Philosophy Of The Act And The Pragmatics Of Fiction
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Author | : Tahir Wood |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 163 |
Release | : 2021-06-02 |
Genre | : Philosophy |
ISBN | : 1527570428 |
This is a ground-breaking work that offers a new explanation of the power and popularity of literary fictional texts. It does this by explaining the multiple dimensions of any fictional text and why it is that fictional literature cannot be reduced to a subset of these dimensions. This book offers an expansion of the field of pragmatics, “the philosophy of the act,” in which the three categories of fictional actors—author, character and reader—can be given their due. It achieves this by bringing together schools of thought that are too often kept apart: Anglo-American pragmatics and European philosophy. Drawing on a range of thinkers, from Charles Morris and John Searle to Friedrich Nietzsche, M. M. Bakhtin and Georg Lukács, the book applies a unique framework to a range of modern fictional texts. Key concepts here are ethical intention and the agon of authorship.
Author | : John Searle |
Publisher | : Springer Science & Business Media |
Total Pages | : 322 |
Release | : 2012-12-06 |
Genre | : Language Arts & Disciplines |
ISBN | : 9400989644 |
In the study of language, as in any other systematic study, there is no neutral terminology. Every technical term is an expression of the assumptions and theoretical presuppositions of its users; and in this introduction, we want to clarify some of the issues that have surrounded the assumptions behind the use of the two terms "speech acts" and "pragmatics". The notion of a speech act is fairly well understood. The theory of speech acts starts with the assumption that the minimal unit of human communica tion is not a sentence or other expression, but rather the performance of certain kinds of acts, such as making statements, asking questions, giving orders, describing, explaining, apologizing, thanking, congratulating, etc. Characteristically, a speaker performs one or more of these acts by uttering a sentence or sentences; but the act itself is not to be confused with a sentence or other expression uttered in its performance. Such types of acts as those exemplified above are called, following Austin, illocutionary acts, and they are standardly contrasted in the literature with certain other types of acts such as perlocutionary acts and propositional acts. Perlocutionary acts have to do with those effects which our utterances have on hearers which go beyond the hearer's understanding of the utterance. Such acts as convincing, persuading, annoying, amusing, and frightening are all cases of perlocutionary acts.
Author | : Miriam A. Locher |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 628 |
Release | : 2017-04-10 |
Genre | : Language Arts & Disciplines |
ISBN | : 3110431092 |
Pragmatics of Fiction provides systematic orientation in the emerging field of studying pragmatics with/in fictional data. It provides an authoritative and accessible overview of this versatile new field in its methodological and theoretical richness. Giving center stage to fictional language allows scholars to review key concepts in sociolinguistics such as genre, style, voice, stance, dialogue, participation structure or features of orality and literariness. The contributors explore language as one of the creative tools to craft story worlds and characters by drawing on concepts such as regional, social and ethnic language variation, as well as multilingualism. Themes such as emotion, taboo language or impoliteness in fiction receive attention just as the challenges of translation and dubbing, the creation of past and future languages, the impact of fictional language on language change or the fuzzy boundaries of narratives. Each contribution, written by a leading specialist, gives a succinct, representative and up-to-date overview of research questions, theories, methods and recent developments in the field.
Author | : Jon-K. Adams |
Publisher | : John Benjamins Publishing |
Total Pages | : 85 |
Release | : 1985-01-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 9027225443 |
This study is intended to design measures for ethnographic description including speech acts in an etic instrumental approach, oriented toward an analysis of the functions of communicative events in relation to the ongoing stream of behavior. A revised taxonomy of speech acts is applied to an empirical corpus and is shown to produce a systematic set of behavioral measures which are potentially productive for cross-cultural comparison.
