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| Author | : Kathleen Weaver |
| Publisher | : Penn State Press |
| Total Pages | : 330 |
| Release | : 2010-05-19 |
| Genre | : Poetry |
| ISBN | : 0271047879 |
"Examines the life and poetry of Magda Portal, a major figure in Latin American revolutionary politics. Includes a selection of poems available for the first time in English translation"--Provided by publisher.
| Author | : Maureen Ahern |
| Publisher | : |
| Total Pages | : 136 |
| Release | : 1970 |
| Genre | : English poetry |
| ISBN | : |
| Author | : Helen Maria Williams |
| Publisher | : Broadview Press |
| Total Pages | : 250 |
| Release | : 2014-12-08 |
| Genre | : Poetry |
| ISBN | : 1460404424 |
Helen Maria Williams’s epic poem Peru, first published in 1784, movingly recounts the story of Francisco Pizarro’s brutal conquest and exploitation of the Incas and their subsequent revolt against Spain. Like William Wordsworth, who revised The Prelude over the course of his life, Williams revisited her epic several times within almost four decades, transforming it with each revision. It began as an ambitious poetic blueprint for revolution—in terms of politics, gender, religion, and genre. By the time it appeared in 1823, under the title “Peruvian Tales” in her last poetry collection, Williams’s voice had become more moderate, more restrained; in her words, her muse had become “timid,” reflecting the cultural shift that had taken place in England since the poem’s earliest publication. This edition includes both versions of the poem, along with extensive examples of Williams’s literary sources, other poetic works, and the many and varied critical responses from contemporary reviewers.
| Author | : José Antonio Mazzotti |
| Publisher | : |
| Total Pages | : |
| Release | : 2019 |
| Genre | : Creoles in literature |
| ISBN | : 9781604979589 |
"More than with Lima, this book deals with a specific social formation, the criollos or Creoles, particularly the beneméritos or descendants of conquistadors, whose study has almost always framed them as belonging to a colonial past that was supposedly erased and surpassed during the Republic. This study demonstrates that the Creoles who emerged from this situation developed strategies of survival and negotiation and many mental habits that are still present in Peru today. The first generations of Creoles created an ethnic identity that can be understood as 'national' only in the archaic and pre-Enlightenment sense of the word, without necessarily looking for independence from Spain, but with local patriotic aspirations. Thus, although this study speaks mostly about the past, it aims to explain the present and the flaws of a supposedly democratic, modern national state, still obedient to the interests of internal colonialism and the traditional Europoid ethnic prevalence in Peru. Among other merits, this book contributes to decolonial theory through the historical and cultural analysis of a dominant group"--
| Author | : Maureen Ahern |
| Publisher | : |
| Total Pages | : 136 |
| Release | : 1970 |
| Genre | : English poetry |
| ISBN | : |
| Author | : Blanca Varela |
| Publisher | : Tolsun Books |
| Total Pages | : 184 |
| Release | : 2021-09-14 |
| Genre | : |
| ISBN | : 9781948800440 |
Poetry. Latinx Studies. Translated by Lisa Allen Ortiz and Sara Daniele Rivera. THE BLINDING STAR collects selected new translations of poems by the Peruvian poet Blanca Varela and includes two of her most experimental works in their entirety: The Book of Clay and Animal Concert. Although Varela has been categorized as a surrealist, this collection reframes her work as existentially feminist. There is nothing arbitrary in Varela's serrated language and carnal obsessions. She is telling the story of a woman's liminal being--her body as both a vessel of expectations and a vast unmapped interior. Octavio Paz described Varela's work as "Both the wound and the knife," and this collection emphasizes the duality of her poetry. These poems journey inward through dark gardens to expose the wound of grief and outward again with sharp clarity. Blanca Varela is a singular artist, furiously searching for fragments of brightness in the merciless landscape of her own mind.
