A volume of essays on Victorian themes, genres and authors, aimed at students and lecturers.
Author | : Evelleen Richards |
Publisher | : University of Chicago Press |
Total Pages | : 704 |
Release | : 2017-04-27 |
Genre | : History |
ISBN | : 022643706X |
Darwin’s concept of natural selection has been exhaustively studied, but his secondary evolutionary principle of sexual selection remains largely unexplored and misunderstood. Yet sexual selection was of great strategic importance to Darwin because it explained things that natural selection could not and offered a naturalistic, as opposed to divine, account of beauty and its perception. Only now, with Darwin and the Making of Sexual Selection, do we have a comprehensive and meticulously researched account of Darwin’s path to its formulation—one that shows the man, rather than the myth, and examines both the social and intellectual roots of Darwin’s theory. Drawing on the minutiae of his unpublished notes, annotations in his personal library, and his extensive correspondence, Evelleen Richards offers a richly detailed, multilayered history. Her fine-grained analysis comprehends the extraordinarily wide range of Darwin’s sources and disentangles the complexity of theory, practice, and analogy that went into the making of sexual selection. Richards deftly explores the narrative strands of this history and vividly brings to life the chief characters involved. A true milestone in the history of science, Darwin and the Making of Sexual Selection illuminates the social and cultural contingencies of the shaping of an important—if controversial—biological concept that is back in play in current evolutionary theory.
Author | : Philip Shaw |
Publisher | : Routledge |
Total Pages | : 310 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351547445 |
In a moving intervention into Romantic-era depictions of the dead and wounded, Philip Shaw's timely study directs our gaze to the neglected figure of the common soldier. How suffering and sentiment were portrayed in a variety of visual and verbal media is Shaw's particular concern, as he examines a wide range of print and visual media, from paintings to sketches to political prose and anti-war poetry, and from writings on culture and aesthetics to graphic satires and early photographs. Whilst classical portraiture and history painting certainly conspired with official ideologies to deflect attention from the true costs of war, other works of art, literary as well as visual, proffered representations that countered the view that suffering on and off the battlefield is noble or heroic. Shaw uncovers a history of changing attitudes towards suffering, from mid-eighteenth century ambivalence to late eighteenth- and early nineteenth-century concepts of moral sentiment. Thus, Shaw's story is one of how images of death and wounding facilitated and queried these shifts in the perception of war, qualifying as well as consolidating ideas of individual and national unanimity. Informed by readings of the letters and journals of serving soldiers, surgeons' notebooks and sketches, and the writings of peace and war agitators, Shaw's study shows how an attention to the depiction of suffering and the development of 'liberal' sentiment enables a reconfiguring of historical and theoretical notions of the body as a site of pain and as a locus of violent national imaginings.
Author | : Anthea Callen |
Publisher | : Yale University Press |
Total Pages | : 272 |
Release | : 2018-01-01 |
Genre | : Art |
ISBN | : 0300112947 |
Beginning in 1800, Looking at Men explores how the modern male body was forged through the intimately linked professions of art and medicine, which deployed muscular models and martial arts to renew the beau idéal. This ideal of the virile body derived from the athletic perfection found in the classical male nude. The study of human anatomy and dissection in both art and medicine underpinned a modern gladiatorial ideal, its representations setting the parameters not just of 'normal' virile masculinity but also its abject 'other'. Through the shared violence of human dissection and martial arts, male artists and medics secured their professional privilege and authority on the bodies of 'roughs'. First and foremost visual, this process has literary parallels in Frankenstein and Jekyll and Hyde. While embodying signs of dominant power and signalling differences of race, class, gender and sexuality, the virile masculine ideal contained its shadow, the threat of loss, of a Darwinian 'degeneration' that required vigilant intervention to ensure the health of nations. Anthea Callen's lively and intelligent study casts a new eye on contributions by many lesser-known artists, as well as more familiar works by Géricault, Courbet, Dalou and Bazille through to Eakins, Thornycroft, Leighton and Tonks, and includes images that draw on photography and the popular visual cultures of boxing, wrestling and bodybuilding. Callen reassesses ideas of the modern male body and virile manhood in this exploration of the heteronormative, the homosocial and the homoerotic in art, anatomy and nascent anthropology.
Author | : Christian Henriot |
Publisher | : BRILL |
Total Pages | : 541 |
Release | : 2012-11-09 |
Genre | : History |
ISBN | : 9004228209 |
In Visualizing China, the authors launch a broad inquiry aimed at a synergistic understanding of the story of visuality in modern China. The essays cluster around several nodal points including photographs, advertising, posters and movies, from the 1840s to the 1960s.
Author | : Catherine Lee |
Publisher | : Routledge |
Total Pages | : 239 |
Release | : 2015-10-06 |
Genre | : Business & Economics |
ISBN | : 1317321480 |
Focusing on the ports, dockyards and garrison towns of Kent, this study examines the social and economic factors that could cause a woman to turn to prostitution, and how such women were policed.
Author | : Bernard V. Lightman |
Publisher | : Cambridge University Press |
Total Pages | : 347 |
Release | : 2014-05-29 |
Genre | : Literary Criticism |
ISBN | : 1139992309 |
In this collection of essays from leading scholars, the dynamic interplay between evolution and Victorian culture is explored for the first time, mapping new relationships between the arts and sciences. Rather than focusing simply on evolution and literature or art, this volume brings together essays exploring the impact of evolutionary ideas on a wide range of cultural activities including painting, sculpture, dance, music, fiction, poetry, cinema, architecture, theatre, photography, museums, exhibitions and popular culture. Broad-ranging, rather than narrowly specialized, each chapter provides a brief introduction to key scholarship, a central section exploring original insights drawn from primary source material, and a conclusion offering overarching principles and a projection towards further areas of research. Each chapter covers the work of significant individuals and groups applying evolutionary theory to their particular art, both as theorists and practitioners. This comprehensive examination of topics sheds light on larger and previously unknown Victorian cultural patterns.