Philaster 1622
Download Philaster 1622 full books in PDF, epub, and Kindle. Read online free Philaster 1622 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Philaster, 1622
Author | : Francis Beaumont |
Publisher | : |
Total Pages | : 112 |
Release | : 1970 |
Genre | : English drama |
ISBN | : |
Philaster, 1622
Author | : Francis BEAUMONT (and FLETCHER (John) Dramatist.) |
Publisher | : |
Total Pages | : |
Release | : 1661 |
Genre | : |
ISBN | : |
The First Quarto of Othello
Author | : William Shakespeare |
Publisher | : Cambridge University Press |
Total Pages | : 168 |
Release | : 2001-08-16 |
Genre | : Drama |
ISBN | : 9780521562577 |
This is the first modernized and edited version of the 1622 text of Othello. It consists of a detailed introduction, quarto text, select collation and textual notes and is an important book for scholars in Shakespeare and Elizabethan-Jacobean drama, with wide ramifications for other Shakespeare textual studies and for students of early theatre history.
The Diaries of Northrop Frye, 1942-1955
Author | : Northrop Frye |
Publisher | : University of Toronto Press |
Total Pages | : 900 |
Release | : 2001-01-01 |
Genre | : Biography & Autobiography |
ISBN | : 9780802035387 |
This volume in the Collected Works provides a transcription of the seven books of diaries that Frye kept intermittently from 1942 until 1955.
A King and No King
Author | : Francis Beaumont |
Publisher | : Manchester University Press |
Total Pages | : 210 |
Release | : 2004 |
Genre | : Kings and rulers |
ISBN | : 9780719058639 |
A popular and influential play from its first performance in 1611 until the early eighteenth century, 'A King and No King' helped establish tragicomedy as the seventeenth century's favoured dramatic genre, and Beaumont and Fletcher as leading playwrights of the day.Accompanying this newly edited text, an introduction explores the play's sources, both literary and dramatic, and offers a thorough reconsideration of its relation to its social and political context, and contemporary issues of royal absolutism, good governance, and the political role of the aristocracy. In addition, the introduction provides the fullest available account of 'A King and No King''s stage history, tracing the shifts in cultural mores that eroded its popularity and ultimately consigned it to the study rather than the stage. This fully annotated edition encourages an appreciation of the play's very real virtues and will appeal to theatre professionals as well as to students of Renaissance drama.