Philip Henry Delamottes Photographic Views Of The Crystal Palace At Sydenham
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| Author | : Ian Leith |
| Publisher | : Historic England |
| Total Pages | : 136 |
| Release | : 2005 |
| Genre | : Architecture |
| ISBN | : |
This book presents 47 photographs, which were all taken in 1859 by Philip Henry Delamotte and showed the interior of the Crystal Palace after it had been rebuilt in Sydenham, London and before it was destroyed for the first time by fire in 1866. These photographs are now housed in English Heritage's photographic archive, the National Monuments Record. All 47 photographs are beautifully reproduced in this book, as well as shots of the building in its original Hyde Park site where it was built for the great exhibition of 1851. Also included are views of the Crystal Palace when it was rebuilt after the 1866 fire and then when it was destroyed again by fire in 1936. The book also tells the story of this legendary Victorian pleasure dome and its many incarnations. Much of our previous knowledge of this important building and its contents came almost entirely from engravings. The reproduction of these high quality original photographs allows, for the first time, a much fuller appreciation of one of the most important architectural and cultural features of mid-Victorian England, which in its heyday was visited by many millions of people.
| Author | : Samuel Phillips |
| Publisher | : |
| Total Pages | : 236 |
| Release | : 1858 |
| Genre | : |
| ISBN | : |
| Author | : Kate Nichols |
| Publisher | : |
| Total Pages | : 321 |
| Release | : 2015 |
| Genre | : Art |
| ISBN | : 0199596468 |
The marble halls of the British Museum might seem the natural habitat for classical sculpture, but in the nineteenth century its sombre displays were far from being the only place that people encountered antiquities. From 1854, a rival collection of classical sculpture, comprising plaster casts from major European museums and scaled down architectural features, was on show in the South London suburb of Sydenham, in the Crystal Palace which had housed the Great Exhibition of 1851. By the late 1850s, two million visitors were passing through the glass doors of the Sydenham Crystal Palace each year, more than twice as many as recorded at the British Museum. Many more people, and from a greater variety of social strata, saw the painted cast of the Parthenon frieze in Sydenham than the original in Bloomsbury. Utilizing an extensive variety of archival material, including diaries, scrapbooks and photographs, Greece and Rome at the Crystal Palace evokes visitor experiences at Sydenham, and examines the discussion that arose around the presentation of classical plaster casts to a mass audience. It uncovers the social, political, and aesthetic role of ancient Greek and Roman sculpture in modern Britain, assessing how classical art figured in debates over design reform, taste, beauty and morality, class and gender, and race and imperialism.
| Author | : John Hannavy |
| Publisher | : Routledge |
| Total Pages | : 1629 |
| Release | : 2013-12-16 |
| Genre | : Photography |
| ISBN | : 1135873275 |
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
| Author | : Owen Jones |
| Publisher | : |
| Total Pages | : 618 |
| Release | : 1868 |
| Genre | : Decoration and ornament |
| ISBN | : |
| Author | : Mari Lending |
| Publisher | : Princeton University Press |
| Total Pages | : 296 |
| Release | : 2022-06-14 |
| Genre | : Architecture |
| ISBN | : 0691239622 |
We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first comprehensive history of these full-scale replicas, Plaster Monuments examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today. Plaster Monuments unsettles conventional thinking about copies and originals. As Mari Lending shows, the casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. While architectural plaster casts fell out of fashion after World War I, Lending brings the story into the twentieth century, showing how Paul Rudolph incorporated historical casts into the design for the Yale Art and Architecture building, completed in 1963. Drawing from a broad archive of models, exhibitions, catalogues, and writings from architects, explorers, archaeologists, curators, novelists, and artists, Plaster Monuments tells the fascinating story of a premodernist aesthetic and presents a new way of thinking about history’s artifacts.
| Author | : Tim Hopkinson-Ball |
| Publisher | : Sutton Publishing |
| Total Pages | : 236 |
| Release | : 2007-01-01 |
| Genre | : Antiquities, Prehistoric |
| ISBN | : 9780750945646 |
The excavation of Glastonbury Abbey ruins was entrusted to Frederick Bligh Bond. He located many elements of the abbey but the revelation that he was guided by spirits of medieval monks and automatic writing caused scandal. This book aims to discover the real Bond - an author, an early pioneer of colour photography and a debunker of false mediums.
