Phantom Empires
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| Author | : Andrea Geiger |
| Publisher | : UNC Press Books |
| Total Pages | : 369 |
| Release | : 2022-03-15 |
| Genre | : History |
| ISBN | : 1469667843 |
Making a vital contribution to our understanding of North American borderlands history through its examination of the northernmost stretches of the U.S.-Canada border, Andrea Geiger highlights the role that the North Pacific borderlands played in the construction of race and citizenship on both sides of the international border from 1867, when the United States acquired Russia's interests in Alaska, through the end of World War II. Imperial, national, provincial, territorial, reserve, and municipal borders worked together to create a dynamic legal landscape that both Indigenous and non-Indigenous people negotiated in myriad ways as they traversed these borderlands. Adventurers, prospectors, laborers, and settlers from Europe, Canada, the United States, Latin America, and Asia made and remade themselves as they crossed from one jurisdiction to another. Within this broader framework, Geiger pays particular attention to the ways in which Japanese migrants and the Indigenous people who had made this borderlands region their home for millennia—Tlingit, Haida, and Tsimshian among others—negotiated the web of intersecting boundaries that emerged over time, charting the ways in which they infused these reconfigured national, provincial, and territorial spaces with new meanings.
| Author | : Geoffrey O'Brien |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 292 |
| Release | : 1993 |
| Genre | : Art |
| ISBN | : 9780393312966 |
The Phantom Empire is a brilliant, daring, and utterly original book that analyzes (even as it exemplifies) the effect that the image saturation of a hundred years of moving pictures have had on human culture and consciousness.
| Author | : J. P. Telotte |
| Publisher | : Routledge |
| Total Pages | : 121 |
| Release | : 2016-01-22 |
| Genre | : Performing Arts |
| ISBN | : 131723300X |
This book offers the first specific application in film studies of what is generally known as ecology theory, shifting attention from history to the (in this case media) environment. It takes the robot as its subject because it has attained a status that resonates not only with some of the key concerns of contemporary culture over the last century, but also with the very nature of film. While the robot has given us a vehicle for exploring issues of gender, race, and a variety of forms of otherness, and increasingly for asking questions about the very nature and meaning of life, this image of an artificial being, typically anthropomorphic, also invariably implicates the cinema’s own and quite fundamental artificing of the human. Looking across genres, across specific media forms, and across closely linked conceptualizations, Telotte sketches a context of interwoven influences and meanings. The result is that this study of the cinematic robot, while mainly focused on science fiction film, also incorporates its appearance in, for example, musicals, cartoons, television, advertising, toys, and literature.
| Author | : Dina Gusejnova |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2016-06-16 |
| Genre | : History |
| ISBN | : 1316666700 |
Who thought of Europe as a community before its economic integration in 1957? Dina Gusejnova illustrates how a supranational European mentality was forged from depleted imperial identities. In the revolutions of 1917 to 1920, the power of the Hohenzollern, Habsburg and Romanoff dynasties over their subjects expired. Even though Germany lost its credit as a world power twice in that century, in the global cultural memory, the old Germanic families remained associated with the idea of Europe in areas reaching from Mexico to the Baltic region and India. Gusejnova's book sheds light on a group of German-speaking intellectuals of aristocratic origin who became pioneers of Europe's future regeneration. In the minds of transnational elites, the continent's future horizons retained the contours of phantom empires. This title is available as Open Access.
| Author | : Bernard-Henri Lévy |
| Publisher | : Macmillan + ORM |
| Total Pages | : 139 |
| Release | : 2019-02-12 |
| Genre | : Political Science |
| ISBN | : 1250203023 |
One of the West’s leading intellectuals offers a provocative look at America’s withdrawal from world leadership and the rising powers who seek to fill the vacuum left behind. The United States was once the hope of the world, a beacon of freedom and the defender of liberal democracy. Nations and peoples on all continents looked to America to stand up for the values that created the Western worldand to oppose autocracy and repression. Even when America did not live up to its ideals, it still recognized their importance, at home and abroad. But as Bernard-Henri Lévy lays bare in this powerful and disturbing analysis of the world today, America is retreating from its traditional leadership role, and in its place have come five ambitious powers, former empires eager to assert their primacy and influence. Lévy shows how these five—Russia, China, Turkey, Iran, and Sunni radical Islamism—are taking steps to undermine the liberal values that have been a hallmark of Western civilization. The Empire and the Five Kings is a cri de coeur that draws upon lessons from history and the eternal touchstones of human culture to reveal the stakes facing the West as America retreats from its leadership role, a process that did not begin with Donald Trump's presidency and is not likely to end with him. The crisis is one whose roots can be found as far back as antiquity and whose resolution will require the West to find a new way forward if its principles and values are to survive. As seen on Real Time with Bill Maher (2/22/2019) and Fareed Zakaria GPS (2/17/2019).
