Annual Report
Author | : United States. Small Business Administration |
Publisher | : |
Total Pages | : 360 |
Release | : 1992 |
Genre | : Small business |
ISBN | : |
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Author | : United States. Small Business Administration |
Publisher | : |
Total Pages | : 360 |
Release | : 1992 |
Genre | : Small business |
ISBN | : |
Author | : Julia Teweles |
Publisher | : Crossroad Press |
Total Pages | : 325 |
Release | : 2024-12-05 |
Genre | : Fiction |
ISBN | : |
“A frightening story told with skill and cunning… strong stuff.” – Peter Straub Featuring a new introduction by Billy Martin. Deep in the bowels of the dark, desolate warehouse, the terror lay waiting. It had waited for a hundred years. It could wait a few more days. And when the boy came—so young, so blissfully ignorant of the twisted secrets he disturbed—it would embrace him with sickening perfume and breathe unspeakable horrors into his ear! SEEDS OF DEATH! Lewis knew that something in that place wanted him—wanted to crawl into his mind. It knew his innermost fears and could twist his soul with its demented whispering. But most terrifying of all was that even as he ran screaming from its grasp, he knew he would have to go back…
Author | : Alison Pearlman |
Publisher | : University of Chicago Press |
Total Pages | : 288 |
Release | : 2003-06-15 |
Genre | : Art |
ISBN | : 9780226651453 |
American art of the 1980s is as misunderstood as it is notorious. Critics of the time feared that market hype and self-promotion threatened the integrity of art. They lashed out at contemporary art, questioning the validity of particular media and methods and dividing the art into opposing camps. While controversies have since subsided, critics still view art of the 1980s as a stylistic battlefield. Alison Pearlman rejects this picture, which is truer of the period's criticism than of its art. Pearlman reassesses the works and careers of six artists who became critics' biggest targets. In each of three chapters, she pairs two artists the critics viewed as emblematic of a given trend: Julian Schnabel and David Salle in association with Neo-Expressionism; Jean-Michel Basquiat and Keith Haring vis-à-vis Graffiti Art; and Peter Halley and Jeff Koons in relation to Simulationism. Pearlman shows how all these artists shared important but unrecognized influences and approaches: a crucial and overwhelming inheritance of 1960s and 1970s Conceptualism, a Warholian understanding of public identity, and a deliberate and nuanced use of past styles and media. Through in-depth discussions of works, from Haring's body-paintings of Grace Jones to Schnabel's movie Basquiat, Pearlman demonstrates how these artists' interests exemplified a broader, generational shift unrecognized by critics. She sees this shift as starting not in the 1980s but in the mid-1970s, when key developments in artistic style, art-world structures, and consumer culture converged to radically alter the course of American art. Unpackaging Art of the 1980s offers an innovative approach to one of the most significant yet least understood episodes in twentieth-century art.
Author | : Jerzy Mikulski |
Publisher | : Springer |
Total Pages | : 482 |
Release | : 2014-09-30 |
Genre | : Computers |
ISBN | : 3662453177 |
This book constitutes the proceedings of the 14th International Conference on Transport Systems Telematics, TST 2014, held in Katowice/Kraków and Ustroń, Poland, in October 2014. The 49 papers included in this volume were carefully reviewed and selected from 125 submissions. The papers provide an overview of solutions being developed in the fields of transport telematics and intelligent transport systems.
Author | : Wolfgang Nejdl |
Publisher | : Springer Science & Business Media |
Total Pages | : 737 |
Release | : 2006-09-22 |
Genre | : Education |
ISBN | : 3540457771 |
This book constitutes the refereed proceedings of the First European Conference on Technology Enhanced Learning, EC-TEL 2006. The book presents 32 revised full papers, 13 revised short papers and 31 poster papers together with 2 keynote talks. Topics addressed include collaborative learning, personalized learning, multimedia content, semantic web, metadata and learning, workplace learning, learning repositories and infrastructures for learning, as well as experience reports, assessment, and case studies, and more.