| Author | : Matthew Beaumont |
| Publisher | : Verso Books |
| Total Pages | : 595 |
| Release | : 2015-03-24 |
| Genre | : History |
| ISBN | : 178168796X |
A captivating literary portrait of London explored at night by some of the city’s most iconic writers throughout history “Cities, like cats, will reveal themselves at night,” wrote the poet Rupert Brooke. Before the age of electricity, the nighttime city was a very different place to the one we know today – home to the lost, the vagrant and the noctambulant. Matthew Beaumont recounts an alternative history of London by focusing on those of its denizens who surface on the streets when the sun’s down. If nightwalking is a matter of “going astray” in the streets of the metropolis after dark, then nightwalkers represent some of the most suggestive and revealing guides to the neglected and forgotten aspects of the city. In this brilliant work of literary investigation, Beaumont shines a light on the shadowy perambulations of poets, novelists and thinkers: Chaucer and Shakespeare; William Blake and his ecstatic peregrinations and the feverish ramblings of opium addict Thomas De Quincey; and, among the lamp-lit literary throng, the supreme nightwalker Charles Dickens. We discover how the nocturnal city has inspired some and served as a balm or narcotic to others. In each case, the city is revealed as a place divided between work and pleasure, the affluent and the indigent, where the entitled and the desperate jostle in the streets. With a foreword and afterword by Will Self, Nightwalking is a fascinating literary exploration of the writers who traverse the city at night and the people they meet.
| Author | : Antonio Fernández Puertas |
| Publisher | : |
| Total Pages | : 538 |
| Release | : 1997 |
| Genre | : Architecture |
| ISBN | : |
Based on many years of painstaking research and covering eleven centuries of medieval, modern and contemporary history, The Alhambra represents a major contribution to world scholarship. During his research for the book, the author has made some very exciting discoveries. He has, for example, resolved one of the great enigmas of Nasrid art by discovering the geometric proportional system on which the entire Alhambra architecture and decoration are based. The designs are at times so intricate that they baffle even professional mathematicians: Professor Fernaacute;ndez-Puertas has cracked the geometric code and discovered that the marvels of the Alhambra are built on a proportional system that is essentially incommensurable and not based on fixed units like metres or inches. This has involved making hundreds of analytical figures, many of which will be included in the book. Professor Fernaacute;ndez-Puertas is also the first to discover the chronological order in which the Alhambra palaces were built. He has collated much fragmentary information in order to reconstruct a picture of court life within the Alhambra and the personalities of its sultans and poet-viziers. The book thus contains the heart of three centuries of Nasrid art, as well as providing a history of the palatine city from the ninth century to the present day: the pre-Nasrid Alhambra, the Nasrid Alhambra and the Christian Alhambra. Based on many years of painstaking research and covering eleven centuries of medieval, modern and contemporary history, The Alhambra will be the most comprehensive scientific work yet issued on the subject--a work of this order is unlikely to be published again within our lifetime.
| Author | : Robert B. Taylor |
| Publisher | : Springer |
| Total Pages | : 249 |
| Release | : 2017-01-23 |
| Genre | : Medical |
| ISBN | : 3319503286 |
This book tells the intriguing and often colorful stories of the medical words we use. The origins of clinical and scientific terms can be found in Greek and Latin myths, in places such as jungles of Uganda and the islands of the Aegean Sea, in the names of medicine’s giants such as Hippocrates and Osler, and in some truly unlikely sources. In this book you will learn the answers to questions such as: • What disease was named for an American space flight? • Do you know the echoic word for elephantine rumbling of the bowels? • What drug name was determined by drawing chemists’ notes out of a hat? • What are surfer’s eye, clam digger’s itch, and hide porter’s disease? This book can give you new insights into the terms we use every day in the clinic, hospital, and laboratory. Knowing a word’s history assists in understanding not only what it means, but also some of the connotative subtleties of terms used in diagnosis and treatment. The Amazing Language of Medicine is intended for the enrichment of physicians, other health professionals, students, and anyone involved in clinical care and medical science.