Author | : Emar Maier |
Publisher | : Oxford University Press |
Total Pages | : 400 |
Release | : 2021-10-15 |
Genre | : Philosophy |
ISBN | : 0192585355 |
This volume brings together new research on fiction from the fields of philosophy and linguistics. Fiction has long been a topic of interest in philosophy, but recent years have also seen a surge in work on fictional discourse at the intersection between linguistics and philosophy of language. In particular, there has been a growing interest in examining long-standing issues concerning fiction from a perspective that is informed both by philosophy and linguistic theory. Following a detailed introduction by the editors, The Language of Fiction contains 14 chapters by leading scholars in linguistics and philosophy, organized into three parts. Part I, 'Truth, Reference, and Imagination', offers new, interdisciplinary perspectives on some of the central themes from the philosophy of fiction: What is fictional truth? How do fictional names refer? What kind of speech act is involved in telling a fictional story? What is the relation between fiction and imagination? Part II, 'Storytelling', deals with themes originating from the study of narrative: How do we infer a coherent story from a sequence of event descriptions? And how do we interpret the words of impersonal or unreliable narrators? Part III, 'Perspective Shift', focuses on an alleged key characteristic of fictional narratives, namely how we get access to the fictional characters' inner lives, through a variety of literary techniques for representing what they say, think, or see. The volume will be of interest to scholars from graduate level upwards in the fields of discourse analysis, semantics and pragmatics, philosophy of language, psychology, cognitive science, and literary studies.
Author | : Jon K. Adams |
Publisher | : |
Total Pages | : 484 |
Release | : 1983 |
Genre | : Authors and readers |
ISBN | : |
Author | : Wolf Schmid |
Publisher | : Walter de Gruyter |
Total Pages | : 271 |
Release | : 2010 |
Genre | : Literary Criticism |
ISBN | : 3110226316 |
Índice abreviado: I. FEATURES OF NARRATIVE IN FICTION 1. Narrativity and eventfulness 2. Fictionality II. THE ENTITIES IN A NARRATIVE WORK 1. Model of communications levels 2. The abstract author 3. The abstract reader 4. The fictive narrator 5. The fictive reader III. POINT OF VIEW 1. Theories of point of view, perspective, and focalization 2. A model of narrative point of view IV. NARRATOR'S TEXT AND CHARACTERS' TEXT 1. The two components of the narrative text 2. Ornamental prose and shaz 3. The interference of narrator's text and characters' text V. NARRATIVE CONSTITUTION: HAPPENINGS-STORY-NARRATIVE- PESENTATION OF THE NARRATIVE 1. "Fabula" and "sujet" in Russian formalism 2. The overcoming of formalist reductionism 3. The four narrative tiers.
Author | : R. L. Victoria Pöhls |
Publisher | : transcript Verlag |
Total Pages | : 265 |
Release | : 2021-10-31 |
Genre | : Literary Criticism |
ISBN | : 3839458803 |
What makes a reading experience »powerful«? This volume brings together literary scholars, linguists, and empirical researchers who tackle the question by investigating the effects and reader responses generated by selected extracts of literary prose. The twelve contributions theorize this widely-used, but to date insufficiently studied notion, and provide insights into the therefore still mysterious-seeming power of literary fiction. The collection explores a variety of stylistic as well as readerly and psychological features responsible for short- and long-term effects - topics of great interest to those interested or specialized in literary studies and narratology, (cognitive) stylistics, empirical literary studies and reader response theory.
Author | : Maite Ezcurdia |
Publisher | : Broadview Press |
Total Pages | : 591 |
Release | : 2013-03-14 |
Genre | : Philosophy |
ISBN | : 1554810698 |
The boundary between semantics and pragmatics has been important since the early twentieth century, but in the last twenty-five years it has become the central issue in the philosophy of language. This anthology collects classic philosophical papers on the topic, along with recent key contributions. It stresses not only the nature of the boundary, but also its importance for philosophy generally.
Author | : Alessandro Capone |
Publisher | : Springer |
Total Pages | : 278 |
Release | : 2016-05-02 |
Genre | : Language Arts & Disciplines |
ISBN | : 3319303856 |
This volume highlights important aspects of the complex relationship between common language and legal practice. It hosts an interdisciplinary discussion between cognitive science, philosophy of language and philosophy of law, in which an international group of authors aims to promote, enrich and refine this new debate. Philosophers of law have always shown a keen interest in cognitive science and philosophy of language in order to find tools to solve their problems: recently this interest was reciprocated and scholars from cognitive science and philosophy of language now look to the law as a testing ground for their theses. Using the most sophisticated tools available to pragmatics, sociolinguistics, cognitive sciences and legal theory, an interdisciplinary, international group of authors address questions like: Does legal interpretation differ from ordinary understanding? Is the common pragmatic apparatus appropriate to legal practice? What can pragmatics teach about the concept of law and pervasive legal phenomena such as testimony or legal disagreements?