Humanly Possible

Humanly Possible
Author: Sarah Bakewell
Publisher: Vintage Canada
Total Pages: 465
Release: 2024-03-26
Genre: Philosophy
ISBN: 0735274320

The bestselling, prizewinning author of How to Live and At the Existentialist Café explores 700 years of writers, thinkers, scientists and artists, all trying to understand what it means to be truly human. If you are reading this, it’s likely you already have some affinity with humanism, even if you don’t think of yourself in those terms. You may be drawn to literature and the humanities. You may prefer to base your moral choices on fellow-feeling and responsibility to others rather than on religious commandments. Or you may simply believe that individual lives are more important than grand political visions or dogmas. If any of these apply, you are part of a long tradition of humanist thought, and you share that tradition with many extraordinary individuals through history who have put rational enquiry, cultural richness, freedom of thought and a sense of hope at the heart of their lives. Humanly Possible introduces us to some of these people, as it asks what humanism is and why it has flourished for so long, despite opposition from fanatics, mystics and tyrants. It is a book brimming with ideas, personalities and experiments in living – from the literary enthusiasts of the fourteenth century to the secular campaigners of our own time, from Erasmus to Esperanto, from anatomists to agnostics, from Christine de Pizan to Bertrand Russell, and from Voltaire to Zora Neale Hurston. It takes us on an irresistible journey, and joyfully celebrates open-mindedness, optimism, freedom and the power of the here and now—humanist values which have helped steer us through dark times in the past, and which are just as urgently needed in our world today. The bestselling, prizewinning author of How to Live and At the Existentialist Café explores 700 years of writers, thinkers, scientists and artists, all trying to understand what it means to be truly human.

Pangs of Love and Longing

Pangs of Love and Longing
Author: Anders Cullhed
Publisher: Cambridge Scholars Publishing
Total Pages: 305
Release: 2014-10-16
Genre: Literary Criticism
ISBN: 1443869732

The complex relationship between psychic structures, social norms, and aesthetic representations is a challenge for every analysis of the historical manifestations of human desire. Pangs of Love and Longing: Configurations of Desire in Premodern Literature sets out to provide a deeper understanding of this relation by an assessment of linguistic and artistic configurations of desire in European literature from Antiquity to the Early Modern period. The aim is to explore historic continuities and ruptures in attitudes towards sexuality, pleasures and bodies, as these are represented in a variety of cultural forms, in order to demonstrate the plurality of premodern desire – and, ultimately, to offer fresh perspectives on our present reality. The seventeen scholars participating in the anthology bring together theories and assessments from different areas of the Humanities – German, French, Italian, Spanish, English, and Comparative Literature, History of Ideas and of Art, Theology, Philosophy and Gender Studies. They are all engaged in cross-disciplinary activities at universities in Sweden, Norway and Denmark, and they all participate in the Scandinavian network “Configurations of Desire in Premodern Literature” initiated in 2010.

Discourses of Mourning in Dante, Petrarch, and Proust

Discourses of Mourning in Dante, Petrarch, and Proust
Author: Jennifer Rushworth
Publisher: Oxford University Press
Total Pages: 218
Release: 2016
Genre: Family & Relationships
ISBN: 0198790872

This book brings together, in a novel and exciting combination, three authors who have written movingly about mourning: two medieval Italian poets, Dante Alighieri and Francesco Petrarca, and one early twentieth-century French novelist, Marcel Proust. Each of these authors, through their respective narratives of bereavement, grapples with the challenge of how to write adequately about the deeply personal and painful experience of grief. In Jennifer Rushworth's analysis, discourses of mourning emerge as caught between the twin, conflicting demands of a comforting, readable, shared generality and a silent, solitary respect for the uniqueness of any and every experience of loss. Rushworth explores a variety of major questions in the book, including: what type of language is appropriate to mourning? What effect does mourning have on language? Why and how has the Orpheus myth been so influential on discourses of mourning across different time periods and languages? Might the form of mourning described in a text and the form of closure achieved by that same text be mutually formative and sustaining? In this way, discussion of the literary representation of mourning extends to embrace topics such as the medieval sin of acedia, the proper name, memory, literary epiphanies, the image of the book, and the concept of writing as promise. In addition to the three primary authors, Rushworth draws extensively on the writings of Sigmund Freud, Julia Kristeva, Jacques Derrida, and Roland Barthes. These rich and diverse psychoanalytical and French theoretical traditions provide terminological nuance and frameworks for comparison, particularly in relation to the complex term melancholia.

The Worlds of Petrarch

The Worlds of Petrarch
Author: Giuseppe Mazzotta
Publisher: Duke University Press
Total Pages: 252
Release: 1993-10-20
Genre: Literary Criticism
ISBN: 9780822313960

At the center of Petrarch's vision, announcing a new way of seeing the world, was the individual, a sense of the self that would one day become the center of modernity as well. This self, however, seemed to be fragmented in Petrarch's work, divided among the worlds of philosophy, faith, and love of the classics, politics, art, and religion, of Italy, France, Greece, and Rome. In recent decades scholars have explored each of these worlds in depth. In this work, Giuseppe Mazzotta shows for the first time how all these fragmentary explorations relate to each other, how these separate worlds are part of a common vision. Written in a clear and passionate style, The Worlds of Petrarch takes us into the politics of culture, the poetic imagination, into history and ethics, art and music, rhetoric and theology. With this encyclopedic strategy, Mazzotta is able to demonstrate that the self for Petrarch is not a unified whole but a unity of parts, and, at the same time, that culture emerges not from a consensus but from a conflict of ideas produced by opposition and dark passion. These conflicts, intrinsic to Petrarch's style of thought, lead Mazzotta to a powerful rethinking of the concepts of "fragments" and "unity" and, finally, to a new understanding of the relationship between them. Essential to students of Medieval and Renaissance literature, this book will engage anyone interested in the development of modernity as it has evolved in culture and is understood today.