| Author | : Paul S. Hirsch |
| Publisher | : University of Chicago Press |
| Total Pages | : 346 |
| Release | : 2021-07-12 |
| Genre | : History |
| ISBN | : 022635069X |
Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.
| Author | : Alison Baird |
| Publisher | : Aspect |
| Total Pages | : 660 |
| Release | : 2005-10 |
| Genre | : Fiction |
| ISBN | : 9780446613019 |
Baird, a fresh new voice in the tradition of Marion Zimmer Bradley, follows up "The Stone of the Stars" with this second installment of her Dragon Throne trilogy of adventure, magic, and mythic beasts.
| Author | : J. P. Telotte |
| Publisher | : Wesleyan University Press |
| Total Pages | : 236 |
| Release | : 1999 |
| Genre | : Fiction |
| ISBN | : 9780819563460 |
Science fiction films celebrate and critique the impact of a burgeoning technology on the world's cultural, political, and social milieu. The Machine Age, roughly delineated by the two decades between World Wars, was a watershed period during which modern society entered into an ambiguous embrace with technology that continues today. J. P. Telotte carefully blends film, technology, cultural, and genre studies to illuminate this nearly forgotten era in our cinematic history and to show, through analysis of classics like The Invisible Ray, Metropolis, and Things to Come, how technology played a major role as motif, "actor," and producer. What he also discovers as he ranges among the American, British, Russian, French, and German science fiction cinema — as well as mainstream films, figures, and cultural products such as the New York World's Fair — is a fundamental ambivalence, embedded in the films themselves, about the very machine-age ethos they promoted. Even as advances in the technical apparatus of filmmaking elevated it from mere entertainment to a medium of general communication and genuine artistic expression, Machine Age science fiction films remained curiously distant from and often skeptical of the very machines on which their narratives focus. The resulting tensions, Telotte writes, "thus seem to intersect with those implicit in a Western world that was struggling with its own transition into the modern," rendering the films' task inevitably paradoxical and difficult
| Author | : Mark Cotta Vaz |
| Publisher | : University of Texas Press |
| Total Pages | : 489 |
| Release | : 2021-01-05 |
| Genre | : Social Science |
| ISBN | : 1477321829 |
Superman may be faster than a speeding bullet, but even he can't outrun copyright law. Since the dawn of the pulp hero in the 1930s, publishers and authors have fought over the privilege of making money off of comics, and the authors and artists usually have lost. Jerry Siegel and Joe Shuster, the creators of Superman, got all of $130 for the rights to the hero. In Empire of the Superheroes, Mark Cotta Vaz argues that licensing and litigation do as much as any ink-stained creator to shape the mythology of comic characters. Vaz reveals just how precarious life was for the legends of the industry. Siegel and Shuster—and their heirs—spent seventy years battling lawyers to regain rights to Superman. Jack Kirby and Joe Simon were cheated out of their interest in Captain America, and Kirby's children brought a case against Marvel to the doorstep of the Supreme Court. To make matters worse, the infant comics medium was nearly strangled in its crib by censorship and moral condemnation. For the writers and illustrators now celebrated as visionaries, the "golden age" of comics felt more like hard times. The fantastical characters that now earn Hollywood billions have all-too-human roots. Empire of the Superheroes digs them up, detailing the creative martyrdom at the heart of a pop-culture powerhouse.
| Author | : Robert Isaac Wilberforce |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 231 |
| Release | : 2017-01-30 |
| Genre | : Religion |
| ISBN | : 1532617437 |
This edition was originally reprinted in 1899 with a few notes concerning Assyrian history.