| Author | : Carmen Giménez |
| Publisher | : Graywolf Press |
| Total Pages | : 110 |
| Release | : 2019-08-06 |
| Genre | : Poetry |
| ISBN | : 1555978924 |
Finalist for the National Book Award for Poetry • Finalist for the PEN Open Book Award • Finalist for the Los Angeles Times Book Prize Carmen Giménez Smith dares to demand renewal for a world made unrecognizable Be Recorder offers readers a blazing way forward into an as yet unmade world. The many times and tongues in these poems investigate the precariousness of personhood in lines that excoriate and sanctify. Carmen Giménez Smith turns the increasingly pressing urge to cry out into a dream of rebellion—against compromise, against inertia, against self-delusion, and against the ways the media dream up our complacency in an America that depends on it. This reckoning with self and nation demonstrates that who and where we are is as conditional as the fact of our compliance: “Miss America from sea to shining sea / the huddled masses have a question / there is one of you and all of us.” Be Recorder is unrepentant and unstoppable, and affirms Giménez Smith as one of the most vital and vivacious poets of our time.
| Author | : Dennis L. Siluk |
| Publisher | : iUniverse |
| Total Pages | : 89 |
| Release | : 2006-02 |
| Genre | : Body, Mind & Spirit |
| ISBN | : 0595384110 |
Siluk's 2005 reviews: Radio Programas del Peru, concerning publications: Spell of the Andes, and Peruvian Poems by Milagros Valverde (Milagros read poems from both of Mr. Siluk's books.) By JP Magazine, Jose Luis Pantoja Ventocilla. By Mayor Jesus Vargas Párraga of San Jeronimo, Peru, All mayors should recognize Dennis' work and publicize it . (Paraphrased.) Radio 91.7 Super Latina by Joseito Arrieta: the Municipality and the Cultural House from Huancayo should give an acknowledgement for the work [Dennis] did on The Mantaro Valley. Channel #5 Panamericana Good Morning Huancayo interviewed by: Vladimir Bendezu, on Mr. Siluk's books, and biography. Cesar Hildebrandt, International Journalist, Commentator; Channel #2, Lima, Peru, introduced Mr. Siluk's book, Peruvian Poems, to the world, saying: Peruvian Poems, is a most interesting book, and important Over 240,000-visitors came to Mr. Siluk's website in 2005. Siluk received a personally signed picture with compliments from the Dalai Lama, after sending him his book, The Last Trumpet on eschatology. Ezine Magazine: 12-million annual readerships: Siluk has over 10,000-readers per month; recognized as one of their most valued writers. Named columnist of the year by the UK, International Magazine. Siluk's books were recommended by the Cultural Agency, Peru, and the University of Minnesota.
| Author | : Dhyani Ywahoo |
| Publisher | : Shambhala Publications |
| Total Pages | : 320 |
| Release | : 1987-11-12 |
| Genre | : Body, Mind & Spirit |
| ISBN | : |
Gathers advice on obtaining happiness, finding fulfillment, clarifying the emotions, and promoting family harmony.
| Author | : Odi Gonzales |
| Publisher | : 2Leaf Press |
| Total Pages | : 155 |
| Release | : 2015-07-13 |
| Genre | : Poetry |
| ISBN | : 1940939259 |
BIRDS ON THE KISWAR TREE by Peruvian Andean poet Odi Gonzales presents poems that sing in the voices of native birds and speak through the devout, but subversive, Quechua artists of Peru’s colonial era. Their religious art provides the imagery for these astounding poems. In the Eden painted by one anonymous artist, Andean kiswar trees grow, native ñukchu flowers bloom, llamas graze, and parrots perch in the trees, and in out-of-the-way nooks of Andean churches, rebel angels hide, armed with harquebuses. Canvas by canvas, poem by poem, Gonzales gives us a poetry collection as a living and talking museum in which the Quechua artists of Peru’s past demonstrate both their sincere Christian faith and their opposition to the Spanish destruction of the Inca empire. Originally published in Peru in 2005 as La Escuela de Cusco (The School of Cusco), BIRDS ON THE KISWAR TREE stands as an elegant and richly imagined tribute to these indigenous and mestizo artists. By extension, it shows how artists may put forth their views when prevailing circumstances make outward protest a perilous option.