Author | : Tribikram Kundu |
Publisher | : John Wiley & Sons |
Total Pages | : 322 |
Release | : 2013-03-01 |
Genre | : Technology & Engineering |
ISBN | : 1118614895 |
Ultrasonic signals are increasingly being used for predicting material behavior, both in an engineering context (detecting anomalies in a variety of structures) and a biological context (examining human bones, body parts and unborn fetuses). Featuring contributions from authors who are specialists in their subject area, this book presents new developments in ultrasonic research in both these areas, including ultrasonic NDE and other areas which go beyond traditional imaging techniques of internal defects. As such, both those in the biological and physical science communities will find this an informative and stimulating read.
Author | : Pamela M. Lee |
Publisher | : Routledge |
Total Pages | : 290 |
Release | : 2013-01-25 |
Genre | : Art |
ISBN | : 1135858705 |
Pamela M. Lee’s New Games revisits postmodernism in light of art history's more recent embrace of "the contemporary." What can the theories and practices associated with postmodernism tell us about the obsession with the contemporary in both the academy and the art world? In looking at work by Dara Birnbaum, Öyvind Fahlström and Richard Serra, among others, Lee returns to Jean-Francois Lyotard's canonical text The Postmodern Condition as a means to understand more recent art-critical interests in interactivity, collectivism and neo-liberalism. She reads Lyotard's well-known treatment of language games relative to the game theory associated with the Cold War and the rise of the information society. New Games asks readers to think critically about our recent past and the embattled state of our contemporary preoccupations. With a critical introduction by Johanna Burton, New Games is the fourth and penultimate volume in Routledge’s series of short books on the theories of modernism by leading art historians on twentieth-century art and art criticism.
Author | : Cathrine Bublatzky |
Publisher | : Taylor & Francis |
Total Pages | : 431 |
Release | : 2019-08-02 |
Genre | : Art |
ISBN | : 1000186393 |
This book is an ethnographic study of the travelling art exhibition Indian Highway that presented Indian contemporary art in Europe and China between 2008 and 2012, a significant period for the art world that saw the rise and fall of the national exhibition format. It analyses art exhibition as a mobile "object" and promotes the idea of art as a transcultural product by using participant observation, in-depth interviews, and multi-media studies as research method. This work encompasses voices of curators, artists, audiences, and art critics spread over different cities, sites, and art institutions to bridge the distance between Europe and India based on vignettes along the Indian Highway. The discussion in the book focuses on power relations, the contested politics of representation, and dissonances and processes of negotiation in the field of global art. It also argues for rethinking analytical categories in anthropology to identify the social role of contemporary art practices in different cultural contexts and also examines urban art and the way national or cultural values are reinterpreted in response to ideas of difference and pluralism. Rich in empirical data, this book will be useful to scholars and researchers of modern and contemporary art, Indian art, art and visual culture, anthropology, art history, mobility, and transcultural studies.
Author | : |
Publisher | : Oxford University Press |
Total Pages | : 272 |
Release | : 2023-08-11 |
Genre | : |
ISBN | : 0198883099 |
The Ethics of Artificial Intelligence has two goals. The first goal is meta-theoretical and is fulfilled by Part One, which comprises the first three chapters: an interpretation of the past (Chapter 1), the present (Chapter 2), and the future of AI (Chapter 3). Part One develops the thesis that AI is an unprecedented divorce between agency and intelligence. On this basis, Part Two investigates the consequences of such a divorce, developing the thesis that AI as a new form of agency can be harnessed ethically and unethically. It begins (Chapter 4) by offering a unified perspective on the many principles that have been proposed to frame the ethics of AI. This leads to a discussion (Chapter 5) of the potential risks that may undermine the application of these principles, and then (Chapter 6) an analysis of the relation between ethical principles and legal norms, and a definition of soft ethics as post-compliance ethics. Part Two continues by analysing the ethical challenges caused by the development and use of AI (Chapter 7), evil uses of AI (Chapter 8), and good practices when applying AI (Chapter 9). The last group of chapters focuses on the design, development, and deployment of AI for Social Good or AI4SG (Chapter 10); the positive and negative impacts of AI on the environment and how it can be a force for good in the fight against climate change-but not without risks and costs, which can and must be avoided or minimised (Chapter 11); and the possibility of using AI in support of the United Nations Sustainable Development Goals (Chapter 12). The book concludes (Chapter 13) by arguing in favour of a new marriage between the Green of all our habitats and the Blue of all our digital technologies and how this new marriage can support and develop a better society and a healthier biosphere.